In Havana, Raul dreams of escaping to Miami. Accused of assault, he appeals to Elio to help him reach the forbidden world 90 miles across the ocean. One night, full of hope, they face the biggest challenge of their lives.
Anailín de la Rúa de la Torre,
Javier Núñez Florián
This is the tale of a hit and run accident that results in the death of an illegal foreigner. Three men, including a young executive, are aboard the vehicle responsible of the accident and ... See full summary »
Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
In a tale akin to Romeo and Juliet, the friendship between two children is threatened by their parents' differences. Malu is from an upper-class family and her single mother does not want ... See full summary »
Juan Carlos Cremata Malberti,
Iraida Malberti Cabrera
Malú Tarrau Broche,
Luisa María Jiménez Rodríquez
Mbwana and his best friend Juma are two young men with big dreams. These dreams become reality when they photograph a gigantic fish leaping out of the sea and their small town blossoms into... See full summary »
A Young woman called Sara witnesses a group of youths robbing a woman at the bus stop . She intervenes and one of the robbers makes it clear he wants to go home with her
I should put my cards on the table straight away and state that I'm not a big fan of short films . Often they stand or fall on their pay off and if the plotting isn't right then because of their short running time the flaws of their plotting are more pronounced . In effect most films are " idiot plots " in that if someone stops acting like an idiot then the film will end there and then
This short opens with Sara taking a cocktail of medicinal pills and this ties in with the ending. Between the start and the ending there must be an inciting incident and this takes place when Sara witnesses the robbery . Certainly the female fear of unwanted sexual attention is very pronounced in BABY but after the pay off you'll realise that Damon's sexual interest isn't what the pay off is about - quite the reverse in fact because without a sexual interest the story won't work . But in that case why does Sara act so intimidated?
In many ways this aspect of the film is similar to these cliff-hangers we see in DOCTOR WHO where the Doctor is pleading for his life all terrified that he's going to get executed by that week's villains but at the start of the next episode he magically pushes a button freeing himself . In that case why be terrified ? In many ways Sara's obvious disconcerting mannerism is very similar and lacks an internal logic
4 of 6 people found this review helpful.
Was this review helpful to you?