| Lisa McGowan | ... | Herself | |
| Tim Lewis | ... | Himself | |
| Kirk Engdall | ... | Himself | |
| Jim Flynn | ... | Himself | |
| Jenny Synan | ... | Herself | |
| Susan Synan | ... | Herself | |
| Bill Barton | ... | Himself | |
| Leslie James Pickering | ... | Himself | |
| Greg Harvey | ... | Himself | |
| Chuck Tilby | ... | Himself | |
| Suzanne Savoie | ... | Herself | |
| Steve Swanson | ... | Himself | |
| Chuck Wert | ... | Himslf | |
| Don Rice | ... | Himself | |
| Jake Ferguson | ... | Himself | |
| Dan McGowan | ... | Himself | |
| Lauren Regan | ... | Herself | |
| Setphen Peifer | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Alberto Gonzales | ... | Himself (archive footage) | |
| Daniel McGowan | ... | Himself | |
| Dan Rather | ... | Himself (archive footage) | |
| Mike Wallace | ... | Himself (archive footage) | |
Directed by | |||
| Marshall Curry | |||
| Sam Cullman | (co-director) | ||
Writing credits(in alphabetical order) | ||
| Marshall Curry | written by | |
| Matthew Hamachek | written by | |
Produced by | |||
| Steve Bannatyne | .... | executive producer (as Stephen Bannatyne) | |
| Marcia Carver | .... | executive producer: Lucky Hat Entertainment | |
| Sam Cullman | .... | producer | |
| Marshall Curry | .... | producer | |
| Sally Jo Fifer | .... | executive producer: ITVS | |
| Nick Fraser | .... | executive producer: BBC | |
| Bill Gallagher | .... | line producer | |
| Simon Kilmurry | .... | executive producer: POV | |
| Jo Lapping | .... | producer: BBC | |
Original Music by | |||
| James Baxter | |||
Cinematography by | |||
| Sam Cullman | |||
Film Editing by | |||
| Marshall Curry | |||
| Matthew Hamachek | |||
Production Management | |||
| Allison Davis | .... | production manager | |
Sound Department | |||
| Chad Birmingham | .... | sound editor | |
| Chad Birmingham | .... | sound re-recording mixer | |
| Sam Cullman | .... | sound recordist | |
| Marshall Curry | .... | sound recordist | |
| Paul Hsu | .... | sound designer | |
Visual Effects by | |||
| Brittany De Nigris | .... | motion graphics assistant | |
| Joe Posner | .... | motion graphics | |
Camera and Electrical Department | |||
| Marshall Curry | .... | additional camera | |
| Skye Fitzgerald | .... | additional camera | |
| Bill Gallagher | .... | additional camera | |
| Tim Lewis | .... | additional camera | |
| Jeremy Medoff | .... | additional camera (as Jeremy Medhoff) | |
| Andy Pratt | .... | additional camera | |
| Yun Rhee | .... | archival photography | |
| Chris Teague | .... | additional camera | |
| T.J. Watt | .... | still photographer | |
Editorial Department | |||
| Katie Earls | .... | post-production assistant | |
| Tina Grapenthin | .... | assistant editor | |
| Eric Daniel Metzgar | .... | editor: promotion reel | |
| Mark Rattelle | .... | post-production assistant | |
| Yun Rhee | .... | photo editor | |
| Charlie Rokosny | .... | colorist | |
| Caitlin Tartaro | .... | on-line producer (uncredited) | |
Music Department | |||
| Marshall Curry | .... | music clearances | |
| The National | .... | composer: additional music | |
| Nick Stumpf | .... | composer: additional music | |
Other crew | |||
| Iddo Arad | .... | legal services: Frankfurt, Kurnit, Klein & Selz | |
| Jenile Brooks | .... | intern | |
| Victoria S. Cook | .... | legal services: Frankfurt, Kurnit, Klein & Selz | |
| Jason Emerton | .... | business affairs: BBC | |
| Zach Fox | .... | intern | |
| Noah Goldman | .... | intern | |
| Karen Holmes | .... | intern | |
| Rachel Kolb | .... | intern | |
| Judy Landau | .... | production research | |
| Steven Loring | .... | archival research | |
| Priya Masilamani | .... | legal services: Lowenstein Sandler | |
| Liza Mueller | .... | transcriptions | |
| Mike Ohrenberger | .... | intern | |
| Ann Orrin | .... | intern (as Anne Orrin) | |
| Denise Pasquinelli | .... | intern | |
| Ludovic Pronko | .... | intern | |
| Karen Shatzkin | .... | legal services: Shatskin & Mayer | |
| Taiki Sugioka | .... | intern | |
| Kara Suzanne | .... | bookkeeper | |
| Babette Wielenga | .... | intern | |
| Davis Wright | .... | legal services (as Davis Wright Tremaine) | |
