| Photos (See all 8 | slideshow) | Videos (see all 20) |
| Lauren Bittner | ... | Julie | |
| Christopher Nicholas Smith | ... | Dennis (as Chris Smith) | |
| Chloe Csengery | ... | Katie | |
| Jessica Tyler Brown | ... | Kristi (as Jessica Brown) | |
| Hallie Foote | ... | Grandma Lois | |
| Dustin Ingram | ... | Randy Rosen | |
| Johanna Braddy | ... | Lisa | |
| Katie Featherston | ... | Adult Katie | |
| Brian Boland | ... | Daniel | |
| Sprague Grayden | ... | Adult Kristi | |
| William Juan Prieto | ... | Hunter (as William Prieto) | |
| Jackson Xenia Prieto | ... | Hunter (as Jackson Prieto) | |
| Paitoon Cheng | ... | Ida | |
| Eddie Medrano | ... | Party Magician | |
| Rebecca Delgado Smith | ... | Crying Bridesmaid | |
| Bailey Michelle Brown | ... | Bailey (as Bailey Brown) | |
| Tucker Brown | ... | Tucker | |
| Jessica Berger | ... | Kid | |
| Hayden Sosa | ... | Kid | |
| Asher Rowland | ... | Kid | |
| Saige Gernhauser | ... | Kid | |
| Meredith Eaton | ... | Woman | |
| Bonita Friedericy | ... | Dorothy Wolfe | |
| Marilyn Alex | ... | Creepy Lady | |
| Jackie Benoit | ... | Creepy Lady | |
| Jody Carter | ... | Creepy Lady | |
| Maria Olsen | ... | Creepy Lady | |
| Karen Teliha | ... | Creepy Lady |
Directed by | |||
| Henry Joost | |||
| Ariel Schulman | |||
Writing credits | ||
| Christopher Landon | (written by) | |
| Oren Peli | (film "Paranormal Activity") | |
Produced by | |||
| Jason Blum | .... | producer | |
| Jeanette Brill | .... | co-producer (as Jeanette Volturno-Brill) | |
| Akiva Goldsman | .... | executive producer | |
| Christopher Landon | .... | co-producer | |
| Oren Peli | .... | producer | |
| Gregory Plotkin | .... | co-producer | |
| Steven Schneider | .... | producer | |
Cinematography by | |||
| Magdalena Górka | |||
Film Editing by | |||
| Gregory Plotkin | |||
Casting by | |||
| Terri Taylor | |||
Production Design by | |||
| Jennifer Spence | |||
Art Direction by | |||
| David Batchelor Wilson | (as David Wilson) | ||
Set Decoration by | |||
| Kelly Berry | |||
Costume Design by | |||
| Leah Butler | |||
Makeup Department | |||
| Kymber Blake | .... | makeup department head | |
| Paula Jane Hamilton | .... | key makeup artist | |
| Rene Vaca | .... | department head hair stylist | |
| Robert Hall | .... | special makeup designer: Almost Human Inc (uncredited) | |
| Dalton Kutsch | .... | special makeup fx technician: Almost Human Inc. (uncredited) | |
Production Management | |||
| Rick Osako | .... | unit production manager (as Rick A. Osako) | |
| Ralph Bertelle | .... | executive in charge of production (uncredited) | |
| Richard Stirling | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Zachery Alexander | .... | property master | |
| Rich Andrade | .... | lead person | |
| Alan Barnett | .... | art department production assistant | |
| Morgan Blackledge | .... | assistant property master | |
| Darren Patnode | .... | set dresser | |
| Maxwell Britton | .... | set dresser (uncredited) | |
| Niko Hovartos | .... | on set dresser (uncredited) | |
| Larry J. White II | .... | gangboss (uncredited) | |
| Erica Willis McCormick | .... | set decorations buyer (uncredited) | |
Sound Department | |||
| Paul Aulicino | .... | assistant supervising sound editor | |
| Peter Brown | .... | supervising sound designer | |
| Patrick Cusack | .... | field recordist | |
| Robert Deschaine | .... | adr mixer | |
| Joe Dzuban | .... | sound re-recording mixer | |
| Paul Flinchbaugh | .... | digital media assistant | |
| Nerses Gezalyan | .... | foley mixer | |
| Glynna Grimala | .... | adr supervisor | |
| Greg Hayes | .... | mix technician | |
| Gary A. Hecker | .... | supervising foley artist (as Gary Hecker) | |
| Michael Hertlein | .... | dialogue editor | |
| Daniel S. Irwin | .... | dialogue editor | |
| Tim D. Lloyd | .... | boom operator (as Tim Lloyd) | |
| Zsolt Magyar | .... | sound mixer | |
| Craig Mann | .... | sound re-recording mixer | |
| Margit Pfeiffer | .... | foley editor | |
| Stephen P. Robinson | .... | sound designer | |
| Paul Stevenson | .... | foley artist | |
| Tami Treadwell | .... | adr recordist | |
| Richard Mercado | .... | sound mixer: second unit (uncredited) | |
| Beauxregard Neylon | .... | adr mixer (uncredited) | |
