| Photos (See all 37 | slideshow) | Videos (see all 12) |
| Tyler Perry | ... | Madea / Joe / Tyler Perry | |
| Loretta Devine | ... | Shirley | |
| Cassi Davis | ... | Aunt Bam | |
| Shannon Kane | ... | Kimberly | |
| Isaiah Mustafa | ... | Calvin | |
| Natalie Desselle | ... | Tammy (as Natalie Desselle Reid) | |
| Rodney Perry | ... | Harold | |
| Tamela J. Mann | ... | Cora | |
| David Mann | ... | Brown | |
| Bow Wow | ... | Byron (as Shad 'Bow Wow' Moss) | |
| Teyana Taylor | ... | Sabrina | |
| Lauren London | ... | Renee | |
| Stevie Wash Jr. | ... | H.J. | |
| Nicholas Milton | ... | Will | |
| Benjamin 'LB' Aiken | ... | C.J. | |
| Philip Anthony-Rodriguez | ... | Dr. Evans | |
| Maury Povich | ... | Maury Povich | |
| Stephen Caudill | ... | Policeman | |
| Chandra Currelley-Young | ... | Sister Laura (as Chandra Currelley) | |
| Palmer Williams Jr. | ... | Manager | |
| Yakini Horn | ... | Worker | |
| James Farster | ... | Clerk | |
| Ron Grant | ... | Pastor Jackson | |
| Cindy L. Jefferson | ... | Nanny | |
| Cheryl Pepsii Riley | ... | Choir | |
| Crystal Collins | ... | Choir | |
| Dequina Moore | ... | Choir | |
| Tamar Davis | ... | Choir | |
| Danny Clay | ... | Choir | |
| Brandi Milton | ... | Choir | |
| Jeffrey Lewis | ... | Choir | |
| Zuri Craig | ... | Choir | |
| Kislyck 'Kissy' Halsey | ... | Choir | |
| Kristal Danyell Murphy | ... | Choir | |
| Dave Tolliver | ... | Choir | |
| Kenneth 'Mistro' Lowe | ... | Choir | |
| Tim Stylez | ... | Choir | |
| Monica Lisa Stevenson | ... | Choir | |
| Eugene Clarence Brown Jr. | ... | Choir | |
| Mark Swinton | ... | Choir Leader (as Mark E. Swinton) | |
| Donna Newsome | ... | Choir Pre Record | |
| Ronnie Garrett | ... | Band Leader / Bass & Strings | |
| Marcus Williams | ... | Band Drums | |
| Natalie Ragins | ... | Band Keyboards | |
| Michael Burton | ... | Band Sax | |
| Melvin Jones | ... | Band Trumpet | |
| Derek Scott | ... | Band Guitar | |
| Justin Gilbert | ... | Band Organ & Piano | |
| rest of cast listed alphabetically: | |||
| Shellita Boxie | ... | Customer #1 | |
| Demetrius B. Banks | ... | Carwash Patron (uncredited) | |
| Rob Epstein | ... | Home Buyer (uncredited) | |
| Walter Hendrix III | ... | Precision Driver (uncredited) | |
| Maggie Hollis | ... | Lady in Waiting Room (uncredited) | |
| Deborah Hurm | ... | Hospital Visitor (uncredited) | |
| Ken Melde | ... | Doctor (uncredited) | |
| Joanna Theobalds | ... | Agent (uncredited) | |
Directed by | |||
| Tyler Perry | |||
Writing credits(in alphabetical order) | ||
| Tyler Perry | screenplay | |
Original Music by | |||
| Aaron Zigman | |||
Cinematography by | |||
| Toyomichi Kurita | |||
Film Editing by | |||
| Maysie Hoy | |||
Casting by | |||
| Kim Williams | |||
Production Design by | |||
| Ina Mayhew | |||
Set Decoration by | |||
| Lance Totten | |||
Costume Design by | |||
| Keith G. Lewis | |||
Makeup Department | |||
| Lay'Na Anderson | .... | additional makeup artist | |
| Martin Astles | .... | makeup effects sculptor | |
| Erin Hicks | .... | key hair stylist | |
| Keitric Starks | .... | third makeup | |
| Wesley Wofford | .... | key prosthetic makeup | |
Production Management | |||
| Curtis A. Miller | .... | production director: Lionsgate | |
| Carl Pedregal | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Roger M. Bobb | .... | first assistant director | |
| Rhonda Guthrie | .... | second second assistant director | |
| Antoine Massey | .... | dga trainee | |
Art Department | |||
| Danny Brown | .... | assistant art director | |
| Cristina Lucia Cesari | .... | buyer | |
| Rob Hamby | .... | propmaker | |
