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Anna Karenina (2012)

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In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.

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(screenplay), (novel)
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1,120 ( 71)
Won 1 Oscar. Another 31 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Eric MacLennan ...
...
Theo Morrissey ...
Cecily Morrissey ...
Lili Oblonsky
Freya Galpin ...
Octavia Morrissey ...
Tanya Oblonsky
Beatrice Morrissey ...
Vasya Oblonsky
Marine Battier ...
Mlle. Roland
...
...
Aruhan Galieva ...
Aruhan
...
Carl Grose ...
Bryan Hands ...
Mikhail Slyudin

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Storyline

In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality and violence | See all certifications »

Parents Guide:

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Details

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Release Date:

7 September 2012 (UK)  »

Also Known As:

Ana Karenjina  »

Box Office

Opening Weekend:

$320,690 (USA) (16 November 2012)

Gross:

$12,802,907 (USA) (22 February 2013)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Some modern audience members have been confused by the object that Karenin (Jude Law) takes out of a small, oblong box in his and Anna's bedroom several times during the movie. This is a condom; for most of the history of contraception, condoms were made of animal- or plant-based materials (such as chemical-treated linen or sheep intestines or bladders), and they were not disposable (being rather expensive, they were often washed and reused). The first vulcanized rubber condoms were produced in the mid-1800s, but they were thick and unwieldy, so it is not unlikely that someone of Karenin's wealth and societal stature would still be using a reusable condom by the time of the setting of this story. See more »

Goofs

The label of the bottle of morphine Anna drinks from changes from "la Morphine" to "Morphine" between shots. The only correct French form would be without an article (prescriptions would have been written in Latin in 19th-century Russia anyway). See more »

Quotes

Countess Lydia: Your husband is a saint and we must all cherish him for Russias sake.
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Crazy Credits

Count Vronsky is misspelled as "Vronksy" in the end credits. See more »

Connections

Referenced in Inside Amy Schumer: Tyler Perry's Episode (2014) See more »

Soundtracks

Song for a New Life (Masha's Song)
(uncredited)
Written by Anoushka Shankar
Performed by Tannishtha Chatterjee
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User Reviews

 
Waiting for the train
4 November 2012 | by (United States) – See all my reviews

If an award were given for over-directing, this would win hands down. it's a tribute to Tolstoy that his story came through the fog of metaphor and cliché, from the stage set play-within-a-movie (our only guess as to meaning is that they were skimping on location shooting) to actors twirling around each other to tearing up letters (and with them any semblance of meaning to life) - to the point of tossing the scraps up, only to come down as snow (could it get worse?).

With a story like Anna Karenina it seems the director's only job would be to decide which parts to omit; instead, Joe Wright has decided to turn it into a soap opera. It's as if he were doing Shakespearean sonnets and correcting the rhyme and meter.

And casting Aaron Taylor-Johnson as Vronsky? When he first came out I thought they'd done a spoof. He reminded me of Gene Wilder in a Mel Brooks version of Tolstoy. On the other hand, Jude Law was perfect as Karenin, as were Domnhall Gleeson as Levin and Olivia Williams as Countess Vronskaya. Sadly, Keira Knightly seems to have thought she was still doing Pirates of the Caribbean, as far from Tolstoy as you can be.

How two marvelously creative men, Wright who did Atonement and Stoppard who gave us the incredible Coast of Utopia, could do this is beyond comprehension.


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