Set in the turbulence of the 1930s British India, a 14 year old boy, Jhunku, and his journey to find where he belongs. For the first time in Indian history, the British army is defeated by ... See full summary »

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Cast

Cast overview, first billed only:
...
Surya Sen (as Manoj Bajpai)
Barry John ...
Wilkinson
Delzad Hiwale ...
Jhunku Roy
...
Pritilata Waddedar
...
Nirmal Sen
...
Lokenath Bal (as Raj Kumar Yadav)
...
Anant Singh
...
Jhunku Roy
Dibyendu Bhattacharya ...
Ambika
Vishal Vijay ...
Ganesh Ghosh
...
Charles Johnson
Anurag Arora ...
Ahsanullah
Sauraseni Maitra ...
Chaiti Ghosh ...
Paritosh Sand ...
Nilesh Roy
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Storyline

Set in the turbulence of the 1930s British India, a 14 year old boy, Jhunku, and his journey to find where he belongs. For the first time in Indian history, the British army is defeated by a ragtag army of schoolboys and their teacher, Masterda. Called a traitor by his peers, and let down by a man he trusts, Jhunku impulsively joins the movement. As his world is turned upside down, Jhunku is forced to confront his self-doubts. As the leaders of the movement are progressively caught or killed, Jhunku battles against seemingly insurmountable odds to win a victory of his own. The film is an exciting action-drama, made more so by the fact that it is true. Written by Anonymous

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Ordinary Boys, Extraordinary Triumph

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Action | Drama | War

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Release Date:

12 October 2012 (India)  »

Also Known As:

Читтaгонг  »

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Chittagong is the largest port city and second largest city of now BANGLADESH. See more »

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A different take on the subject earlier used by Ashutosh, which somehow generates the same impact.
28 October 2012 | by (India) – See all my reviews

A few years back, Ashutosh Gowariker also chose the same subject for his movie "Khelein Hum Jee Jaan Se" in which he majorly failed due to his faulty casting more than his own direction. Ashutosh tried to bring in some commercial value in the project by casting Abhishek Bachchan and Deepika Padukone in the lead which actually fell flat, resulting in a film standing in the mid-way. Thankfully, the mistake is not repeated by Bedabrata Pain in his Chittagong, which has the same story told from a different angle and is a better film too if compared to KHJJS in a broader sense.

In Bedarbrata's CHITTAGONG the incident is narrated by "Jhunku", a participant of the revolt himself, giving you a first-hand experience of the brave & tragic chapter of 1930s. The film is executed well with some note-worthy cinematography, a fine background score, a well composed song "Bolo Na" and brilliant performances from the entire cast featuring Manoj Bajpayee, Delzad Hiwale, Nawazuddin Siddiqui, Raj Kumar Yadav, Barry John, Vijay Varma, Sauraseni Maitra, Chaiti Ghosh and more. Though the proceedings become slow post intermission when the after effects of the heroic revolt are being shown. Still it successfully keeps your interest alive through some new viewpoints added towards the climax, which eventually help CHITTAGONG to become a different movie as compared to Ashutosh's KHJJS in totality.

But at the same time, that doesn't mean that KHJJS had nothing good in it justifying the important subject. On the contrary, there were certain scenes in CHITTAGONG where I strongly felt that KHJJS had something superior as mentioned below.

1. It was quite strange to see that where in KHJJS, the young school boys are chosen & used due to their own self confessed desire, fighting spirit & fearlessness, CHITTAGONG uses them just because they have white cards, which is not a negative feature associated with their existence in the British Empire (unlike the Red Card given to others).

2. Where in KHJJS, Ashutosh extensively shows you the selection, training and grooming of the young boys by their master in details, CHIITAGONG speeds up this important part by just showing them being trained in gun-shooting in few scenes only.

3. In KHJJS the attacks on 3 different spots are shown in great length and details, whereas in CHITTAGONG the detailing is missing, probably because it later has to tell a lot more about "Jhunku", even after the hanging of Surjaya Sen (the end point of KHJJS). So where KHJJS focuses completely on giving the account of the zealous attacks made by the team on different key point of British operations, CHITTAGONG is majorly about these attacks plus its aftereffects years later.

4. Lastly, there is one thing which I respected the most in KHJJS, when they showed the original pictures of all the young boys and their leaders along with the pictures of actors enacting them on the screen in their end credits. In CHITTAGONG too there is short interview of "Jhunku" which deservingly gets a standing ovation in the theater. But truly speaking, the impact of watching those original pictures was much more in KHJJS.

On a concluding note, I am neither in favor of writing off Ashutosh's attempt completely nor in favor of praising Bedabrata's honest attempt whole heartedly. I deeply respect all the martyrs of this brave revolt of 1930s, have tremendous regards for the makers of both the films and salute their spirit behind their earnest efforts sincerely. But here I have to admit that may be I was expecting a lot more from the film as a second attempt.

In short, CHITTAGONG is a simple and straight forward portrayal of that unbelievable kind of chapter from our own Indian History. It mainly scores higher due to its rich execution and polished realistic performances from a well chosen talented cast. But I really wish it was more powerful infusing new life into our blood revisiting that historical event again. In its present version, the experience of watching CHITTAGONG is just like reading a simple enlightening biography of a calm soul, remembering his young days of a freedom fighter with a divine smile on his old face like "Jhunku".


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