| Solomon King | .... | carpenter | |
| Eliot Levin | .... | props | |
| Konrad Lewis | .... | set dresser | |
| Melinda Sanders | .... | buyer | |
| Mike Sullivan | .... | scenic charge | |
| Dion Watkins | .... | art production assistant | |
| Jay Womer | .... | construction coordinator | |
Sound Department | |||
| Steve Bartkowicz | .... | sound re-recording engineer | |
| Laura R. Harris | .... | dialogue editor (as Laura Harris Atkinson) | |
| Jason C. Lewis | .... | sound utility | |
| Roy Machado | .... | adr mixer | |
| Robert Maxfield | .... | boom operator | |
| Christopher Mills | .... | efp sound | |
| Carl Rudisill | .... | sound mixer | |
| David Stanke | .... | first assistant sound editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Jon Title | .... | sound effects editor | |
| Kimberly Wilhoit | .... | foley editor | |
| Michael D. Wilhoit | .... | supervising sound editor | |
| James Wright | .... | dolby sound consultant | |
Visual Effects by | |||
| Cortney Haile | .... | visual effects executive | |
| Ariel Loza | .... | cg artist: Rok!t | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Francesco Panzieri | .... | digital compositor: 2G Digital Post | |
| Mitch Paulson | .... | supervising digital colorist | |
| Jason Sanford | .... | visual effects producer | |
| Richard Servello | .... | lead compositor | |
| Doug Spilatro | .... | visual effects | |
| Ashley J. Ward | .... | visual effects coordinator | |
Stunts | |||
| Shellita Boxie | .... | stunt performer | |
| Jwaundace Candece | .... | stunt performer | |
| Scott Dale | .... | stunt coordinator | |
| Troy Faruk | .... | stunt performer | |
| Paul Brian Johnson | .... | stunt performer | |
Camera and Electrical Department | |||
| Joshua Adam Bermudez | .... | grip | |
| Breyaan Bolling | .... | lighting technician | |
| Clyde E. Bryan | .... | first assistant camera: b camera | |
| Quantrell D. Colbert | .... | still photographer | |
| Jeff Crumbley | .... | camera operator | |
| Marc Dobiecki | .... | director of photography: second unit | |
| Kevin Hightower | .... | electrician | |
| Sherri Angela Leger | .... | second assistant camera: "b" camera | |
| Jason Lerczak | .... | rigging electrician | |
| Bob Mahoney | .... | still photographer | |
| Kevin Murphy | .... | gaffer | |
| Matt Robinson | .... | rigging grip | |
| German Valle | .... | key electric | |
| Paul E. Woods | .... | film loader | |
Costume and Wardrobe Department | |||
| Sylvia Akuchie | .... | costumer | |
| Sylvia Akuchie | .... | set costumer | |
| Chantel L. Brown | .... | additional costumer | |
| Shayne Allen Duhon | .... | set costumer | |
| Rhonney Greene | .... | key costumer | |
Editorial Department | |||
| Tricia Chiarenza | .... | color timer | |
| Rachel Faith Hanson | .... | dailies | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Joi McMillon | .... | first assistant editor | |
| Justin Powell | .... | post-production assistant | |
| Scott Simerly Jr. | .... | post-production assistant | |
| Ariana Young | .... | post-production coordinator | |
Music Department | |||
| Johnny Caruso | .... | supervising music editor | |
| Neely Dinkins Jr. | .... | cues composer | |
| George Doering | .... | musician | |
| Joel C. High | .... | music supervisor | |
| Steve Juliani | .... | music preparation | |
| Natalie Ragins | .... | musician | |
| Rebecca Rienks | .... | assistant music supervisor | |
| Peter Rotter | .... | music contractor | |
| Michael Stern | .... | music scoring mixer: recording engineer | |
| Sam Zeines | .... | music editor | |
Transportation Department | |||
| Tracy L. Coker | .... | driver | |
