| Photos (See all 25 | slideshow) | Videos (see all 3) |
| Claude Baz Moussawbaa | ... | Takla | |
| Leyla Hakim | ... | Afaf (as Layla Hakim) | |
| Nadine Labaki | ... | Amale | |
| Yvonne Maalouf | ... | Yvonne | |
| Antoinette Noufaily | ... | Saydeh | |
| Julian Farhat | ... | Rabih | |
| Ali Haidar | ... | Roukoz | |
| Kevin Abboud | ... | Nassim | |
| Petra Saghbini | ... | Rita | |
| Mostafa Al Sakka | ... | Hammoudi | |
| Sasseen Kawzally | ... | Issam | |
| Caroline Labaki | ... | Aïda | |
| Anjo Rihane | ... | Fatmeh | |
| Mohammad Aqil | ... | Abou Ahmad (as Mohammad Akil) | |
| Gisèle Smeden | ... | Gisèle | |
| Khalil Bou Khalil | ... | Maire | |
| Samir Awad | ... | Pretre | |
| Ziad Abou Absi | ... | Cheikh | |
| Adel Karam | ... | Chauffeur du Bus | |
| Oxana Chihane | ... | Katia | |
| Anneta Bousaleh | ... | Svetlana | |
| Olga Yerofyeyeva | ... | Anna | |
| Yulia Maroun | ... | Tatiana | |
| Oksana Beloglazova | ... | Olga | |
| Fouad Yammine | ... | Boutros | |
| Cendrella Yammine | ... | Femme Boutros | |
| Sami Khorjieh | ... | Abou Ali | |
| Mounzer Baalbaki | ... | Sassine | |
| Marlein Ziadeh | ... | Mariam | |
| Marie Skeif | ... | Marie | |
| Georgina El-Zaitrini | ... | Georgina | |
| Mona Moukarzel | ... | Laurice | |
| Joëlle Najem | ... | Joëlle | |
| Mohamad Al Sakka | ... | Enfant Bequilles | |
| Charbel Khalil | ... | Hassan | |
| Chady El-Teeny | ... | Abboud | |
| Kassem Istanbouli | ... | Kassem (as Kassem Istambouli) | |
| Ahmad Hafez | ... | Ahmad | |
| Georges Khoury | ... | Youssef | |
| Georgio Ghawi | ... | Miled | |
| Mohammad Raad | ... | Assaad | |
| Elie Abou Zeid | ... | Tanious | |
| Moustapha El Masri | ... | Hanna | |
| Ali Baajour | ... | Khalil | |
| Paola Sleiman | ... | Sara | |
| Angelica Saleh | ... | Angelica | |
| Issa Abboud | ... | Vieux Villageois | |
| Reslan El-Karra | ... | Toufic | |
| Georges Abi Khalil | ... | Georges | |
| Abdel Rahman Billoz | ... | Client Barbier | |
| Suzane Talhouk | ... | Presentatrice Journal | |
| Nathalie Abi-Habib | ... | Speakerine | |
| rest of cast listed alphabetically: | |||
| Karin Dor | ... | Juanita de Cordoba (archive footage) (uncredited) | |
| Frederick Stafford | ... | Andre Devereaux (archive footage) (uncredited) | |
Directed by | |||
| Nadine Labaki | |||
Writing credits(in alphabetical order) | ||
| Rodney Al Haddid | ||
| Thomas Bidegain | collaboration | |
| Jihad Hojeily | ||
| Nadine Labaki | ||
| Sam Nessim | (as Sam Mounier) | |
Produced by | |||
| Tarak Ben Ammar | .... | co-producer | |
| Lara Chekerdjian | .... | executive producer | |
| Hesham Abdel Khalek | .... | co-producer (as Hesham Abdelkhalek) | |
| Abla Khoury | .... | executive producer | |
| Nadine Labaki | .... | producer | |
| Romain Le Grand | .... | co-producer | |
| Anne-Dominique Toussaint | .... | producer | |
Original Music by | |||
| Khaled Mouzannar | |||
Cinematography by | |||
| Christophe Offenstein | |||
Film Editing by | |||
| Véronique Lange | |||
Casting by | |||
| Abla Khoury | |||
Production Design by | |||
| Cynthia Zahar | |||
Costume Design by | |||
| Caroline Labaki | |||
Art Department | |||
| Jessica Abi Nassif | .... | assistant art director | |
| Najib Mrad | .... | property master | |
Sound Department | |||
| Rayan Al Obeidyine | .... | boom operator | |
| Michel Casang | .... | sound | |
| Cédric Deloche | .... | dialogue editor | |
| Ludovic Delzenne | .... | sound recordist | |
| Geraldine Falieu | .... | assistant sound editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Adrien Guillemot | .... | sound recordist | |
| Jean-Christophe Julé | .... | foley recordist | |
| Gwennolé Le Borgne | .... | supervising sound editor | |
| Nadim Maalouf | .... | sound assistant | |
| Nicolas Provost | .... | additional sound editor | |
Visual Effects by | |||
| Florian Chauvet | .... | visual effects coordinator | |
| Christophe Dehaene | .... | digital compositor | |
| Adrien Garcia | .... | titles and credits | |
| Christophe Lucotte | .... | visual effects | |
| Emilia Napame | .... | digital compositor | |
| Joel Pinto | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Ziad Choucha | .... | assistant camera | |
| Ziad Choucha | .... | first assistant camera | |
| Lucas Leconte | .... | first assistant camera | |
| Elie Merhy | .... | gaffer | |
Casting Department | |||
| Nagham Abboud | .... | casting coordinator | |
Editorial Department | |||
| Chrystel Alépée | .... | assistant editor | |
| Arnaud Caréo | .... | on-line editor | |
| Mickaël Commereuc | .... | colorist assistant | |
| Aurélie Laumont | .... | dailies | |
| Fabien Pascal | .... | film colorist | |
| Jérôme Pey | .... | second assistant editor | |
Music Department | |||
| Marie-Jeanne Serero | .... | conductor | |
| Marie-Jeanne Serero | .... | orchestrator (as Marie-Jeanne Serrero) | |
| Alexandre Tanguy | .... | music editor | |
| Alexandre Tanguy | .... | scoring engineer | |
Other crew | |||
| Yannick Charles | .... | script supervisor | |
| Jimmy Dib | .... | production coordinator | |
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| Caramel | The Source | The Syrian Bride | Free Zone | Malèna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Nadine Labaki proves she is a talented director with a lot to say. she breaks many "regional" taboos, like the use of candid language, only to be honest in the messages she wants to deliver and the picture she wants to reflect. In a way, due to lack of film production in the region, society has evolved and changed a lot in the past few decades and now we need someone like Nadine to provide a true mirror and a strong message. Dealing with the question of religion in a country that suffered from civil war is not an easy task, yet it is done in a subtle way that doesn't offend anyone. Delivering messages of the role of woman is also presented delicately and a nice sense of humour, thus ensuring the message is spelled out clearly without any preaching. It is a very positive film, well crafted in all aspects, scenario, shooting and most importantly, depicting the characteristics that makes any society special, yet part of the eternal human quest for a better life. There was a bit of too much melodrama, but in defense of the film - and from first hand experience, this is the way mothers lament and wail when losing a child. It is a very Mediterranean thing; perhaps the Italians and Greek can understand this element best. I avoided reading any reviews before drafting mine in order not to be influenced by any thoughts. In short, it is a well done film that revives hope of cultural life sprouting again from this region and reaching the world. Well done Nadine, looking forward to see your next film.