In 2020, a group of wealthy Muscovites traveling to a complex of abandoned astrophysics, where rumors say they have enough power to stop the aging process.
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4 wins & 4 nominations. See more awards »
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Cast

Credited cast:
Anton Khabarov ...
Andrey
...
Nikolay
...
Mitya (as Danila Kozlovskiy)
Nina Loshchinina ...
Taya
Svetlana Novikova
Daniela Stoyanovich ...
Anna
...
Victor
...
Zoe

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Storyline

In 2020, a group of wealthy Muscovites traveling to a complex of abandoned astrophysics, where rumors say they have enough power to stop the aging process.

Plot Summary | Add Synopsis

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In the year 2020, a group of wealthy Moscovites travel to an abandoned astrophysics complex, rumoured to have enough power to halt the process of ageing

Genres:

Drama | Sci-Fi

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Details

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Release Date:

30 June 2011 (Russia)  »

Also Known As:

Cel  »

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2.35 : 1
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Did You Know?

Trivia

For her role in this film, Justine Waddell learned the Russian language from scratch. See more »

Connections

Referenced in Russia's Open Book: Writing in the Age of Putin (2013) See more »

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User Reviews

 
On target
5 October 2014 | by (United States) – See all my reviews

I found this film because I was interested in the script by also- novelist Vladimir Sorokin, and it wasn't disappointed. It turned out to be an intelligent, subtle, thoughtful screenplay that seems to have been treated with huge respect by the filmmakers. That's important because in terms of several elements including not just the scenario and dialogue but also the pacing and visual images, this is a very daring and ambitious piece of film.

"Targets" is very atypically structured and paced: it's long, and its narrative-- which while basically chronological does indulge in flashback scenes -- is not really straightforward. And I think that helps it in delineating and very original treatment of an age old fountain-of-youth theme.

We focus of several rich Muscovites who discover an area with special properties to stop again. And the central contradiction of their seeking of it is explored powerfully in several ways: these are people for whom life is empty, and they seek to prolong it by extending it. But they are treated very humanly, and so this strong satire on the emptiness of wealth and its centrality to modern life rarely ends up seeming mean-spirited. Instead the lives of the protagonists play out like several individual bleak and touching personal tragedies.

Occasionally, things pill slightly over the top, and often this is in the parodies of sections of TV shows, but become a bit too heavy- handed making the still-good point, but detract little from the whole.

While the pace is slow, the film to me never felt dull, but rather fascinating. Sincere and quietly-intense acting from all parties, interesting, significant camera-work, and sometime-shocking but always well-executed set pieces contribute to this.

Another important theme running parallel to the agonies introduced by eternal you is a pair of glasses that an distinguish good and evil, down to the physical good or evil properties of types of matter. And this invention ends up being of no use, scoffed when introduced to the public. Like eternal youth, the ability to know right from wrong with certainty is a long-sought and implausible goal that when attained reaps no helpful rewards.

An intelligent film whose ambition pays off. I'm sure that repeated viewings will reveal more nuances, which in itself is a sign of a success.


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