Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly... See full summary »
In the early 70's, Commander Nathan Walker, Captain Ben Anderson and Lieutenant Colonel John Grey are assigned in a secret mission to the Moon to protect the USA from USSR using detectors. Nathan and Ben land on the Moon in the Liberty module while John stays in orbit in the module Freedom. They collect rock samples and bring them to the Liberty. They also find footprints and the body of a Soviet cosmonaut on the moon. Soon they hear weird noises and they find that they are not alone in the satellite. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As Cdr. Walker's mental condition worsens, he mutters "Fate has ordained the men who went to the Moon to explore in peace remain on the Moon to rest in peace." This line paraphrases the beginning of a contingency speech, drafted by speech writer William Safire in a memo entitled "In Event of Moon Disaster," which was intended to be delivered by President Richard Nixon in the event that the Apollo 11 astronauts were stranded on the lunar surface without hope of rescue. See more »
The film does not state that the far side of the Moon never receives sunlight. The astronauts are not on the far side of the Moon. The comment about areas that never receive sunlight was about areas at the bottom of deep craters where the ground is always in the shadow of the crater wall. This does occur in many areas near the Moon's polar regions, which is where this movie takes place. See more »
Get it out. It's so cold. Get it out, Ben. Get it out, get it out! Damn it Ben get it out!
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Cheap Day Return
Written by Ian Anderson (as Ian Scott Anderson)
Performed by Jethro Tull
Courtesy of EMI Music Canada Film & Television Music Placement Division & BMG Chrysalis Music Publishing See more »
...and I hope the people next to me in the cinema couldn't hear me yawning, which I started doing after about half-way.
These 'found footage' movies have varied over the years, since The Blair Witch Project kicked it all off. I had mixed feelings about that, but overall I felt it was an effective chiller: what's NOT seen is often so much scarier. Cloverfield, for me, remains at the top of the list, while the PA films are way down.
Apollo 18 isn't far from the bottom, either. The premise was intriguing, and I genuinely expected some sort of development in the genre - something like a cross between Blair Witch and Alien. What I got was 90 minutes of predictability and disappointment. The sense of isolation and claustrophobia was well done, but little else. I felt some sense of a tension build-up for perhaps a half-hour - but then it dissipated once the nature of the 'horror' became apparent.
I came away feeling that here was a great opportunity missed. It's worth seeing for the technical excellence and attention to detail. Just don't expect to see anything new - or anything that'll frighten the pants off you.
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