Critic Reviews

64

Metascore

Based on 18 critic reviews provided by Metacritic.com
75
NPR
That she continues to invite not just Beyoncé and Katy Perry but millions of adoring men and women along for the ride is icing on the cake.
75
In one of Hugh Hefner’s least creepy moments ever, he describes how they became friends later in life; with his help, she finally obtained the legal rights to her rampantly used image.
70
Village Voice
Mori — director of the 1991 documentary Building Bombs — assembles the information here with clarity and sensitivity.
63
She is an engaging guide, humorous and honest, cynical and wise, with that same sense of innocent joy in her own fame that translated into in photos.
60
It has a somewhat routine midlevel-cable-production feel. But the content is engaging, and the use of old movie clips to illustrate biographical details... is amusing.
60
Why does the movie waste so much time on empty adoration from celebrity fans and skim past the significant tragedies that contributed to her complex life? Parental neglect, sexual assault, severe mental illness — all of these factors shaped the woman Page became. But perhaps even today, no one wants to consider the sadness behind her 1,000-watt smile.
60
No life is seamless, and not every biographical portrait needs to be, but this one is so riddled with awkward transitions, including on the soundtrack, that it tends to lurch distractingly, as if Mr. Mori were still trying to figure out how to piece the whole thing together.
60
The Hollywood Reporter
Page's no-regrets spirit and the enraptured testimonials from those who knew her in her prime (including some swooning ex-lovers) overpowers clumsy filmmaking.
58
This film has all of the pieces to be a great and thorough documentary (a cult turned popular subject, new and old footage, interviews with admirers, friends and colleagues, authorization by the lady herself), but misses the mark.
50
Slant Magazine
Mark Mori goes a bit overboard in hammering home his appreciation of Bettie Page's significance, allowing the film to occasionally lapse into repetitiveness.

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