Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
Twenty-five years after commiting a double murder, Karl Childers is going to be released from an institution for the criminally insane. A local reporter comes to talk to him, and after some... See full summary »
Billy Bob Thornton,
Dwayne McLaren has been looking for a way out of his small town upbringing of CUT BANK, MT since he graduated high school several years earlier. When he finds himself in the wrong place at ... See full summary »
Billy Bob Thornton
'Play like the music doesn't matter.' The unbelievable true story of the band that gained massive east coast popularity in the late 1980s despite having a complete lack of musical talent ... See full summary »
A young man in the 1940s raises a family in Alabama after his wife leaves him for an Englishman and moves to England. When the wife dies, she leaves a request to be brought back to Alabama to be buried, and at that point the man hasn't seen her in nearly 30 years. The two families - her original family she abandoned and her English family - meet and make an attempt to adjust to each other, with uneven results. Written by
Boy, it's a shame about her movin' on. She's in a better place now. Better than England anyway, from what I know of it.
I'm just fucking with you, son.
[smacks Phillip on the back]
But not really. God damn, it's miserable over there. I went over there once on business and, God damn, I don't see how y'all do it. You can't get so much as one good meal over there. They wouldn't know a grill if one bit 'em on the ass. And musty? God damn, cold shitty. Boil everything. They'd boil a goddamn ...
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Written by Robert Derrickson, Greg Huppert, Richard Pogue and Jack Taylor
Performed by Bedlam Four See more »
So good to see Billy Bob Thornton back in the director's chair. I don't think anyone has as pinpoint an accuracy to the south of the United States as Thornton does in the modern idiom of film. The ensemble cast is amazing and authentically played by all. Loved the truth of characters with inseparable bond; so much organic glue like the humidity of the time and setting.Each character is fully formed, carrying with them a wealth of circumstances that we understand almost from the first introduction, furthermore, develops to full intricate discovery. I loved the juxtaposition expressed between the despairing union of opposing cultures.How wonderful the interplay between John Hurt and Duvall, the likeness of familial hierarchy they wear so naturally.
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