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CBGB (2013)

R  |   |  Drama, Music  |  11 October 2013 (USA)
6.5
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Ratings: 6.5/10 from 4,516 users   Metascore: 30/100
Reviews: 26 user | 34 critic | 17 from Metacritic.com

A look at the New York City punk-rock scene and the venerable nightclub, CBGB.

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Cast

Cast overview, first billed only:
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Lisa Kristal
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Cheetah Chrome
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Mad Mountain
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Mary Harron
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Idaho
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Storyline

CBGB follows the story of Hilly Kristal's New York club from its conceit as a venue for Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock 'n roll and punk. When Kristal had difficulty booking country bands in his club on the Bowery he opened his doors to other kinds of rock music. Kristal had one demand of the acts he booked; they could only play original music. No top 40's, no covers. It was the credo he lived by, support the artist at whatever the cost. Hilly Kristal ironically became known as the godfather of punk giving a chance to such bands as Blondie, Television, Ramones, Talking Heads, Dead Boys and The Police. Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

50,000 bands and 1 disgusting bathroom.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for language throughout, some sexual content, drug use, and a scene of violence.

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 October 2013 (USA)  »

Also Known As:

CBGB: O Berço do Punk Rock  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$4,000 (USA) (4 October 2013)

Gross:

$40,400 (USA) (18 October 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In CBGB, Ryan Hurst plays Mad Mountain,the lead biker in a gang called Titans of Hell. He also played Gerry Bertier in "Remember the Titans". As well as another biker, Opie, in Sons of Anarchy. See more »

Goofs

In the subway scene where Taxi is waiting for a train, a train which is shown passing by is a modern NYC transit train. NYC subway trains in the 70s did not have digital train information on the sides of the cars. See more »

Quotes

Hilly Kristal: Where are you guys from?
Cheetah Chrome: Cleveland, sir.
Hilly Kristal: Well, I'm impressed with the youth of Cleveland.
Cheetah Chrome: You shouldn't be.
Hilly Kristal: Why not?
Cheetah Chrome: Lot of losers.
See more »

Crazy Credits

"This film is dedicated to... Hilly Kristal and all those who worked at and lived at CBGB. MAY THEY ROCK ON FOREVER! No animals were harmed during the making of this film... The cockroach guts were Fig Newtons. And we know that Iggy Pop never played at CBGB... Just deal with it." See more »

Connections

References M (1931) See more »

Soundtracks

Out of Control
Written by Jayne County (as Wayne County) & Greg VanCook
Performed by Wayne County & The Electric Chairs
Courtesy of Safari Records
See more »

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User Reviews

 
Great film about an important moment in music history
3 October 2013 | by (France) – See all my reviews

As someone who was "there" but as an outsider (14-year-old kid from NJ who idolized Punk magazine and especially the Ramones), I loved this film. Yes, I recognize a number of liberties were taken with the truth, but this film allowed me to relive the thrill I used to experience going to CBGB's (as we called it) back in the day (I started going around 1976 or so). Even more than that, it's great to get a glimpse of how CBGB's came to be.

More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.

The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?

However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.

For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.

And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)


27 of 39 people found this review helpful.  Was this review helpful to you?

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