Other crew | |||
| Jill Andrade | .... | executive assistant to Mr. Ozzie Areu | |
| Ozzie Areu | .... | president: Tyler Perry Studios | |
| Will Areu | .... | SVP, Tyler Perry Studios | |
| Colbert Bernard | .... | production assistant | |
| Khalilah Birdsong | .... | creative executive | |
| Hannah Boyce | .... | post production intern | |
| Crystal D. Brown | .... | production assistant | |
| Michael L. Covington | .... | stand-in | |
| Derrick Doose | .... | key production assistant | |
| Tsedy Gebeyehu | .... | assistant production coordinator | |
| Angela Harvey | .... | assistant to executive producer | |
| Liam Hearne | .... | post production accountant | |
| Jade A. Holmes | .... | production secretary | |
| Chris Kelsey | .... | second assistant accountant | |
| Karen Marie Mason | .... | location manager | |
| Zoana Price | .... | executive assistant to producer | |
| Emily Rice | .... | post production accountant | |
| Robert Severance | .... | police security | |
| Donna Sloan | .... | executive vice president: production, Lions Gate Films | |
| Michael C. Smith | .... | police coordinator | |
| Zachary Streich | .... | post production intern | |
| Whitney Valcin | .... | accounting production assistant | |
| Steve Viola | .... | main title supervisor | |
| Carole Wurst | .... | executive assistant: Tyler Perry | |
| Dana Abercrombie | .... | stand-in: Madea (uncredited) | |
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| The Kids Are All Right | Samson and Delilah | Blue Valentine | Gone with the Wind | In This Our Life |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I have to make a confession. I watch Tyler Perry's Madea films. OK, JUST HEAR ME OUT! Now, I think they're all FAR from perfect films, but at the very least, I do enjoy watching the portions featuring Madea. Such was the case of my latest viewing, Madea's Big Happy Family. It's a bit embarrassing to say, but let's just get down to my review.
First of all, we have a tangled web of subplots. The mother of a family, Shirley, is devastated to discover that her case of cancer has worsened, prompting her to plan a family dinner to tell her children about her condition. This includes her daughters, Kimberly and Tammy. Kimberly is a secretive woman (Improperly focused character #1), and Tammy is having trouble with her marriage, and her two disobedient children. This also includes Byron, a man on an unlucky streak, having served jail time for selling drugs, and behind on paying child support to his insufferably obnoxious ex-girlfriend. There's also some drama between Cora and Mr. Brown. But leave it to Madea to set things straight, and not be afraid to beat the living hell out of anyone who steps out of line.
This movie is textbook Tyler Perry. As always, he gathers together a cast that could have been quite good, with good material, but their characters are inconsistently written, and their focus tends to blur because the script is overly cluttered with subplots. It's not a problem because they're hard to follow (They really aren't), but it's because it doesn't give these characters all the attention they deserve.
This isn't even mentioning Tyler Perry's ubiquitous switch in tone. His rhythm moves as comedic scene, dramatic scene, comedic scene, etc. I think the comedy portions are better than the dramatic portions, but the flip flopping between the two makes things feel dull. At the end of the day, I didn't emotionally connect with the story like I feel I should have. For once, I wish Perry would construct a film that's sure of what it wants to be.
I give it ** out of ****