| Edward M. Zimmerman | .... | legal services: Lowenstein Sandler | |
| Dan Berger | .... | production coordinator (uncredited) | |
| David Magdael | .... | publicist (uncredited) | |
Thanks | |||
| David Cieri | .... | thanks | |
| Cecil Esquivel-Obregon | .... | thanks | |
| Liz Garbus | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
What are the criteria for being a terrorist? What should be the criteria for a being a terrorist? Is an environmentalist who burns down the empty office of a logging company in the middle of the night comparable to crimes committed by people like Timothy McVeigh or Osama bin Laden? Is this crime to be put on the same legal shelf as those who fly planes into skyscrapers and kill thousands of people? Ask any three people and you are likely to get three different answers, after all, the people you ask probably aren't the ones going to prison for it.
Marshall Curry's documentary If a Tree Falls: A Story of the Earth Liberation Front begins by showing us some acts of "eco-terrorism", acts in which radical environmentalists whose peaceful protests have fallen on deaf ears and turned up the heat by setting fires to lumber mills, wild horse corrals, SUV dealerships and meat packing plants. They were called The Earth Liberation Front or E.L.F. unorganized group of radicals willing to cause millions of dollars in property damage in the name of keeping corporate America from destroying the planet. The knee-jerk reaction, of course, is to dismiss these individuals as a bunch of over-zealous ya-hoos who just enjoy watching things burn. Yet, the film is something more, as we watch it, we are taken into the lives of some of the members of the E.L.F. and begin to understand what they are fighting for. That leads to questions of whether or not their legal prosecution is really fair.
The E.L.F. get the attention of, not only their targets, but the F.B.I. who quickly labels the group as "The number one domestic terrorist threat" and launches a full-scale investigation of the individuals involved, an investigation that resembles in many ways the F.B.I.'s investigation of the mafia 50 years ago.
What is interesting is that even while we don't agree with what the E.L.F. is doing, the film gives us images that allow us to understand their point of view. We see footage of trees that have stood for thousands of years, blindly cut down. We see horse mills, with hundreds of dead horses hung from the ceiling. We see the heartbreaking sight of a group of legendary trees sawed down to make a parking lot.
We see the protesters themselves, camped out in the trees that are to be cut down, beaten and maced unmercifully by the local police. In a scene that resembles the riots of the 1960s, we see members of the E.L.F. with their faces covered marching into the streets and then beaten and clubbed. The irony is that the members of the group who are clearly guilty of vandalism haven't done any physical harm to other human beings but are being beaten down by law enforcement as if they were murderers.
Let us make no mistake, what the E.L.F doing is wrong, unlawful and is deserving a punishment by law, and yes, jail time. The point is that this film questions the severity of the extent of that punishment. Curry's film moves very deeply into that very question and wonders about the fate of Daniel McGowen, whose story provides the film's bookends, goes under house arrest in his sister's home until his trial in which it will be decided what kind of jail time he will do for the crime of arson. He seems like a nice kid with a sweet voice, somewhere in his mid-20s who smiles a lot, but has eyes that are much more thoughtful, focused and intelligent than most kids his age. When he goes to trial and receives his sentence, we aren't surprised that it is harsh. What does surprise us is the information that McGowan is now going to spend the rest of his life on the government's terrorist watchdog list. Why? His crime, at best, results in malicious vandalism. Why a life sentence on the same list as Khalid Sheikh Mohammad, the architect of the 9/11 attacks?