| Noah Wyle | ... | Tom Mason | |
| Moon Bloodgood | ... | Anne Glass | |
| Drew Roy | ... | Hal Mason | |
| Maxim Knight | ... | Matt Mason | |
| Seychelle Gabriel | ... | Lourdes | |
| Peter Shinkoda | ... | Dai | |
| Mpho Koaho | ... | Anthony | |
| Sarah Carter | ... | Margaret | |
| Colin Cunningham | ... | John Pope | |
| Connor Jessup | ... | Ben Mason | |
| Will Patton | ... | Captain Weaver | |
| Bruce Gray | ... | Uncle Scott | |
| Diego Klattenhoff | ... | Lt. Danner | |
| Dylan Authors | ... | Jimmy Boland | |
| Daniyah Ysrayl | ... | Rick |
| Episode Crew |
Directed by | |||
| Holly Dale | |||
Writing credits | ||
| Robert Rodat | (creator) | |
| Joseph Weisberg | (written by) (as Joe Weisberg) | |
Produced by | |||
| Greg Beeman | .... | co-executive producer | |
| Justin Falvey | .... | executive producer | |
| Darryl Frank | .... | executive producer | |
| Melinda Hsu Taylor | .... | supervising producer | |
| Robert Rodat | .... | executive producer | |
| John Ryan | .... | producer | |
| Scott Schofield | .... | associate producer | |
| Steven Spielberg | .... | executive producer | |
| Mark Verheiden | .... | co-executive producer | |
| Graham Yost | .... | executive producer | |
Original Music by | |||
| Noah Sorota | (music by) | ||
Cinematography by | |||
| Christopher Faloona | (director of photography) | ||
Film Editing by | |||
| Donn Aron | |||
Casting by | |||
| Robin D. Cook | (casting by) | ||
Production Design by | |||
| Rob Gray | |||
Art Direction by | |||
| Dennis Davenport | |||
Set Decoration by | |||
| Patricia Cuccia | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Stephanie Ingram | .... | key hair stylist | |
| Julia Valente | .... | key makeup artist | |
Production Management | |||
| Marc Dassas | .... | unit production manager | |
| Kip Kroeger | .... | post production supervisor | |
Second Unit Director or Assistant Director | |||
| Elizabeth Scherberger | .... | first assistant director | |
| Stewart Young | .... | second assistant director | |
| Yari Azzopardi | .... | third assistant director: second unit (uncredited) | |
| Nicholas Vandal | .... | assistant director (uncredited) | |
Art Department | |||
| Brian Patrick | .... | property master | |
| Colin Adams | .... | lead man (uncredited) | |
| John Gallagher | .... | illustrator (uncredited) | |
| Jon Hunter | .... | graphic designer (uncredited) | |
| Kevin Lise | .... | on set prop master (uncredited) | |
| Rob McCallum | .... | concept artist (uncredited) | |
| Vicki Pui | .... | storyboard artist (uncredited) | |
| Blaine Twyne | .... | head carpenter (uncredited) | |
Sound Department | |||
| Sean Paul Armstrong | .... | second boom operator | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Tom E. Dahl | .... | re-recording mixer (as Tom Dahl) | |
| Mark D. Fleming | .... | sound re-recording mixer (as Mark Fleming) | |
| G. Michael Graham | .... | sound supervisor | |
| Doug Johnston | .... | production sound mixer | |
| Richard S. Steele | .... | sound designer | |
| Colin Rogers | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Mike Murawsky | .... | key special effects (uncredited) | |
| Cameron Patterson | .... | special effects shop supervisor (uncredited) | |
Visual Effects by | |||
| Jim Thomson | .... | visual effects editor | |
| Eva Abramycheva | .... | visual effects coordinator (uncredited) | |
| Brian Albury | .... | tracker: Zoic Studios (uncredited) | |
| Roberto Biagi | .... | visual effects supervisor (uncredited) | |
| Jon Chesson | .... | compositor (uncredited) | |
| David Dang | .... | roto/paint artist (uncredited) | |
| Brett Dowler | .... | visual effects producer (uncredited) | |
| Scott Fritts | .... | animation supervisor (uncredited) | |
| Sheila Giroux | .... | visual effects coordinator (uncredited) | |
| Niki Hillier | .... | visual effects coordinator (uncredited) | |
| Josh Miyaji | .... | visual effects artist (uncredited) | |
| Eroc Moralls | .... | visual effects artist (uncredited) | |
| Rob Reinhart | .... | digital compositor (uncredited) | |
| Harrison Rutherford | .... | lead compositor (uncredited) | |
| Renaud Talon | .... | lead compositor (uncredited) | |
Stunts | |||
| Ken Quinn | .... | stunt coordinator | |
| Lee Bryan | .... | stunts (uncredited) | |
