Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
Drug addict Jesse think he's found the answer to all his problems in the form of a breifcase full of money. However, the money isn't his and stealing it from right under the nose of a ... See full summary »
Earl Pilcher Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining ... See full summary »
James Earl Jones,
Twenty-five years after commiting a double murder, Karl Childers is going to be released from an institution for the criminally insane. A local reporter comes to talk to him, and after some... See full summary »
Billy Bob Thornton,
A young man in the 1940s raises a family in Alabama after his wife leaves him for an Englishman and moves to England. When the wife dies, she leaves a request to be brought back to Alabama to be buried, and at that point the man hasn't seen her in nearly 30 years. The two families - her original family she abandoned and her English family - meet and make an attempt to adjust to each other, with uneven results. Written by
Tippi Hedren's scenes ended up on the cutting room floor; however, the producers thanked her in the closing credits. See more »
You hear that?
No, I don't. Birds?
Silence. That's what was hard to get used to. It still is sometimes. It's kind of like floating on a peaceful lake with a tornado in your head or something.
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Red The Sign Post
Written by Ted Roswicky and David Blossom
Performed by Fifty Foot Hose See more »
I watched this DVD this afternoon, expecting not much and becoming glued to the whole thing. The characters were drawn perfectly, and we saw the characters of the American family drawn carefully for us before we met the English family. (I did wonder what would have happened, had the English family not spoken with such pristine middle class accents, but that's silly, no American woman would fall for anything less.) There is a touch of farce, some neurosis and some age-old baggage to be sorted before the film ends, touchingly and with horror written on the face of the father in question. It's not a blockbuster, and it's not full of hysterical dramas, but it did put me in mind of Tennessee Williams' Cat on a Hot Tin Roof, and not purely because of the accents
the taught drama spinning away behind the pleasant and civilised
dialogue. Excellent all round.
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