This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert was a member of a family of four elderly brothers, working as semi-literate farmers ... See full summary »
The Parking Lot Movie is a documentary about a singular parking lot in Charlottesville, Virginia. The film follows a select group of parking lot attendants and their strange rite of passage... See full summary »
Documentary on the Friedmans, a seemingly typical, upper-middleclass Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
This documentary tells the story of a six year old girl, Beth Thomas, labeled as "The Child Of Rage," tells her story of healing from Reactive Attachment Disorder as a result of being ... See full summary »
In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was ... See full summary »
Australian stand up comedian Hannah Gadsby is a closet art scholar. Armed with a rapier wit and desire to pick beneath the paint, she travels across the continent on a mission to debunk the... See full summary »
In 1987 San Francisco, Eddie Lee Sausage and Mitch Deprey began recording the squabbles of their stranger than fiction neighbors, the bigoted Raymond Huffman and the out and proud Peter Haskett. The recital of the pair's outrageous reality quickly took on a life of its own. This darkly funny documentary chronicles the history of Raymond and Peter, as well as what happened to former slackers Eddie and Mitch, who paint a picture of not only their outrageous neighbors, but also of San Francisco's Lower Haight neighborhood in the late 1980s. Interviews with others who were influenced by the recordings document their broad influence on a variety of artists, near and far. Written by
It may actually be a plus that the director takes no moral viewpoint about the material, but it is disturbing that no one really sees the ugly moral, if not legal, ramifications of the exploitation of the two drunks. Yes, it is difficult not to laugh at any colorful alcoholic, as comedians have alway known, and the recent suppression of such humor may only add the laughs we are indulging in when we hear these two.
The pranksters, of course, went way past that and harassed them with prank calls, still, it could have been viewed as edgy, if caustic, humor. Those who went crazy for this stuff, however, are the type of people who kick a cripple, and watching the attempts to turn this fad into a big Hollywood payoff is car wreck time, you want to look away but you can't.
It's funny that the identity of the big name comic who wanted to do the movie is protected, the two losers are granted no such compassion or dignity. Indeed, the director displays no real interest in them other than as push pin dolls for comic derision. Who were they, really, and how did they get to such a desperate state of life? To ask these questions might have spoiled the fun of deriding them.
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