| Branko Racki | .... | stunts (uncredited) | |
| Al Vrkljan | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brian Gedge | .... | camera operator | |
| Jeffery Orr | .... | key grip | |
| Michael Soos | .... | camera operator | |
| Christopher Takacs | .... | gaffer (as Chris Takacs) | |
| Mir Toofun Afdasta | .... | second assistant camera (uncredited) | |
| Dylan Paul | .... | balloon light technician (uncredited) | |
| Herb Reischl Jr. | .... | best boy: rigging (uncredited) | |
Casting Department | |||
| Debra Zane | .... | original casting | |
| Nicole Hilliard-Forde | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Sharon McDonell | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Lynne Whitlock | .... | assistant editor (as Lynne M. Whitlock) | |
| Barry Goch | .... | on-line editor (uncredited) | |
| Caroline Stack | .... | post production coordinator (uncredited) | |
Music Department | |||
| Peter Oso Snell | .... | music editor (as Peter Snell) | |
Transportation Department | |||
| Tanya Russell | .... | transportation coordinator | |
Other crew | |||
| Jackie Alexander | .... | production coordinator (as Jackie Alexander Moulson) | |
| Glenn Carter | .... | location manager | |
| Maggie Craig | .... | script supervisor | |
| Janice Fowlie | .... | production accountant | |
| Taylor Scherberger | .... | assistant to producer | |
| Jeffrey Cassidy | .... | videoassist (uncredited) | |
| R. Emerson John | .... | script supervisor: second unit (uncredited) | |
| Kyle Limkilde | .... | stand-in (uncredited) | |
| Anne Marley | .... | production assistant (uncredited) | |
| Kati Moore | .... | location production assistant (uncredited) | |
| Graham Penny | .... | location production assistant (uncredited) | |
| Devin White | .... | third assistant accountant (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Action section | IMDb Canada section |
From The Armory straight to Mutiny. With such a weak premiere there was no way I would ever endure all episodes between. Apparently nothing much happened and it's not surprising when you deal with an episodic formatted show which has sold its sci-fi soul to the greedy family demon. It could sound like the disrespectful comment from an angry hardcore sci-fiholic but if you compare Falling Skies to high quality productions like Kyle XY, both smart and accessible, it has no excuse for carrying so many flaws. This ninth installment was in the same vein as the second but should manage to entertain you a little and even excite you at some rare times. First even if the production is everything but immersive, because of its cheap reality TV-like visuals, the acting is convincing enough to make you dive into the fictional universe from time to time. Second some dialogs are really poor and a scene supposed to be climatic was reminiscent of the worst sequences ever aired on TV or in theaters. Does the over patriotic President speech in ID4 ring a bell ? I just couldn't believe actors like Noah Wyle (Tom Mason) and Will Patton (Captain Dan Weaver) had to play such a mediocre scene. Third this episode redeeming element was definitely Weaver's arc. It brought the edgy tension that only surfaced in the premiere and even if its concept was nothing original at least it should convince you to keep watching until the end. Fourth the bad guy who joined them is too stereotyped. Long hair ? Kids bully ? Seriously do the character developers know we're in 2011 ? Fifth beside the Captain's arc you should also enjoy what's going on with the radio frequencies and the best part is that these two stories are actually related in a twisted way. If I was drunk it would actually remind me of classics like Body Snatchers but in reality it's more comparable to The Faculty, without the babes and adapted for a broader audience. The sixth element deserving to be mentioned are the female characters. The doctor and the blonde. That's it. What about girls to complement the boys ? Realistic female warriors to fight beside the male resistance ? Walking Dead isn't far but it was so strong in some areas that comparing it to Falling Skies would be disrespectful. Last but not least the last minute was unexpected and exactly what Mutiny needed to intrigue the viewers enough and convince them to check out Eight Hours.