| Jason Alan Carvell | |||
| Kara Jackson | ... | Mary Lee | |
| Michael Murphy | ... | Himself / Narrator |
| Episode Crew |
Writing credits(in alphabetical order) | ||
| Mark Zwonitzer | ||
Produced by | |||
| Susan Bellows | .... | series producer | |
| Sharon Grimberg | .... | executive producer | |
| Hazel Gurland | .... | associate producer | |
| Susan Mottau | .... | coordinating producer | |
| Mark Samels | .... | executive producer | |
| Mark Zwonitzer | .... | producer | |
Original Music by | |||
| Joel Goodman | |||
Cinematography by | |||
| Michael Chin | |||
Film Editing by | |||
| Bruce Shaw | |||
Production Design by | |||
| Akeime Mitterlehner | |||
Art Direction by | |||
| R. Mark Hughes | |||
Production Management | |||
| Deborah Clancy | .... | production manager | |
| Nancy Sherman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mark Kaufmann | .... | assistant director | |
Art Department | |||
| Kirk Graves | .... | property master | |
| Jeremiah Hornbaker | .... | set dresser | |
| Alison Kennedy | .... | designer | |
| Ann Minarik | .... | art production assistant | |
| Bruce Shaw | .... | motion graphics | |
| John Sicoransa | .... | production illustrator | |
Sound Department | |||
| Coll Anderson | .... | sound re-recording mixer | |
| Coll Anderson | .... | supervising sound editor | |
| James Briggs III | .... | dialogue editor | |
| John Chiarolanzio | .... | assistant sound editor | |
| Sara Chin | .... | sound | |
| Benjamin Clore | .... | sound | |
| John Jenkins | .... | sound mixer | |
| Shayne Parden | .... | sound | |
| Matt Snedecor | .... | sound effects editor | |
| J.T. Takagi | .... | sound recordist | |
Camera and Electrical Department | |||
| Greg Andracke | .... | additional photography | |
| Charles Bevan | .... | grip | |
| Joshua Cross | .... | key grip | |
| Andrew Eckmann | .... | grip | |
| Marc Labbate | .... | gaffer | |
| Paul Marbury | .... | assistant camera | |
| Todd Ranson | .... | gaffer | |
| Robert Spencer | .... | best boy electric | |
| Hektor Stockton | .... | electrician | |
| Travis Tomlinson | .... | gaffer | |
| Jonathan Weaver | .... | assistant camera | |
| Tim Wicks | .... | best boy grip | |
Animation Department | |||
| Aaron Nee | .... | animator | |
| Alisa Placas | .... | animator | |
Editorial Department | |||
| Martin Benn | .... | colorist | |
| Martin Benn | .... | on-line editor | |
| Vanessa Ezersky | .... | post-production assistant | |
| Glenn Fukushima | .... | post-production assistant | |
| Spencer Gentry | .... | on-line editor | |
| Greg Shea | .... | post-production assistant | |
| Paul Taylor | .... | senior editor | |
Music Department | |||
| Peggy Baldwin | .... | musician | |
| Kevin Bluhm | .... | music editor | |
| Joel Goodman | .... | composer: theme music | |
| Diego Morales | .... | musician | |
| John Rodd | .... | music mix engineer | |
| Anatoly Rosinsky | .... | musician | |
| Andrew Shulman | .... | musician | |
| Richard Todd | .... | musician | |
| Philip Vaiman | .... | musician | |
| John Wittenberg | .... | musician | |
Other crew | |||
| Jon Allen | .... | production assistant | |
| Jessica Barbosa | .... | production intern | |
| Robert Barnett | .... | production intern | |
| Sean Cleary | .... | marketing | |
| James E. Dunford | .... | series manager | |
| Eric Eaton | .... | production assistant | |
| Susana Fernandes | .... | project administration | |
| Jay Fialkov | .... | legal | |
| Janice Flood | .... | legal | |
| Pamela Gaudiano | .... | project administration | |
| Tiffany Hagger | .... | production intern | |
| Wesley Hevia | .... | production intern | |
| Molly Jacobs | .... | production assistant | |
| Maureen Jordan | .... | legal | |
| Scott Kardel | .... | legal | |
| Timothy Messler | .... | production coordinator | |
| Jacob Pooler | .... | production assistant | |
| Lauren Prestileo | .... | publicist | |
| Gratianne Quade | .... | production intern | |
| Rob Rapley | .... | additional researcher | |
| Colleen Sackheim | .... | transcriber | |
| Jane Sakowski Bell | .... | craft service | |
| Tory Starr | .... | production assistant | |
| Tom Trigo | .... | location manager | |
| Jamila Wignot | .... | recreations director | |
| Patricia Yusah | .... | project administration | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Rocky Collins | multiple episodes | |
| Henry Hampton | creator | |
Produced by | |||
| Rocky Collins | .... | producer (multiple episodes) | |
Sound Department | |||
| Doug Madick | .... | foley artist (multiple episodes) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Documentary section |
I enjoyed this documentary about Robert E. Lee--mostly because it dispelled many myths I'd been taught as a student. First, while Lee was a bit conflicted about joining with the Confederacy, it was NOT a major conflict--he was very happy with slavery and didn't seem to have nearly as many second-thoughts as I'd heard. Second, he was far less successful than I'd always heard--especially early in the war. So, while he was quite beloved by his men, he often made poor decisions--especially each time he invaded the North (such as at Antietam and Gettysburg). It seemed to really demystify the man--making him see a lot more human than many earlier portrayals. Third, he was not an especially nice person--endorsing the whipping of runaway slaves and not particularly enjoying time he spent with his family. He was, to put it bluntly, a man who liked being at war--or at least being in military service and he was lost when not serving.
Like most of the PBS documentaries, it has excellent narration, a few historians giving their insights and an extensive use of photos and paintings--along with nice evocative music. It's a first-rate production all around and is about the best and most well-rounded one I have seen. Well worth seeing.