| Photos (See all 8 | slideshow) | Videos (see all 20) |
| Lauren Bittner | ... | Julie | |
| Christopher Nicholas Smith | ... | Dennis (as Chris Smith) | |
| Chloe Csengery | ... | Katie | |
| Jessica Tyler Brown | ... | Kristi (as Jessica Brown) | |
| Hallie Foote | ... | Grandma Lois | |
| Dustin Ingram | ... | Randy Rosen | |
| Johanna Braddy | ... | Lisa | |
| Katie Featherston | ... | Adult Katie | |
| Brian Boland | ... | Daniel | |
| Sprague Grayden | ... | Adult Kristi | |
| William Juan Prieto | ... | Hunter (as William Prieto) | |
| Jackson Xenia Prieto | ... | Hunter (as Jackson Prieto) | |
| Paitoon Cheng | ... | Ida | |
| Eddie Medrano | ... | Party Magician | |
| Rebecca Delgado Smith | ... | Crying Bridesmaid | |
| Bailey Michelle Brown | ... | Bailey (as Bailey Brown) | |
| Tucker Brown | ... | Tucker | |
| Jessica Berger | ... | Kid | |
| Hayden Sosa | ... | Kid | |
| Asher Rowland | ... | Kid | |
| Saige Gernhauser | ... | Kid | |
| Meredith Eaton | ... | Woman | |
| Bonita Friedericy | ... | Dorothy Wolfe | |
| Marilyn Alex | ... | Creepy Lady | |
| Jackie Benoit | ... | Creepy Lady | |
| Jody Carter | ... | Creepy Lady | |
| Maria Olsen | ... | Creepy Lady | |
| Karen Teliha | ... | Creepy Lady |
Directed by | |||
| Henry Joost | |||
| Ariel Schulman | |||
Writing credits | ||
| Christopher Landon | (written by) | |
| Oren Peli | (film "Paranormal Activity") | |
Produced by | |||
| Jason Blum | .... | producer | |
| Jeanette Brill | .... | co-producer (as Jeanette Volturno-Brill) | |
| Akiva Goldsman | .... | executive producer | |
| Christopher Landon | .... | co-producer | |
| Oren Peli | .... | producer | |
| Gregory Plotkin | .... | co-producer | |
| Steven Schneider | .... | producer | |
Cinematography by | |||
| Magdalena Górka | |||
Film Editing by | |||
| Gregory Plotkin | |||
Casting by | |||
| Terri Taylor | |||
Production Design by | |||
| Jennifer Spence | |||
Art Direction by | |||
| David Batchelor Wilson | (as David Wilson) | ||
Set Decoration by | |||
| Kelly Berry | |||
Costume Design by | |||
| Leah Butler | |||
Makeup Department | |||
| Kymber Blake | .... | makeup department head | |
| Paula Jane Hamilton | .... | key makeup artist | |
| Rene Vaca | .... | department head hair stylist | |
| Robert Hall | .... | special makeup designer: Almost Human Inc (uncredited) | |
| Dalton Kutsch | .... | special makeup fx technician: Almost Human Inc. (uncredited) | |
Production Management | |||
| Rick Osako | .... | unit production manager (as Rick A. Osako) | |
| Ralph Bertelle | .... | executive in charge of production (uncredited) | |
| Richard Stirling | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Zachery Alexander | .... | property master | |
| Rich Andrade | .... | lead person | |
| Alan Barnett | .... | art department production assistant | |
| Morgan Blackledge | .... | assistant property master | |
| Darren Patnode | .... | set dresser | |
| Maxwell Britton | .... | set dresser (uncredited) | |
| Niko Hovartos | .... | on set dresser (uncredited) | |
| Larry J. White II | .... | gangboss (uncredited) | |
| Erica Willis McCormick | .... | set decorations buyer (uncredited) | |
Sound Department | |||
| Paul Aulicino | .... | assistant supervising sound editor | |
| Peter Brown | .... | supervising sound designer | |
| Patrick Cusack | .... | field recordist | |
| Robert Deschaine | .... | adr mixer | |
| Joe Dzuban | .... | sound re-recording mixer | |
| Paul Flinchbaugh | .... | digital media assistant | |
| Nerses Gezalyan | .... | foley mixer | |
| Glynna Grimala | .... | adr supervisor | |
| Greg Hayes | .... | mix technician | |
| Gary A. Hecker | .... | supervising foley artist (as Gary Hecker) | |
| Michael Hertlein | .... | dialogue editor | |
| Daniel S. Irwin | .... | dialogue editor | |
| Tim D. Lloyd | .... | boom operator (as Tim Lloyd) | |
| Zsolt Magyar | .... | sound mixer | |
| Craig Mann | .... | sound re-recording mixer | |
| Margit Pfeiffer | .... | foley editor | |
| Stephen P. Robinson | .... | sound designer | |
| Paul Stevenson | .... | foley artist | |
| Tami Treadwell | .... | adr recordist | |
| Richard Mercado | .... | sound mixer: second unit (uncredited) | |
| Beauxregard Neylon | .... | adr mixer (uncredited) | |
| Steve Schwartzberg | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Mark Gullesserian | .... | special effects foreman | |
| Thomas Mertz | .... | special effects coordinator (as Tom Mertz) | |
| Steve Newquist | .... | special effects technician (uncredited) | |
| Ted Robinson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Brian Begun | .... | compositor: Hammerhead | |
| Rob Blue | .... | compositor: Hammerhead | |
| Timothy Michael Cairns | .... | compositor: Hammerhead (as Tim Cairns) | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead (as Dan Chuba) | |
| Caitlin Content | .... | compositor: Hammerhead | |
| Mark A.Z. Dippé | .... | additional visual effects supervisor: Hammerhead (as Mark Dippe) | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Brandon Gonzales | .... | matte painter: Hammerhead | |
| Deborah Hiner | .... | rotoscope artist: Hammerhead | |
