| Photos (See all 11 | slideshow) | Videos (see all 4) |
| Masuhiro Yamamoto | ... | Himself | |
| Daisuke Nakazama | ... | Himself | |
| Hachiro Mizutani | ... | Himself | |
| Harutaki Takahashi | ... | Himself | |
| Hiroki Fujita | ... | Himself | |
| Tsunenori Ida | ... | Himself | |
| Toichiro Iida | ... | Himself | |
| Akihiro Oyama | ... | Himself | |
| Shizuo Oyama | ... | Himself | |
| Hiroshi Okuda | ... | Himself | |
| Yukio Watanabe | ... | Himself | |
| Kazunori Kumakawa | ... | Himself | |
| Kazuo Fukaya | ... | Himself | |
| Syozo Someya | ... | Himself | |
| Hiromichi Honda | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Jiro Ono | ... | Himself | |
| Yoshikazu Ono | ... | Himself | |
Directed by | |||
| David Gelb | |||
Produced by | |||
| Jacob Aronson | .... | consulting producer | |
| Joey Carey | .... | executive producer | |
| Ross M. Dinerstein | .... | executive producer | |
| Kevin Iwashina | .... | producer | |
| Chris Kelly | .... | executive producer | |
| Stefan Nowicki | .... | executive producer | |
| Ed Ojdana | .... | executive producer | |
| Tom Pelligrini | .... | producer | |
| Scott Prisand | .... | co-executive producer | |
| Matt Weaver | .... | executive producer | |
Cinematography by | |||
| David Gelb | |||
Film Editing by | |||
| Brandon Driscoll-Luttringer | |||
Production Management | |||
| Gina Amador | .... | post-production supervisor | |
Sound Department | |||
| Darlene Gorzela | .... | additional sound | |
| Laura Harley | .... | post-production sound coordinator | |
| Tim Hoogenakker | .... | dialogue editor | |
| Tim Hoogenakker | .... | sound re-recording mixer | |
| Chris Johnston | .... | foley mixer | |
| Dawn Redmann | .... | post-production sound coordinator | |
| Anthony Vanchure | .... | foley artist | |
| Anthony Vanchure | .... | sound editor | |
| Darren 'Sunny' Warkentin | .... | supervising sound editor | |
| Robert Weiss | .... | sound editor | |
Visual Effects by | |||
| Peter Sauvey | .... | visual effects (as Peter Sauvy) | |
Editorial Department | |||
| Evans Butterworth | .... | digital intermediate account executive | |
| Brandon Driscoll-Luttringer | .... | color correction | |
| David B. Guthrie | .... | assistant editor (as David Guthrie) | |
| Steve Hernandez | .... | digital intermediate producer | |
| Eliot Milbourn | .... | digital intermediate colorist | |
| Mathieu Reid | .... | color timer | |
Music Department | |||
| Jeff Foxworth | .... | composer: additional music | |
| The Ontic | .... | composer: additional music | |
| Rye Randa | .... | composer: additional music | |
| David Rich | .... | music clearances | |
| Janet Billig Rich | .... | music clearances | |
Other crew | |||
| Christopher Berdine | .... | title designer | |
| Elsa Ramo | .... | financial legal services | |
Thanks | |||
| Lon Bender | .... | special thanks | |
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| The Devil Wears Prada | The Karate Kid | God Bless Ozzy Osbourne | Accepted | Christmas with the Kranks |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This is a movie about food, but it's much deeper in its story and content. I was truly inspired by a man's pursuit of perfection, the dedications of the understudies, the family dynamic between father and son, and the cultural beauty of Japanese crafts. Yes there are shots of "food porn" woven in, but the movie is charming and much deeper than slow-motion food shots (not that I'm complaining, some shots are stunning).
The young director has good command of the camera, and drives the movie through interviews. People in the theater were applauding at the end. I can't wait to get the DVD.