| Abhishek Bachchan | ... | Neil Menon | |
| Kangana Ranaut | ... | Sia Agnihotri | |
| Anupam Kher | ... | Kabir Malhotra | |
| Boman Irani | ... | O.P. Ramsay | |
| Jimmy Shergill | ... | Vikram Kapoor | |
| Shahana Goswami | ... | Tisha Khanna | |
| Gauhar Khan | ... | Samara Shroff | |
| Sarah-Jane Dias | ... | Maya (as Sarah Jane Dias) | |
| Mantra | ... | Ranbeer | |
| rest of cast listed alphabetically: | |||
| Akash Dhar | |||
| Benjamin Gilani | ... | Mr. Khanna | |
| Mohan Kapoor | ... | Karamvir | |
| Sikander Kher | ... | Sunil Srivastav | |
| David Firestar | ... | Man in Strip Club (uncredited) | |
Directed by | |||
| Abhinay Deo | |||
Writing credits(in alphabetical order) | ||
| Farhan Akhtar | dialogue | |
| Javed Akhtar | lyrics | |
Produced by | |||
| Farhan Akhtar | .... | producer | |
| Lee Alliston | .... | line producer | |
| Vikesh Bhutani | .... | line producer | |
| Miriam Joseph | .... | executive producer | |
| Cengiz Karadeniz | .... | line producer | |
| Ritesh Sidhwani | .... | producer | |
Original Music by | |||
| Shankar Mahadevan | (music) (as Shankar Ehsaan Loy) | ||
| Loy Mendonsa | (music) (as Shankar-Ehsaan-Loy) | ||
| Ehsaan Noorani | (music) (as Shankar-Ehsaan-Loy) | ||
| Ram Sampath | (background score) | ||
Cinematography by | |||
| Kartik Vijay | (director of photography) | ||
Film Editing by | |||
| Amitabh Shukla | |||
Casting by | |||
| Nandini Shrikent | |||
Production Design by | |||
| Shashank Tere | |||
Costume Design by | |||
| Jaimal Odedra | |||
Makeup Department | |||
| Anwar Khan | .... | assistant makeup artist | |
| Shabana Latif | .... | key makeup artist | |
| Altaf Mammoo | .... | assistant makeup artist | |
Production Management | |||
| Niraj Pamwani | .... | unit production manager | |
| Suat Saglam | .... | production manager: Turkey | |
| Ibrahim Öter | .... | production assistant: Turkey | |
Art Department | |||
| Nidhi Rungta | .... | assistant art director | |
| Anandita Sarkar | .... | set dresser | |
Sound Department | |||
| Vikram Biswas | .... | sound editor | |
| Sanjay Chaturvedi | .... | dialogue editor | |
| Prashant Dcruz | .... | sound effects editor | |
| Udit Duseja | .... | dialogue editor | |
| Udit Duseja | .... | sound effects editor | |
| Johnston Fernandes | .... | sound effects editor | |
| Baylon Fonseca | .... | film mix engineer | |
| Baylon Fonseca | .... | production mixer | |
| Baylon Fonseca | .... | sound designer | |
| Hitendra Ghosh | .... | sound re-recording mixer | |
| Rhitwik Raj Pathak | .... | associate re-recording mixer | |
| Sameer Patra | .... | assistant sound mixer | |
Special Effects by | |||
| Devendra Bhave | .... | special effects assistant | |
Visual Effects by | |||
| Pranay Agarwal | .... | digital compositor: Prana Studios | |
| Shraddha Belose | .... | digital compositor | |
| Neil Cunningham | .... | creative director | |
| Radha Krishnan Damodar | .... | senior digital matte artist: Reliance Media Works | |
| Soumen Das | .... | digital compositor | |
| Salil Deshpande | .... | senior digital intermediate producer | |
| Abhishek Ghorui | .... | digital compositor | |
| Ankur Goyal | .... | assistant technical director | |
| Nitin Jadhav | .... | digital compositor | |
| Samapika Karmakar | .... | digital compositor: Prana Studio | |
| Amit Kumar | .... | digital compositor | |
| Yateen Mahambrey | .... | visual effects lead | |
| Ken Metzker | .... | digital intermediate colourist | |
| Ankit Mishra | .... | rotoscope artist | |
| Abrez Mohammed | .... | digital compositor (as Mohd Abrez) | |
| Achal Muchhala | .... | digital compositor: Reliance MediaWorks Ltd. | |
| Himesh Nagda | .... | line producer: Reliance Media Works | |
| Paresh Navlakha | .... | digital compositor | |
| Biki Prasad | .... | visual effects artist Prana Studios | |
| Rajiv Raghunathan | .... | digital intermediate production head | |
| Shubham Singh Rathore | .... | visual effects artist (visual effects) | |