| Steve Schwartzberg | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Mark Gullesserian | .... | special effects foreman | |
| Thomas Mertz | .... | special effects coordinator (as Tom Mertz) | |
| Steve Newquist | .... | special effects technician (uncredited) | |
| Ted Robinson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Brian Begun | .... | compositor: Hammerhead | |
| Rob Blue | .... | compositor: Hammerhead | |
| Timothy Michael Cairns | .... | compositor: Hammerhead (as Tim Cairns) | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead (as Dan Chuba) | |
| Caitlin Content | .... | compositor: Hammerhead | |
| Mark A.Z. Dippé | .... | additional visual effects supervisor: Hammerhead (as Mark Dippe) | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Brandon Gonzales | .... | matte painter: Hammerhead | |
| Deborah Hiner | .... | rotoscope artist: Hammerhead | |
| Robert Malina | .... | visual effects editor (as Rob Malina) | |
| Daniel Mellitz | .... | compositing supervisor: Hammerhead | |
| Candida Nunez | .... | tracking supervisor: Hammerhead | |
| Angella Szynkowski | .... | i/o: Hammerhead | |
| Tommy Tran | .... | compositor: Hammerhead | |
| Derek Zavada | .... | system administrator: Hammerhead | |
| Brandon Gonzales | .... | concept artist: Hammerhead (uncredited) | |
| Paul Hopkins | .... | matchmove/layout (uncredited) | |
| Daniel Loiewski | .... | visual effects intern (uncredited) | |
| Linda Tremblay | .... | digital compositor (uncredited) | |
Stunts | |||
| James Armstrong | .... | stunts | |
| Kelli Barksdale | .... | stunts | |
| Emily Brobst | .... | stunt double: Katie | |
| Seth Duhame | .... | stunt double: Chris Smith | |
| Meegan Godfrey | .... | stunts | |
| Nikki Hester | .... | stunt double: Lauren Bittner | |
| Craig Jensen | .... | stunts | |
| G. Grant Jewett | .... | stunt rigger | |
| Michael R. King | .... | stunts (as Mike King) | |
| Nicholas King | .... | stunts (as Nick King) | |
| Rob King | .... | stunt coordinator | |
| Dennis Scott | .... | assistant stunt coordinator | |
| Daniel Browning Smith | .... | stunts | |
| Steven Stone | .... | stunts | |
| Ator Tamras | .... | stunt double: Lauren Bittner | |
| Liisa Cohen | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Keith Dunkerley | .... | camera operator | |
| Keith Dunkerley | .... | director of photography: second unit | |
| Paul Farley | .... | first company grip (as Paul M. Farley) | |
| Sergio Gutierrez | .... | second company grip | |
| Jordan C. Kadovitz | .... | video assist (as Jordan Kadovitz) | |
| Damon Liebowitz | .... | chief lighting technician (as Damon Leibowitz) | |
| Oliver Mancebo | .... | digital imaging technician | |
| Olga Matlin | .... | grip | |
| Daniel C. McFadden | .... | still photographer (as Daniel McFadden) | |
| Dara Norman | .... | dimmer operator | |
| Benjamin Steeples | .... | second assistant camera | |
| Phoebe Sudrow | .... | first assistant camera | |
| Derek Touvell | .... | electrician | |
| Brian Woronec | .... | assistant chief lighting technician | |
Casting Department | |||
| Sarah Domeier | .... | casting assistant: Los Angeles | |
| Alexa L. Fogel | .... | casting: New York (as Alexa Fogel) | |
| Christine Kromer | .... | casting: New York | |
| John McAlary | .... | casting associate: Los Angeles | |
| Claire Simon | .... | casting: Chicago | |
Costume and Wardrobe Department | |||
| Rebecca M. Graves | .... | costumer (as Rebecca Graves) | |
| Linda Huse | .... | costume supervisor | |
| Candle Williams | .... | production assistant: costume department | |
| Christina DeMasi | .... | set costumer (uncredited) | |
| Linda Huse | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Maria Gonzales | .... | first assistant editor | |
| Joel Griffen | .... | assistant editor | |
| Mark Griffith | .... | digital intermediate colorist | |
| Omar Hassan-Reep | .... | first assistant editor | |
| Vince Hughes | .... | dailies operator: nextLAB | |
| Katherine Kane | .... | project coordinator | |
| George Koran | .... | associate digital intermediate colorist | |
| Nicholas Lareau | .... | outpost engineer | |
| Wendy Nomiyama | .... | assistant editor | |
| Jose Parra | .... | digital intermediate producer | |
