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Apollo 18 (2011)

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Decades-old found footage from NASA's abandoned Apollo 18 mission, where two American astronauts were sent on a secret expedition, reveals the reason the U.S. has never returned to the moon.

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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
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Deputy Secretary of Defense (as Mike Kopsa)
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Mission Control (voice)
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Lab Tech #1 (as Kurt Runte)
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Lab Tech #2 (voice)
Kim Wylie ...
Laura Anderson
Noah Wylie ...
Ryan Anderson
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Nate's Girlfriend
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John's Fiancée
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Storyline

In the early 70's, Commander Nathan Walker, Captain Ben Anderson and Lieutenant Colonel John Grey are assigned in a secret mission to the Moon to protect the USA from USSR using detectors. Nathan and Ben land on the Moon in the Liberty module while John stays in orbit in the module Freedom. They collect rock samples and bring them to the Liberty. They also find footprints and the body of a Soviet cosmonaut on the moon. Soon they hear weird noises and they find that they are not alone in the satellite. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

There's a reason we've never gone back to the moon.


Motion Picture Rating (MPAA)

Rated PG-13 for some disturbing sequences, and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

2 September 2011 (USA)  »

Also Known As:

Apolo 18  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$8,704,271 (USA) (2 September 2011)

Gross:

$17,683,670 (USA) (11 November 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (as Datasat Digital Sound)|

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

(at around 18 mins) After the first resting period the astronauts are listening to 'Cheap Day Return' by British rock band Jethro Tull. Tull's third album 'Benefit' contains the track 'For Michael Collins, Jeffrey and Me', a song which refers to Apollo 11's command module pilot Michael Collins. In the song vocalist Ian Anderson sings about the feelings of the command module pilot, being left alone above while others get to walk on the moon, something which is also referred to during the movie. See more »

Goofs

Work on the Soviet Lunar L3 program was cancelled late in 1974. The LK ('Lunniy korabl' - lunar craft) was not revealed to the west until much later. Thus, the Apollo 18 crew would have had no knowledge of this vehicle (i.e. referring to it as the "LK"). See more »

Quotes

Nate: [in hammock] Fate has ordained... the men who went to the moon to explore in peace, remain on the moon to rest in peace.
[turns suddenly to face camera]
Ben Anderson: [filming Nate] What are the hell are you talking about?
Nate: I feel my thoughts... fragmenting.
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Connections

Referenced in Bad Movie Beatdown: The Devil Inside (2013) See more »

Soundtracks

Xmas Carol
Written by Alla Sirenko
Courtesy of ZFC Music & MusicHouse
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Frequently Asked Questions

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User Reviews

 
Not very satisfactory, but moderately interesting
7 October 2011 | by (Argentina) – See all my reviews

I think that the current trend of the "pseudo-documentaries" in the horror genre obeys to two main factors: first, it allows the addition of a stylish variation to all those rancid and stale formulas which seemed worn by such a repetition (like the masked killer, haunted house, "torture-porn", etc.), which acquire a varnish of innovation when they are disguised as "true events". And in second place, this trend allows the making of movies with an intentionally bad manufacture, something which is simple when there are not too many available resources. After all, why worrying about the illumination, the cinematography or the "mise en scéne", when they can simply put a group of amateur actors in front of the camera and call that "documentary"? Sure, there have been some pseudo-documentaries which took advantage of the opportunity to create something interesting (like REC and Lake Mungo); but most of those films take that as an excuse to lower the standards of the genre even more (Paranormal Entity might be the clearest example). I think that the film Apollo 18 is on some intermediate point between both extremes, because even though I found its screenplay absurd, repetitive and occasionally a bit tiring, it generally kept me moderately entertained because of the realism of its "verité" aesthetic and the attention to every detail shown on its production.

The screenplay from Apollo 18 is something like an hybrid of Alien, Sunshine and Moon, even though with all the fantastic elements reduced in order to increment the realism from the story. That might be the main reason why the film did not leave me very satisfied, and it even bored me a little bit during its most "exciting" moments. The trailers of Apollo 18 promised a horror film, but the truth is that it lacks of the necessary impact in order to provoke an emotional or even visceral impact. Even the "scares" feel forced in the documentary context (not to mention the difficulty of accepting the fact that the characters keep filming when any sensible person would have dropped the camera in front of the first sign of danger). Another problem is that the performances feel bland and not very credible. It was undoubtedly a good decision to pick unknown faces not to ruin the "realistic" premise, but I think they should have picked actors with more talent and charisma.

Having said all that, I have to give Apollo 18 a slight recommendation because of its solid recreation of the lunar mission. The version of the Moon presented by the movie might not be totally faithful from the scientific point of view, but it is more than enough for us to accept the premise and visually transport us to the satellite we had only seen in brief clips from the NASA and in sci-fi movies which had only showed various stones on a sandy field. I know that I should not be giving a movie even a slight recommendation only because of its special effects, but they are so good in this movie that I am going to make an exception, also stating the fact that the movie achieves a few good moments of tension during the first half. However, I regret the fact that the visual talent from this film could not adorn a better (and more terrifying) story.


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