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Anna Karenina (2012)

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In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.

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(screenplay), (novel)
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930 ( 222)
Won 1 Oscar. Another 31 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Eric MacLennan ...
Matvey
...
Dolly
Theo Morrissey ...
Grisha Oblonsky
Cecily Morrissey ...
Lili Oblonsky
Freya Galpin ...
Masha Oblonsky
Octavia Morrissey ...
Tanya Oblonsky
Beatrice Morrissey ...
Vasya Oblonsky
Marine Battier ...
Mlle. Roland
...
...
Annushka
Aruhan Galieva ...
Aruhan
...
Carl Grose ...
Korney
Bryan Hands ...
Mikhail Slyudin
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Storyline

In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality and violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

7 September 2012 (UK)  »

Also Known As:

Ana Karenjina  »

Box Office

Opening Weekend:

$320,690 (USA) (18 November 2012)

Gross:

$12,816,367 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The soundtrack for several of the country scenes makes use of a Russian folk song that was also adapted (but without the words) by Tchaikovsky in his Fourth Symphony, written in the same period as was Tolstoy's novel. See more »

Goofs

The movie opens in "1875 Imperial Russia". A few minutes later, a self-propelled model train is seen in action. Clockwork model trains were first introduced by the pioneering German toy company Marklin in 1891. See more »

Quotes

Alexei Karenin: Is this about my wife? My wife is beyond reproach. She is, after all, my wife.
See more »

Crazy Credits

Count Vronsky is misspelled as "Vronksy" in the end credits. See more »

Connections

Version of Anna Karenina (1918) See more »

Soundtracks

Song for a New Life (Masha's Song)
(uncredited)
Written by Anoushka Shankar
Performed by Tannishtha Chatterjee
See more »

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User Reviews

 
Waiting for the train
4 November 2012 | by (United States) – See all my reviews

If an award were given for over-directing, this would win hands down. it's a tribute to Tolstoy that his story came through the fog of metaphor and cliché, from the stage set play-within-a-movie (our only guess as to meaning is that they were skimping on location shooting) to actors twirling around each other to tearing up letters (and with them any semblance of meaning to life) - to the point of tossing the scraps up, only to come down as snow (could it get worse?).

With a story like Anna Karenina it seems the director's only job would be to decide which parts to omit; instead, Joe Wright has decided to turn it into a soap opera. It's as if he were doing Shakespearean sonnets and correcting the rhyme and meter.

And casting Aaron Taylor-Johnson as Vronsky? When he first came out I thought they'd done a spoof. He reminded me of Gene Wilder in a Mel Brooks version of Tolstoy. On the other hand, Jude Law was perfect as Karenin, as were Domnhall Gleeson as Levin and Olivia Williams as Countess Vronskaya. Sadly, Keira Knightly seems to have thought she was still doing Pirates of the Caribbean, as far from Tolstoy as you can be.

How two marvelously creative men, Wright who did Atonement and Stoppard who gave us the incredible Coast of Utopia, could do this is beyond comprehension.


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