| Bhavini Ashwinkumar Shah | .... | visual effects coordinator | |
| Ravi Shekhar | .... | digital compositor: Prana Studio | |
| Aditya Talwar | .... | digital compositor | |
| Meghna Thakar | .... | visual effects production assistant | |
| Sujit Tone | .... | digital compositor | |
Camera and Electrical Department | |||
| George Anton | .... | grip | |
| Adnan Aydin | .... | Turkish key grip | |
| Bidhan Chanda | .... | best boy grip | |
| Kapil Dubey | .... | grip | |
| Karl Hui | .... | focus puller: UK | |
| Rashid Jam | .... | grip | |
| Sidharth Kale | .... | camera operator | |
| Hakan Kasirga | .... | key grip | |
| Manoj Subir Mandal | .... | second assistant camera | |
| Yiannis Maragoudakis | .... | first electrician | |
| Soumyajit Nandy | .... | still photographer (as Soumyajit Toto Nandy) | |
| Sanjay Sami | .... | key grip | |
| Sanjay Sami | .... | steadicam operator | |
Casting Department | |||
| Devika Jamdar | .... | casting assistant | |
| Karan Pandit | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Yashpal Concessao | .... | costume assistant | |
| Sharan Mishra | .... | costume assistant | |
| Urmilla Lal Motwani | .... | associate costume designer | |
| Urmilla Lal Motwani | .... | wardrobe supervisor | |
| Sheetal Sharma | .... | costume assistant | |
Editorial Department | |||
| Manoj Chouhan | .... | post-production manager | |
| Rohit Karkera | .... | digital intermediate conformist | |
| Vasudevan Kothandath | .... | digital intermediate editor | |
| Ken Metzker | .... | digital intermediate colorist | |
| Neil Sadwelkar | .... | post-production consultant | |
Music Department | |||
| Vishal Dadlani | .... | playback singer | |
| Game | .... | additional programmer | |
| Game | .... | composer: additional music | |
| Shreya Ghoshal | .... | playback singer | |
| Kay Kay | .... | playback singer | |
| Kshitij | .... | playback singer | |
| Anusha Mani | .... | playback singer | |
| Loy Mendonsa | .... | playback singer | |
| Sunitha Sarathy | .... | playback singer | |
| Shaan | .... | playback singer | |
| Aditi Singh Sharma | .... | playback singer | |
| Tanuj Tiku | .... | composer: additional music | |
Other crew | |||
| Nazar Abbas | .... | behind the scenes director | |
| Mustafa Ajmeri | .... | production accountant | |
| Lakshya Raj Anand | .... | assistant to director | |
| Shiamak Davar | .... | choreographer | |
| Vijay Ganguly | .... | chief assistant choreographer | |
| Robin Merchant | .... | assistant choreographer | |
| Vaibhavi Merchant | .... | choreographer | |
| Kulthep Narula | .... | line producer: Thailand | |
| Mike Patlin | .... | aerial coordinator | |
| Shubha Ramachandra | .... | script supervisor | |
| Saurabh H. Shah | .... | director assistant | |
| Devika Shroff | .... | head of marketing | |
| Taera Shroff | .... | production assistant | |
Thanks | |||
| Sameer Bhojwani | .... | special thanks | |
| Riteish Deshmukh | .... | special thanks (as Ritesh Deshmukh) | |
| Abhishek Kapoor | .... | special thanks | |
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| Kaminey: The Scoundrels | Gun Crazy | The Limey | So Sweet, So Dead | Bad Lieutenant: Port of Call New Orleans |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb India section |
In a refreshingly slick thriller, director Abhinay Deo has quite a cast to work with for his Crime Scene Investigation 'Game', which keeps announcing that 'it's a game...'. Yes, we get the point. There are shades of the Akhtars being in charge of writing some of the story especially in the second half. While Game offers many twists in its investigative second half that differs from the first (which deals with a conspiring meeting of distinct individuals on a Greek Island), its back stories and meandering sub-plots tend to take the Game all over the place. Nevertheless, it does make up a decent Sunday afternoon DVD rental.