| Robert Malina | .... | visual effects editor (as Rob Malina) | |
| Daniel Mellitz | .... | compositing supervisor: Hammerhead | |
| Candida Nunez | .... | tracking supervisor: Hammerhead | |
| Angella Szynkowski | .... | i/o: Hammerhead | |
| Tommy Tran | .... | compositor: Hammerhead | |
| Derek Zavada | .... | system administrator: Hammerhead | |
| Brandon Gonzales | .... | concept artist: Hammerhead (uncredited) | |
| Paul Hopkins | .... | matchmove/layout (uncredited) | |
| Daniel Loiewski | .... | visual effects intern (uncredited) | |
| Linda Tremblay | .... | digital compositor (uncredited) | |
Stunts | |||
| James Armstrong | .... | stunts | |
| Kelli Barksdale | .... | stunts | |
| Emily Brobst | .... | stunt double: Katie | |
| Seth Duhame | .... | stunt double: Chris Smith | |
| Meegan Godfrey | .... | stunts | |
| Nikki Hester | .... | stunt double: Lauren Bittner | |
| Craig Jensen | .... | stunts | |
| G. Grant Jewett | .... | stunt rigger | |
| Michael R. King | .... | stunts (as Mike King) | |
| Nicholas King | .... | stunts (as Nick King) | |
| Rob King | .... | stunt coordinator | |
| Dennis Scott | .... | assistant stunt coordinator | |
| Daniel Browning Smith | .... | stunts | |
| Steven Stone | .... | stunts | |
| Ator Tamras | .... | stunt double: Lauren Bittner | |
| Liisa Cohen | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Keith Dunkerley | .... | camera operator | |
| Keith Dunkerley | .... | director of photography: second unit | |
| Paul Farley | .... | first company grip (as Paul M. Farley) | |
| Sergio Gutierrez | .... | second company grip | |
| Jordan C. Kadovitz | .... | video assist (as Jordan Kadovitz) | |
| Damon Liebowitz | .... | chief lighting technician (as Damon Leibowitz) | |
| Oliver Mancebo | .... | digital imaging technician | |
| Olga Matlin | .... | grip | |
| Daniel C. McFadden | .... | still photographer (as Daniel McFadden) | |
| Dara Norman | .... | dimmer operator | |
| Benjamin Steeples | .... | second assistant camera | |
| Phoebe Sudrow | .... | first assistant camera | |
| Derek Touvell | .... | electrician | |
| Brian Woronec | .... | assistant chief lighting technician | |
Casting Department | |||
| Sarah Domeier | .... | casting assistant: Los Angeles | |
| Alexa L. Fogel | .... | casting: New York (as Alexa Fogel) | |
| Christine Kromer | .... | casting: New York | |
| John McAlary | .... | casting associate: Los Angeles | |
| Claire Simon | .... | casting: Chicago | |
Costume and Wardrobe Department | |||
| Rebecca M. Graves | .... | costumer (as Rebecca Graves) | |
| Linda Huse | .... | costume supervisor | |
| Candle Williams | .... | production assistant: costume department | |
| Christina DeMasi | .... | set costumer (uncredited) | |
| Linda Huse | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Maria Gonzales | .... | first assistant editor | |
| Joel Griffen | .... | assistant editor | |
| Mark Griffith | .... | digital intermediate colorist | |
| Omar Hassan-Reep | .... | first assistant editor | |
| Vince Hughes | .... | dailies operator: nextLAB | |
| Katherine Kane | .... | project coordinator | |
| George Koran | .... | associate digital intermediate colorist | |
| Nicholas Lareau | .... | outpost engineer | |
| Wendy Nomiyama | .... | assistant editor | |
| Jose Parra | .... | digital intermediate producer | |
| Joe Rosenbloom | .... | post-production assistant | |
| David Rosenthal | .... | i/o supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Daniel Sessoms | .... | baselight operator: nextLAB | |
| Elliott Traeger | .... | post-production assistant | |
| Phillip Dawe | .... | post-production coordinator (uncredited) | |
| Katie Fellion | .... | post production consultant (uncredited) | |
| Aaron Kroger | .... | outpost engineer (uncredited) | |
| Harry Muller | .... | color timer (uncredited) | |
| Ron South | .... | first assistant editor (uncredited) | |
Transportation Department | |||
| James G. Brill | .... | transportation coordinator | |
| Jason Messersmith | .... | transportation captain | |
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| Paranormal Activity 2 | Paranormal Activity | Cloverfield | Noroi: The Curse | Home Movie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The trailer convinced me to go see this flick, and I left somewhat perplexed and disappointed. Frankly, it seemed like a different movie from what was portrayed. Most of the scenes in the trailer were not in the final cut, which is a shame because the film itself felt very incomplete.
Tension was built through the movie, but it felt like there was never really a climax, and that the pacing was uneven. The intensity and suspense of the movie built up well, though I can't help but feel that there were at least a couple scenes missing entirely. While the last part of the movie was without a doubt very intense, it brought absolutely no sense of resolution, and was entirely dissatisfying.
It was like listening to a piece of orchestral music that dramatically builds up, but is then cut off short. Beyond that, I felt very deceived. The trailer was practically of a different film, and I feel like it was very dishonest to market it that way.