| Photos (See all 26 | slideshow) | Videos (see all 4) |
| Dennis Quaid | ... | Ely | |
| Aimee Teegarden | ... | Abby | |
| Tony Oller | ... | Travis | |
| Stephen Lunsford | ... | Brian | |
| Devon Werkheiser | ... | Danny | |
| Brett Cullen | ... | Sgt. Nickerson | |
| Dahlia Waingort | ... | Sylvia Moore | |
| Conrad Gonzales | ... | Officer Alvarez | |
| Wilbur Penn | ... | Officer Wainright | |
| Amber Bartlett | ... | Rosemary | |
| Sydney Barrosse | ... | Carolyn | |
| David Christopher | ... | Sovic | |
| Gabriel Folse | ... | Russell | |
| Melody Chase | ... | Elaine | |
| Cameron Banfield | ... | Collin | |
| Richard Dillard | ... | Doctor | |
| Timothy Fall | ... | Jack | |
| Connor James | ... | Young Travis | |
| Cheryl Chin | ... | Nurse Josie | |
| Steve Larkin | ... | Rabbi | |
| Davi Jay | ... | Ruben | |
| Troy Streuer | ... | Assistant Mechanic | |
| rest of cast listed alphabetically: | |||
| John Blenn | ... | I.V. Guy (uncredited) | |
| Paige Creswell | ... | Classmate (uncredited) | |
| Annie Eileen | ... | Classmate (uncredited) | |
| Helen Ingham | ... | Danny's Mom (uncredited) | |
Directed by | |||
| Martin Guigui | |||
Writing credits(in alphabetical order) | ||
| Bruce Wilkinson | written by | |
Produced by | |||
| Ronnie D. Clemmer | .... | producer | |
| Brett Cullen | .... | co-producer | |
| John Duffy | .... | line producer | |
| Scott Mednick | .... | executive producer | |
| Maria Norman | .... | associate producer | |
| Aimee Teegarden | .... | associate producer | |
| Bruce Wilkinson | .... | executive producer | |
| Janie Wilkinson | .... | co-executive producer | |
| Jenny Wilkinson | .... | co-executive producer | |
Original Music by | |||
| Geoff Zanelli | |||
Cinematography by | |||
| Massimo Zeri | |||
Film Editing by | |||
| Eric Potter | |||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Christopher Stull | |||
Set Decoration by | |||
| Bart Brown | |||
Costume Design by | |||
| Amy Maner | |||
Makeup Department | |||
| Jacenda Burkett | .... | makeup department head | |
| Bridget Cook | .... | key hair stylist | |
| Terri Ewton | .... | hair department head | |
| Doug Field | .... | assistant special effects makeup | |
| Meredith Johns | .... | special makeup effects artist | |
| Randy Westgate | .... | key makeup artist | |
| Susan A. Benson | .... | special effects makeup shop fabricator (uncredited) | |
Production Management | |||
| Dominic Cancilla | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ben Bywater | .... | second assistant director | |
| Travis Carr | .... | second second assistant director | |
| Alexander Yurchikov | .... | first assistant director | |
Art Department | |||
| Tom Christopher | .... | leadman | |
| Chris Clayton | .... | set dresser | |
| Chris Combs | .... | set dresser | |
| Debbie Cortez Haber | .... | art department coordinator | |
| Tim Dingle | .... | lead scenic | |
| Robert Larry Friedel | .... | location painter | |
| Juliet Guimont | .... | scenic | |
| Jason Hammond | .... | property master | |
| Brad Haviland | .... | set dresser | |
| Marcus LaPorte | .... | prop fabricator | |
| Marcus LaPorte | .... | props | |
| Richard M. Moore | .... | construction coordinator | |
| Victoria Ramirez | .... | on-set dresser | |
| Alex Sylva | .... | assistant property master | |
| Wallace R. Symns | .... | greensman | |
| Desirae Wallace | .... | art department assistant | |
| Koen Wooten | .... | storyboards | |
Sound Department | |||
| Misty Conn | .... | boom operator | |
| Lorita de la Cerna | .... | foley artist | |
| R.D. Floyd | .... | dialogue editor | |
| Patrick Giraudi | .... | dialogue editor | |
| Marti D. Humphrey | .... | sound re-recording mixer | |
| Benjamin Lowry | .... | sound mixer | |
| Jason Manzano | .... | sound utility | |
| Scott Streetman | .... | sound utility | |
| Galen Walker | .... | post sound supervisor | |
Special Effects by | |||
| Robert Brown | .... | special effects technician | |
| Everett Byrom III | .... | special effects coordinator | |
Stunts | |||
| Elliott Kahn | .... | stunts (as Elliot Kahn) | |
| H. Charles Parrish | .... | stunt coordinator | |
| Jeff Schwan | .... | stunt double | |
| Jill Stokesberry | .... | stunt double | |
| Danny Wayne | .... | stunt double | |
Camera and Electrical Department | |||
| Roger Basquette | .... | video assist | |
| Carlos Benavides | .... | best boy electric | |
| Rich Bond | .... | grip | |
| Chad Brewer | .... | electrician | |
| Raul A. Erivez | .... | first assistant camera | |
| Geoffrey Frost | .... | second assistant camera | |
| Bruce Alan Greene | .... | camera operator | |
| Scott Magruder | .... | electrician | |
| Sam Pearcy | .... | camera loader | |
| Van Redin | .... | still photographer | |
| Phillip Renke | .... | best boy grip | |
| Froylan Reyes Jr. | .... | electrician | |
| Robert B. Reynolds | .... | gaffer | |
| Ashley Riggs | .... | grip | |
| Brandon Spratt | .... | camera intern | |
| Pete Stockton | .... | key grip | |
| Steve Urban | .... | dolly grip | |
| Ezra Venetos | .... | grip | |
| Aaron Welch | .... | electrician | |
Casting Department | |||