Four strangers from different parts of the world are summoned by the reclusive business magnate Kabir Malhotra (Anupam Kher) to his private island in Greece where he offers to help them in their crisis weary lives. After a welcome by Kabir's assistant Samara (Gauhar Khan), they are all greeted by Malhotra who reveals stories about each one's dark past and accuses them of being a part of his daughter's life and death. He also warns them of the impending arrival of the International Vigilance Team that will look into the proofs he provides against each of them the next day. But morning brings with it a shocking event that triggers a series of twists, sub-plots and mysteries that unfold before the intrigued viewer.
Boman Irani plays the Thai Prime Ministerial candidate Ramsay, who keeps more secrets than the number of pills that subside his high blood pressure. His portrayal as the sinister politician is the film's dark element. Jimmy Shergil plays the popular bollywood actor Vikram Kapoor whose guilty conscience disturbs him enough to cause his films to flop. His is an insignificant character to whom one cannot really relate to or even empathize with. The alcoholic journalist Tisha Khanna (Shahana Goswami) is the other inconsequential revelation as Malhotra's second daughter, the twin sibling of the murdered Maya. One may wonder where she disappeared in the second half. Neil Menon (Abhishek Bachchan) is a casino owner and drug peddler based in stunning Istanbul where he falls in love with Maya and subsequently loses her to an accident. The film's surprise element is Abhishek's character and he does enjoy this exciting twist. Kangana Ranaut as the investigating officer looks determined but hardly credible. Sarah-Jane as Maya plays a brief role, looks good in some scenes but the characterization for her failed to draw any emotions from the viewer.
With each unfolding mystery, the story keeps throwing more twists that keep the suspense alive. Unlike the C.I.D. Mysteries where analysis reveals all new characters or observation, the story tellers manage to keep it all secretive till the very end while the analysis by investigators reveals facts that were depicted in front of us which we may overlook. This is one of the intriguing aspects of the film's story telling that tends to impress. Surely, it has something to do with Javed Akhtar's skills that gave us so many thrillers in the 70's. Unfortunately, the film is not quite balanced overall. The numerous sub-plots, poorly scripted characters and direction that did not do justice to the story, all bring mediocrity to a well written plot. The film could've been a genuinely fun Game to play along but it simply lost focus in the middle and was left upon Abhishek to hold it together.
Shankar Ehsaan Loy's score is average with only the end credits song 'Kaun hai ajnabi' being worthy of a download.
If the story was the backbone of this film, the cinematography was its beautiful face. Istanbul has been depicted in all its splendour with slick shots from rooftops and its Bosphorus strait showcasing the city's fine architecture.
Game is a slick looking thriller with a good amount of twists that engage the viewer for some time. Its problems of lengthy back-stories and poor characterization tend to disrupt the steady flow of informative investigation but blame that on its inexperienced director. Too bad for Abhishek though as he had a role to capitalize on; had everything else been done right around him. It still is worthy of the home video rental if not the expensive movie theater outing. Watch it for the stylish camera work through Greece and Turkey and to engage your mind into a murder mystery that will keep you guessing.....
7.011 on a scale of 1-10.