| Photos (See all 25 | slideshow) | Videos (see all 3) |
| Claude Baz Moussawbaa | ... | Takla | |
| Leyla Hakim | ... | Afaf (as Layla Hakim) | |
| Nadine Labaki | ... | Amale | |
| Yvonne Maalouf | ... | Yvonne | |
| Antoinette Noufaily | ... | Saydeh | |
| Julian Farhat | ... | Rabih | |
| Ali Haidar | ... | Roukoz | |
| Kevin Abboud | ... | Nassim | |
| Petra Saghbini | ... | Rita | |
| Mostafa Al Sakka | ... | Hammoudi | |
| Sasseen Kawzally | ... | Issam | |
| Caroline Labaki | ... | Aïda | |
| Anjo Rihane | ... | Fatmeh | |
| Mohammad Aqil | ... | Abou Ahmad (as Mohammad Akil) | |
| Gisèle Smeden | ... | Gisèle | |
| Khalil Bou Khalil | ... | Maire | |
| Samir Awad | ... | Pretre | |
| Ziad Abou Absi | ... | Cheikh | |
| Adel Karam | ... | Chauffeur du Bus | |
| Oxana Chihane | ... | Katia | |
| Anneta Bousaleh | ... | Svetlana | |
| Olga Yerofyeyeva | ... | Anna | |
| Yulia Maroun | ... | Tatiana | |
| Oksana Beloglazova | ... | Olga | |
| Fouad Yammine | ... | Boutros | |
| Cendrella Yammine | ... | Femme Boutros | |
| Sami Khorjieh | ... | Abou Ali | |
| Mounzer Baalbaki | ... | Sassine | |
| Marlein Ziadeh | ... | Mariam | |
| Marie Skeif | ... | Marie | |
| Georgina El-Zaitrini | ... | Georgina | |
| Mona Moukarzel | ... | Laurice | |
| Joëlle Najem | ... | Joëlle | |
| Mohamad Al Sakka | ... | Enfant Bequilles | |
| Charbel Khalil | ... | Hassan | |
| Chady El-Teeny | ... | Abboud | |
| Kassem Istanbouli | ... | Kassem (as Kassem Istambouli) | |
| Ahmad Hafez | ... | Ahmad | |
| Georges Khoury | ... | Youssef | |
| Georgio Ghawi | ... | Miled | |
| Mohammad Raad | ... | Assaad | |
| Elie Abou Zeid | ... | Tanious | |
| Moustapha El Masri | ... | Hanna | |
| Ali Baajour | ... | Khalil | |
| Paola Sleiman | ... | Sara | |
| Angelica Saleh | ... | Angelica | |
| Issa Abboud | ... | Vieux Villageois | |
| Reslan El-Karra | ... | Toufic | |
| Georges Abi Khalil | ... | Georges | |
| Abdel Rahman Billoz | ... | Client Barbier | |
| Suzane Talhouk | ... | Presentatrice Journal | |
| Nathalie Abi-Habib | ... | Speakerine | |
| rest of cast listed alphabetically: | |||
| Karin Dor | ... | Juanita de Cordoba (archive footage) (uncredited) | |
| Frederick Stafford | ... | Andre Devereaux (archive footage) (uncredited) | |
Directed by | |||
| Nadine Labaki | |||
Writing credits(in alphabetical order) | ||
| Rodney Al Haddid | ||
| Thomas Bidegain | collaboration | |
| Jihad Hojeily | ||
| Nadine Labaki | ||
| Sam Nessim | (as Sam Mounier) | |
Produced by | |||
| Tarak Ben Ammar | .... | co-producer | |
| Lara Chekerdjian | .... | executive producer | |
| Hesham Abdel Khalek | .... | co-producer (as Hesham Abdelkhalek) | |
| Abla Khoury | .... | executive producer | |
| Nadine Labaki | .... | producer | |
| Romain Le Grand | .... | co-producer | |
| Anne-Dominique Toussaint | .... | producer | |
Original Music by | |||
| Khaled Mouzannar | |||
Cinematography by | |||
| Christophe Offenstein | |||
Film Editing by | |||
| Véronique Lange | |||
Casting by | |||
| Abla Khoury | |||
Production Design by | |||
| Cynthia Zahar | |||
Costume Design by | |||
| Caroline Labaki | |||
Art Department | |||
| Jessica Abi Nassif | .... | assistant art director | |
| Najib Mrad | .... | property master | |
Sound Department | |||
| Rayan Al Obeidyine | .... | boom operator | |
| Michel Casang | .... | sound | |
| Cédric Deloche | .... | dialogue editor | |
| Ludovic Delzenne | .... | sound recordist | |
| Geraldine Falieu | .... | assistant sound editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Adrien Guillemot | .... | sound recordist | |
