Cannes Film Festival winner Shinji Aoyama creates a chilling atmosphere in this adaptation of an award-winning novel. A young man tries to fight the deadly influence of his violent, abusive... See full summary »
Kenji, abandoned by his mother, scrapes out a meager existence doing odd jobs including driving bar hostesses and their customers home. Besides this he takes care of the sister of an old ... See full summary »
A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which ... See full summary »
Nagai,a software industry expert is an absolute slave to his work.It is no wonder that his personal life is a complete mess.His wife and daughter left him but he has kept a camera with him to preserve their memory.
Ruo Lan meets at the local pool a young Japanese clock repairman: Ah Liang (played by Haruma Miura). Ah Liang is very shy and his mandarin still approximate. They fall in love. but Ruo Lan ... See full summary »
Shi Shi Liu,
In the Susukino red light district of Sapporo, a private detective (Yo Oizumi) drinks alcohol with his driver Takada (Ryuhei Matsuda) in his favorite bar. There he receives a phone call ... See full summary »
Yasuo is a gangster just released from jail. Believing his boss double-crossed him, enraged Yasuo is on his way to find the boss. But before setting out for the dangerous trip, Yasuo asks ... See full summary »
Starts like Antonioni's Blow Up, but promises much more than it delivered
I saw this film as part of the Ghent filmfestival 2011. The announcement stated a bold reference to Blow Up (Antonioni; 1966). In the first hour the story seemed to go in a similar direction. An amateur photographer was paid to follow a woman walking in the park with her baby, and to mail the shots taken to her husband. The daily walks looked very innocent, but we were obviously led to believe that there was more to it. In the mean time we witnessed several small events in the personal life of the photographer, evenly spread out in time. None of these offered a clue what the film was all about. But a lot can happen in the 2 hours that this film was planned to take.
Even after 1 hour (halfway) still nothing like a plot emerged. But I saw no significant walkouts from a venue with 250 booked seats. I assumed to have missed something important that was obvious to everyone else, otherwise not so many people could be that patient for that length of time.
The series of small events continued, introducing a dead brother, a hospitalized mother, a possible love affair with a step sister, and a pattern in the locations where the shadowed woman took her walks. Still hoping that some plot was to be grown out of all these openings, I stayed until the end. It proved a disappointment, after all. I can merely wonder what the director of this film had thought to show us with all this emptiness. The only thing left for me was giving a 1 (lowest) mark for the public prize competition when leaving the theater.
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