Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
This is the tale of a hit and run accident that results in the death of an illegal foreigner. Three men, including a young executive, are aboard the vehicle responsible of the accident and ... See full summary »
In Havana, Raul dreams of escaping to Miami. Accused of assault, he appeals to Elio to help him reach the forbidden world 90 miles across the ocean. One night, full of hope, they face the biggest challenge of their lives.
Anailín de la Rúa de la Torre,
Javier Núñez Florián
A story based on facts which offers a fresh take on the issue of new immigrants in the United States. Mariana totes her two children from Colombia to reunite with her husband in Queens, New... See full summary »
Gloria La Morte,
During the riots of 1997 in Albania the retired photographer PETRO travels from his hometown Gjirokastra to the capital Tirana. He has taken pictures of a killing with his Super-8-camera ... See full summary »
A Young woman called Sara witnesses a group of youths robbing a woman at the bus stop . She intervenes and one of the robbers makes it clear he wants to go home with her
I should put my cards on the table straight away and state that I'm not a big fan of short films . Often they stand or fall on their pay off and if the plotting isn't right then because of their short running time the flaws of their plotting are more pronounced . In effect most films are " idiot plots " in that if someone stops acting like an idiot then the film will end there and then
This short opens with Sara taking a cocktail of medicinal pills and this ties in with the ending. Between the start and the ending there must be an inciting incident and this takes place when Sara witnesses the robbery . Certainly the female fear of unwanted sexual attention is very pronounced in BABY but after the pay off you'll realise that Damon's sexual interest isn't what the pay off is about - quite the reverse in fact because without a sexual interest the story won't work . But in that case why does Sara act so intimidated?
In many ways this aspect of the film is similar to these cliff-hangers we see in DOCTOR WHO where the Doctor is pleading for his life all terrified that he's going to get executed by that week's villains but at the start of the next episode he magically pushes a button freeing himself . In that case why be terrified ? In many ways Sara's obvious disconcerting mannerism is very similar and lacks an internal logic
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