| Angela Burns | .... | stand in casting | |
| Cambria Harkey | .... | casting assistant | |
| Hollie Supak | .... | extras casting | |
Costume and Wardrobe Department | |||
| Stephany Baskin | .... | set costumer | |
| Quenby Iandiorio | .... | set costumer | |
| Jessie A. Katz | .... | costume assistant | |
| Leeann Radeka | .... | costume supervisor | |
Editorial Department | |||
| Damian Drago | .... | title designer | |
| Victor Franco | .... | digital restoration | |
| Victor Franco | .... | key digital intermediate scanner and recorder | |
| Scott Gregory | .... | digital film colorist | |
| Momo Hsiao | .... | digital intermediate scanner and recorder | |
| Gary Oldroyd | .... | first assistant editor | |
| Alan Pao | .... | digital intermediate producer | |
| Sebastian Perez-Burchard | .... | additional colorist | |
| Binh C. Than | .... | digital intermediate scanner and recorder | |
| Heather Toll | .... | post-production coordinator | |
| Dahlia Waingort | .... | post production supervisor | |
Transportation Department | |||
| Fred Davis | .... | driver | |
| Mike Hitch | .... | transportation captain | |
| Daniel J. Hollestelle | .... | driver | |
| Steve H. Pape | .... | driver | |
| James Peters | .... | driver | |
| Jack Prince | .... | transportation coordinator | |
| Hector G. Rodriguez | .... | driver | |
| Jesus F. Tellez | .... | driver | |
| Wilburn White | .... | driver | |
| Steven Willhoite | .... | production van driver | |
Other crew | |||
| Beatrice Bellino | .... | script supervisor | |
| Laura Cartwright | .... | key production accountant | |
| Caroline Connor | .... | production coordinator | |
| Christa del Castillo | .... | second assistant accountant | |
| Terri Ewton | .... | department head for hair | |
| Mollie A. Gallagher | .... | assistant production coordinator | |
| Lon Haber | .... | publicist | |
| Cambria Harkey | .... | production assistant | |
| Elliott Kahn | .... | stand-in (as Elliot Kahn) | |
| Allan Kassirer | .... | attorney | |
| Jessie A. Katz | .... | production assistant | |
| Lisa Kurk-Dmytryk | .... | first assistant accountant | |
| Barry Lacina | .... | assistant location manager | |
| Chef Le May | .... | caterer | |
| Riley Malone | .... | location manager | |
| Ted McLean | .... | production assistant | |
| J. Andrew Perez | .... | production assistant | |
| Carl Reyes | .... | production assistant | |
| Arley Richau | .... | legal | |
| Adam W. Rosen | .... | legal services | |
| Jordan Strassner | .... | stand-in: Aimee Teegarden | |
| Desirae Wallace | .... | production assistant | |
| Denis Yurchikov | .... | key set production assistant | |
Thanks | |||
| Rustam Branaman | .... | special thanks | |
| Craig Chapman | .... | special thanks | |
| Rudy Supak | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I was hugely looking forward to "Beneath the Darkness" when it played at the annual Brussels Festival of Fantastic Films during a midnight screening, because I was told and I eagerly believed that it was an uncompromising and outrageous horror/thriller that granted Dennis Quaid the opportunity to depict a psychotic and derailed small Texas-town serial killer. Dennis Quaid as a crazed mortician! What avid genre fanatic wouldn't look forward to this? Together with a theater full of enthusiast people, I expected a tremendously high body count, lots of pitch-black humor, perverted undertones and a totally whack Dennis Quaid one-man-show. Things didn't exactly turn out as favorable I wouldn't go as far to call "Beneath the Darkness" a disastrous film, but it's definitely a bit too ambitious and wannabe intelligent for its own good. Quaid's character Ely Vaughn, the local undertaker who's still highly admired within the community because he used to be a star quarterback in high school, is indeed an utterly disturbed individual but he's not a maniac on a rampage. Quite the contrary, in fact, Ely is a very distinguished person and his dark side only comes to the surface when a couple of school kids decide to sniffle around in his private business. The first five minutes of the film, as well as the final fifteen, are very entertaining and exciting, not coincidentally because these are the only times that Quaid gets to showcase his evil grimaces and madman capacities. Everything in between is just an overlong series of clichéd and derivative situations. Of course nobody believes the teenagers when they're accusing one of the most prominent town members of being a psychopath and obviously the cheerleader beauty will gradually fall for the outsider nerd instead of her cowardly jock boyfriend. And then I'm not even talking about the pointless sub plot of the nerdy kid who still feels responsible for his little sister's death ten years ago and the difficult relationship with his mother. That was completely irrelevant and downright redundant. In spite of being the big star of the picture, Dennis Quaid actually has surprisingly little screen time and frankly nearly not enough chances to illustrate the craziness of his character's persona. This is one giant missed opportunity, to say the least.