| Videos (see all 2) |
| Marla Sokoloff | ... | Della Young | |
| Mark Webber | ... | Jim Young | |
| rest of cast listed alphabetically: | |||
| Michelle Beamish | ... | Jessie | |
| Glynis Casson | ... | Mrs. Greenwood | |
| Thomas Grube | ... | Mitch | |
| Gary Hetzler | ... | Clint Greer | |
| Eamonn Hunt | ... | Wilson | |
| Roisin Kiely | ... | Cinema Couple | |
| Shannon Lambert-Ryan | ... | Bethany Wilkes | |
| Gerry McCann | ... | City Representative | |
| Barry McGovern | ... | Gary Janardi | |
| Clelia Murphy | ... | Simone | |
| Helen Norton | ... | Photo Shop Owner | |
| Tomas O'Suilleabhain | ... | Ian McDermott (as Tom Ó Suilleabháin) | |
| Scott Paschall | ... | Mike Hasse (as Paschall Scott) | |
| Donna Patrice | ... | Co-Worker | |
| Megan Riordan | ... | Renee | |
| Caleb Barton Smith | ... | Matty | |
| Lesa Thurman | ... | Hillary Brodski | |
| Paul Tylak | ... | George Thayer | |
| Orla Tobin | ... | Co-worker (uncredited) | |
Directed by | |||
| Lisa Mulcahy | |||
Writing credits(in alphabetical order) | ||
| Jennifer Notas | written by | |
Produced by | |||
| Mary Callery | .... | executive producer | |
| Mark Grenside | .... | executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Susan Holmes | .... | production executive | |
| Alan Moloney | .... | executive producer | |
| Clíona Ní Bhuachalla | .... | producer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| Ciarán Tanham | |||
Film Editing by | |||
| Guy Montgomery | |||
Casting by | |||
| Louise Kiely | |||
Production Design by | |||
| Tamara Conboy | |||
Costume Design by | |||
| Susan Scott | |||
Production Management | |||
| Dee Collier | .... | post-production supervisor | |
| Judith Fleeton | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Barry Keil | .... | first assistant director | |
| Tj O'Grady Peyton | .... | trainee assistant director | |
| Steven Sheehy | .... | trainee assistant director | |
Art Department | |||
| Lucy Gouldthorpe | .... | props | |
| Nenazoma McNamee | .... | assistant art director | |
| Marion Picard | .... | prop buyer | |
| Pilar Valencia | .... | graphic designer | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Patrick Drummond | .... | supervising sound editor | |
| Steve Fanagan | .... | sound effects editor | |
| Philippe Faujas | .... | sound recordist | |
| Ken Galvin | .... | sound re-recording mixer | |
| John Griffin | .... | adr recordist | |
| Aza Hand | .... | dialogue editor | |
| Dave Harris | .... | boom operator | |
| Eoghan McDonnell | .... | foley editor | |
| Jean McGrath | .... | foley recordist | |
| Ciara Murphy | .... | dialogue editor | |
| Sean Plunkett | .... | sound trainee | |
Camera and Electrical Department | |||
| Karina Finegan Alves | .... | still photographer | |
| Noah Davis | .... | second assistant camera | |
| Paul Deane | .... | digital image technician | |
| Steffan Hill | .... | still photographer | |
| Dave King | .... | grip | |
Costume and Wardrobe Department | |||
| Vanessa Breen | .... | set costumer | |
| Fiona Brownlie | .... | costume supervisor | |
| Belle Phipps | .... | wardrobe trainee | |
Editorial Department | |||
| Sebastian Guest | .... | colorist | |
| Edel McDonnell | .... | assistant editor | |
Transportation Department | |||
| Paul Cullen | .... | transportation captain | |
Other crew | |||
| Anna-Maria Ní Chathasaigh | .... | script supervisor | |
| Eamonn Cleary | .... | scout | |
| Orla Heffernan | .... | production assistant | |
| Jane McCabe | .... | production coordinator | |
| Orla Tobin | .... | assistant co-ordinator | |
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| Elevator Girl | A Taste of Romance | Keeping Up with the Randalls | Sugar & Spice | 9 Shades |
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| Full cast and crew | Company credits | External reviews |
| IMDb USA section |
O. Henry's "The Gift of the Magi" is one of the two best-known secular Christmas stories -- the other is, of course, Dickens' "A Christmas Carol". It is also much harder to translate to a screen feature, since O. Henry specialized in short stories with 'snapper' endings -- usually sardonic jokes on their protagonists.
This TV movie makes a fair try at filling up the spaces by updating the story -- modern urban women no longer sell their hair to wig makers, and certainly not to buy fobs for their husbands' pocket watches, since men mostly don't use pocket watches these days.
But the poor we always have with us, so this story is about a husband who wants to buy a good lens for his wife's beloved heirloom camera while she wants to buy an original steering wheel for the vintage car he is restoring -- these stand in for the original gifts. And the leads, Marla Sokoloff and Mark Webber, are handsome and loving.
But the story telling soon gets lost in a maze of secondary characters who are used to fill up the time, and while Ms. Sokoloff continues as earnest throughout, Webber turns into an inconsiderate boor by the time the story is heading towards the lap.
Over all, it's a good effort, and the casting and direction are good, but the script needs a bit of work and focus, making this simply watchable. A pity.