A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Anna Katharina Schwabroh,
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
In the early 70's, Commander Nathan Walker, Captain Ben Anderson and Lieutenant Colonel John Grey are assigned in a secret mission to the Moon to protect the USA from USSR using detectors. Nathan and Ben land on the Moon in the Liberty module while John stays in orbit in the module Freedom. They collect rock samples and bring them to the Liberty. They also find footprints and the body of a Soviet cosmonaut on the moon. Soon they hear weird noises and they find that they are not alone in the satellite. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Various shots of scenes on the Moon are repeated during the film, but the positions of shadows do not change, which they should - even with the slow rotation of the Moon. See more »
Deputy Secretary of Defense:
John, you are ordered to abort rescue immediately. Captain Anderson is a high contamination threat. You will not recover him.
You knew something was down there and you sent them anyway.
Deputy Secretary of Defense:
DOD to Freedom, if you do not abort in T-minus 60 seconds, transmission will terminate. You will not receive an updated state vector. You will run out of life support package. You will not return home. You have 45 seconds to abort this rescue.
See more »
...and I hope the people next to me in the cinema couldn't hear me yawning, which I started doing after about half-way.
These 'found footage' movies have varied over the years, since The Blair Witch Project kicked it all off. I had mixed feelings about that, but overall I felt it was an effective chiller: what's NOT seen is often so much scarier. Cloverfield, for me, remains at the top of the list, while the PA films are way down.
Apollo 18 isn't far from the bottom, either. The premise was intriguing, and I genuinely expected some sort of development in the genre - something like a cross between Blair Witch and Alien. What I got was 90 minutes of predictability and disappointment. The sense of isolation and claustrophobia was well done, but little else. I felt some sense of a tension build-up for perhaps a half-hour - but then it dissipated once the nature of the 'horror' became apparent.
I came away feeling that here was a great opportunity missed. It's worth seeing for the technical excellence and attention to detail. Just don't expect to see anything new - or anything that'll frighten the pants off you.
147 of 223 people found this review helpful.
Was this review helpful to you?