| Jean-Christophe Julé | .... | foley recordist | |
| Gwennolé Le Borgne | .... | supervising sound editor | |
| Nadim Maalouf | .... | sound assistant | |
| Nicolas Provost | .... | additional sound editor | |
Visual Effects by | |||
| Florian Chauvet | .... | visual effects coordinator | |
| Christophe Dehaene | .... | digital compositor | |
| Adrien Garcia | .... | titles and credits | |
| Christophe Lucotte | .... | visual effects | |
| Emilia Napame | .... | digital compositor | |
| Joel Pinto | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Ziad Choucha | .... | assistant camera | |
| Ziad Choucha | .... | first assistant camera | |
| Lucas Leconte | .... | first assistant camera | |
| Elie Merhy | .... | gaffer | |
Casting Department | |||
| Nagham Abboud | .... | casting coordinator | |
Editorial Department | |||
| Chrystel Alépée | .... | assistant editor | |
| Arnaud Caréo | .... | on-line editor | |
| Mickaël Commereuc | .... | colorist assistant | |
| Aurélie Laumont | .... | dailies | |
| Fabien Pascal | .... | film colorist | |
| Jérôme Pey | .... | second assistant editor | |
Music Department | |||
| Marie-Jeanne Serero | .... | conductor | |
| Marie-Jeanne Serero | .... | orchestrator (as Marie-Jeanne Serrero) | |
| Alexandre Tanguy | .... | music editor | |
| Alexandre Tanguy | .... | scoring engineer | |
Other crew | |||
| Yannick Charles | .... | script supervisor | |
| Jimmy Dib | .... | production coordinator | |
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| Caramel | The Source | The Syrian Bride | Free Zone | Malèna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Where Do We Go Now by the Lebanese-Canadian director Nadine Labike is set in a war-torn village in Lebanon. The backdrop of the movie is the Christian-Muslim conflict plaguing the region at large, and its effect on the mixed population of the village dwellers. The comedy-drama focuses on a group of women and their antics to keep the men off each other's throats. It starts off in an almost utopian setting, with the view of the village mosque and church at dusk in a single frame, symbolizing the ideal of peaceful existence between the Christians and Muslims.
The movie premiered at the Cannes Film Festival, and won the people's choice award at the Toronto International Film Festival. Nadine, who also acts in the film, may be accused by some quarters of trivializing the conflict between the Abrahamic faiths with her comic take on religion, complete with a climax reminiscent of a Cheech and Chong flick. However, the tone of the film remains somber throughout, and the viewer is often reminded of the toll of the conflict on both sides of the religious divide, with glimpses of intermittent sectarian strife.
The intelligent dialogue, interspersed with repartee between the female characters is refreshingly entertaining, offering a peek inside the (mostly) segregated Arab society and humanizing a population segment often portrayed as meek and subservient to the other sex.
Nadine's second directorial venture after Caramel continues to court controversy, with an ending which Labaki acknowledges might "raise a lot of polemics. It might upset people who are a bit fanatic or too conservative..." By the end of the film, Nadine is sure to rouse some thought-provoking questions in the viewers mind, fulfilling the obligation to her craft and pushing the envelope. Where Do We Go Now has been chosen as the Lebanon's 2011 entry in the best foreign language film category for the Academy Awards.