| Joe Rosenbloom | .... | post-production assistant | |
| David Rosenthal | .... | i/o supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Daniel Sessoms | .... | baselight operator: nextLAB | |
| Elliott Traeger | .... | post-production assistant | |
| Phillip Dawe | .... | post-production coordinator (uncredited) | |
| Katie Fellion | .... | post production consultant (uncredited) | |
| Aaron Kroger | .... | outpost engineer (uncredited) | |
| Harry Muller | .... | color timer (uncredited) | |
| Ron South | .... | first assistant editor (uncredited) | |
Transportation Department | |||
| James G. Brill | .... | transportation coordinator | |
| Jason Messersmith | .... | transportation captain | |
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| Paranormal Activity 2 | Paranormal Activity | Cloverfield | Noroi: The Curse | Home Movie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Reigning king of the "Gotcha!" moment, Paranormal Activity is back and though the premise may have worn thin, (how many compulsive videographers can one extended family have?) its minimalist scare tactics are as effective as ever. Scream for scream, the theater experience is without rival; hushed gasps, nervous tittering, and shrieks of surprise are empirical evidence of the films' effectiveness. Hence the backlash when Paranormal Activity hit home video: these movies cater to a crowd.
A prequel of sorts, Paranormal Activity 3 rewinds the franchise to 1988, illuminating the origins of the Presence that ran amok in parts one and two. Helmed by Catfish directors Henry Joost and Ariel Schulman, the flick treads familiar territory, but keeps the audience on its toes. One of the major criticisms leveled against Oren Peli's original was its predictable cycle of daytime exposition and midnight scares. Rinse and repeat.
Screenwriter Christopher B. Landon, who also wrote the underwhelming Paranormal Activity 2, does a better job this time of pitching the odd changeup. With an omnipresent atmosphere of unease, no moment feels entirely safe. And it goes without saying that the freaky stuff is much more explicitly freaky. Rest assured the Rey family doesn't own a pool, let alone a cleaning robot.
Probably the single most brilliant technical addition to the Paranormal Activity repertoire is the oscillating camera. Panning ominously between kitchen and living room, the simple mechanic works like a suspense machine. Joost and Schulman certainly get their money's worth out of the gimmick, milking it for some of their whitest white-knuckle moments. Fashioned from a tabletop fan, the device is a perfect metaphor for the franchise itself: cheap, homemade, effective.
But for ingenuity and inventiveness, the original is still tops. For all its merciless suspense, Paranormal Activity 3 falls back on a few too many false alarms ("Gotcha!") and bad payoffs, and offers no real innovations in imagery. From Poltergeist to The Exorcist, it's easy to tell where the directors pulled inspiration, almost copy-and-pasting classic moments into the found footage aesthetic.
Then again, anyone expecting real innovation from the third Paranormal Activity film is barking up the wrong tree. Part of the fun is how loosely defined the abilities of the otherworldly antagonist are. It possesses, communicates, and manipulates. But wait, there's more! Paranormal Activity 3 plays like a grab bag of horror ideas and iconography. Like any grab bag, not everything inside is interesting.
For one, hand-held footage plays a more prominent role than ever, which strains the believability of some key sequences. Then there's hokey filler like the "Bloody Mary" urban legend, which squarely fills the vacancy left by the Ouija board on the Paranormal Activity blueprint. And who could forget Randy (Dustin Ingram) and his transparent, annoying attempts at comic relief?
Paranormal Activity 3 doesn't reinvent the franchise. It's not even the best Paranormal Activity film. It doesn't need to be. Its aim is to refine the series' mechanics and reinvigorate audience interest, and it succeeds. So what's next? Likely what keeps Paramount executives up at night is how to squeeze the supernatural saga for every penny it's worth. Long live the reigning king of "Gotcha!"