Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A young man in the 1940s raises a family in Alabama after his wife leaves him for an Englishman and moves to England. When the wife dies, she leaves a request to be brought back to Alabama to be buried, and at that point the man hasn't seen her in nearly 30 years. The two families - her original family she abandoned and her English family - meet and make an attempt to adjust to each other, with uneven results. Written by
I saw this picture of some guys in 'Nam hanging out with some palm trees, with their shirts off and guns slung over their shoulders. Looked so fucking rock 'n roll. I want to do something cool, Daddy. I don't want to rot here. I'm 18. I don't need your permission.
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Written and performed by Suspension of Disbelief See more »
I watched this movie with a group of regular movie goers. One person stood up and said, "If I had seen this in a theater, I would have stood up and booed"-- Two people fell asleep. Another said, this makes Ishtar look like a compelling masterpiece. The movie was painfully slow, with dreadful dialogue, shameful use of great talent, boring to the audience and a pity the director never made it to the set. Whatever was paid to the cast....next time could Billy Bob s spend less money on a dyed red wig and a few more on a script and director. The use of Jayne Mansfield's name in the title was a con to drag us in--thinking it would be clever and edgy. Beyond disappointing.
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