A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same ... See full summary »
Several days in the life of Kenny, a typical 12-year-old, and his friends. Kenny goes through all the activities that most of us went through as kids as he and his friends prepare for ... See full summary »
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. Written by
After Dave meets Robert Marley, the boys have a discussion in "Hot-n-Tot Cafe." This name is a play on the word Hottentot, which was how early Europeans referred to the Khoikhoi people of Southwest Africa when they first encountered them in the 17th century. The name Hottentot was given to them by Europeans because of how they thought the language sounded. It is unclear as to why this name was used in the scene. The scene was shot at a real diner with the same name, located at 2347 Pacific Coast Highway in Lomita, CA. See more »
When Dave pours gasoline on the bloodstained couch in Robert Marley's trailer, in the next shot there is no blood on the couch. See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And...
See more »
At the end of the credits there's a warning that 'any unauthorized duplication and/or distribution (...) may result in civil liability, criminal prosecution and the wrath of Korrok'. See more »
Fun and delightfully weird book adaptation from Don Coscarelli
John Dies At The End is an adaptation of David Wong's book of the same name written and directed by Don Coscarelli (Phantasm, Bubba Ho-Tep). While not familiar with the book, the bizarre and surreal story does seem like a perfect fit for Coscarelli as his films have alway had a touch of both the surreal and a bit of offbeat whimsy. The film starts out with David Wong (Chase Williamson) telling his bizarre tale to a reporter, Arnie Blondestone (Paul Giamatti). Wong starts to spin a tale involving himself and his friend, John (Rob Mayes) and their encounters with a powerful drug with a mind of it's own called "soy sauce". This bizarre narcotic not only gives the user (if they survive it) heightened psychic awareness but, opens doorways to alternate dimensions. But, once doors are opened they are opened both ways and can John and David stop the beings from the other side from entering our world and making it their own. John Dies is a very strange yet amusing head trip of a movie that won't appeal to everyone but, under Coscarelli's guidance, will entertain those who like a movie that isn't afraid to be weird and unconventional. Coscarelli moves things along briskly and we find out what's going on along with David and John as the story unfolds in flashback. The story focuses mostly on David as he's is trying to find out how his friend John's sudden bizarre behavior one night ties in with meeting a very strange Jamaican (Tai Bennett). As he tries to figure out the surreal occurrences now happening around him, he is drawn into a tale that is the stuff of hallucinogenic nightmares and it becomes a quest for he and John to save the world. Coscarelli wisely uses live effects for most of his surreal sequences and otherworldly creatures and what little digital effects there are, are used sparingly and are decent enough. The live action animatronic creatures and gore are very well done by Make-up FX master Robert Kurtzman and his team. Coscarelli is one of those filmmakers that is very adept at making good use of a small budget and probably would be lost on a Hollywood blockbuster and it is one of the things I like about him as a filmmaker. And here he achieves a lot of visual impact on his small budget. The director has also cast the film well,too. No great performances but, everyone is efficient and effective in their roles and approach the material with appropriate seriousness but, not without a few winks at the audience. Clancy Brown in particular seems to be having fun as a TV mystic but, keeps his performance grounded enough to not spill into camp. And there is a delightful cameo from Phantasm's Tall Man, Angus Scrimm as well, to please fans of that series. All in all, this isn't everyone's cup of tea but, if you like stuff offbeat and a bit out there, and I do, then this is a fun low budget fantasy that is refreshingly and unapologetically weird in a good way.
24 of 37 people found this review helpful.
Was this review helpful to you?