Wisconsin Death Trip is an intimate, shocking and sometimes hilarious account of the disasters that befell one small town in Wisconsin during the final decade of the 19th century. The film ... See full summary »
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
In 1993, the IRA member Collette is arrested in the London tube after leaving a bomb in the facility. MI-5 Agent Mac offers a deal to Collette to become an informer. She accepts the agreement to protect her son and in return Mac offers a new identity to her after a period working for the MI-5. Soon Mac learns that his superior Kate Fletcher is using Collette to protect her mole inside the Irish organization. Mac tries to find the identity of the informer and protect Collette. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Clive Owen originally turned down the part of Mac due to scheduling conflicts. See more »
When Collette gets on the train, the camera focuses on a passenger but the view behind her suggests the train doors are open and tucked behind the double-layer glass but the sound effect of the trains movement is continued. See more »
[to his sister after Mac is assassinated]
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This is a great movie from so many angles. At first it has what appears to be a slow tempo but one that sucks you in and has you "biting your fingernails" - yup, without realising it, you're hooked.... and genuinely frightened. Owen and Riseborough are flawless and their characters are addictive. But they aren't the only excellent performances that come out - Colette's brothers and lest I forget, her Mother.
James Marsh is recognised as a serious talent but one is never certain this movie will go down in the States as much as us Europeans may enjoy it. It should do, because it is not a Northern Ireland film per say - its a great thriller.
I read the book and really enjoyed it - but that was a few years ago. With this film, Marsh shows he "got it" and then took it further and, like any great Director - showed the reader there is so much more to it, without in any way veering off course. That is the difference between good and great, for me anyway. I can't wait for his next film - I want more, "now".
Then, there's the book - maybe I'll go and find it on my shelves and get lost in it again. It still stands out as a great read, even if it was a while ago.
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