A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. Written by
In the book, the location of the town its set it in is never given. Instead, it's usually called "Undisclosed". In the movie, however, the label of the parcel John sends to himself is sent to Sherwood, Illinois. There is no Sherwood, Illinois. See more »
When Dave pours gasoline on the bloodstained couch in Robert Marley's trailer, in the next shot there is no blood on the couch. See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And...
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At the end of the credits there's a warning that 'any unauthorized duplication and/or distribution (...) may result in civil liability, criminal prosecution and the wrath of Korrok'. See more »
I haven't read the book, but I've seen the film. It premiered in the UK a couple of weeks ago as part of the London Film Festival. As a fan of Coscarelli's previous works, I wasn't going to miss a late night screening of this one. I saw about a dozen new films at the festival, but only one came close to being as wonderfully insane as John Dies at the End. I'm not going to throw spoilers, but if you can, try to see this in a cinema with a big sound system. There's as many audio gags as sight gags going on all the way through, and micro hommages to a few dozen cult classics. A very knowing work of art.
As with Bubba Ho-Tep, this film takes a mindbendingly outlandish premise, which through the course of events, and some wonderfully obtuse lateral thinking, persuades the audience that it's perfectly likely to be true. The boisterous audience at the showing I attended was fired up for the absurdism by Don Coscarelli's brief (unannounced) intro from the stage, but there's so many gags in this film that he could easily have taken a back seat and shamelessly guffawed along with the paying punters. If you like old school comedy horror, with a decidedly surreal tinge, go see this film. It's refreshing, but sadly all too rare, to run across a film that doesn't take itself at all seriously, but takes the process of film-making very seriously indeed. Script, cast, design, direction, and production values are integrated seamlessly into a sublime delirium that is much more than the sum of its parts. I can't recommend it highly enough in these gloomy times.
In case you're wondering, Don Coscarelli in person is one very amusing guy, and mercifully lacking in Hollywooden airs and graces.
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