Fifteen years after a traumatic explosion in his native Beirut, Kamal Maf'ouss returns from France, where he was nationalized and become a composer-choreographer. He reassembles youth ... See full summary »
Rodney El Haddad,
Nada Abou Farhat
In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: ... See full summary »
Noha is about to get married. Her family is relieved to see her take advantage of this last chance before officially becoming a spinster just like her sister. Everything seems to be going ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
A woman who suffers from AIDS decides not to surrender to the fatal disease. She exerts huge efforts in trying to recover or by helping those who suffer the same disease by giving them glimmers of hope.
Christians and Muslims lived peacefully together for years in this small Lebanese village, but animosities begin to build among the men as a result of slights and misunderstandings. The women of the village conspire to avert sectarian strife though a series of harebrained plans, none of which succeeds in slowing down the escalating spiral of violence. When tragedy strikes, the women find themselves driven to make a deeply personal sacrifice for the sake of peace. Written by
Kuwait censorship cut the film to shreds eliminating the dancing scene with the Russians. See more »
The story I tell is for all who want to hear. A tale of those who fast, a tale of those who pray, a tale of a lonely town, mines scattered all around. Caught up in a war, split to its very core. To clans with broken hearts under a burning sun. Their hands stained with blood in the name of a cross or a crescent. From this lonely place, which has chosen peace, whose history is spun of barbed wire and guns.
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Nadine Labaki proves she is a talented director with a lot to say. she breaks many "regional" taboos, like the use of candid language, only to be honest in the messages she wants to deliver and the picture she wants to reflect. In a way, due to lack of film production in the region, society has evolved and changed a lot in the past few decades and now we need someone like Nadine to provide a true mirror and a strong message. Dealing with the question of religion in a country that suffered from civil war is not an easy task, yet it is done in a subtle way that doesn't offend anyone. Delivering messages of the role of woman is also presented delicately and a nice sense of humour, thus ensuring the message is spelled out clearly without any preaching. It is a very positive film, well crafted in all aspects, scenario, shooting and most importantly, depicting the characteristics that makes any society special, yet part of the eternal human quest for a better life. There was a bit of too much melodrama, but in defense of the film
and from first hand experience, this is the way mothers lament and
wail when losing a child. It is a very Mediterranean thing; perhaps the Italians and Greek can understand this element best. I avoided reading any reviews before drafting mine in order not to be influenced by any thoughts. In short, it is a well done film that revives hope of cultural life sprouting again from this region and reaching the world. Well done Nadine, looking forward to see your next film.
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