Inside Out is a film about the french artist JR giving away his method and the inspiring stories that follow that. JR wins the TED Prize 2011. He gives his prize (the wish to 'turn the ... See full summary »
ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn't let her go.
One night at the Station Hotel a group of strangers play cards to see who will sleep in hotel room 207 - a room rumoured to be haunted, where you 'dream the dreams of the ones who slept ... See full summary »
A strict father loosens up enough to let his children take a day off school for a trip to the countryside. But things turn darker when the family realize he is planning to make it their last outing ever.
Ryan Lee Driscoll
Bret Fitzpatrick (Joe Ciminera), a wealthy real estate investor located in New York, is caught between reality and the supernatural. There he crosses paths with people who are in a ... See full summary »
Michael Edwards Jr.
A stylish mix of erotic love story and political thriller. Helen McCrory stars as a brilliant aerospace engineer who is drawn into a passionate affair with a younger male student while ... See full summary »
In September 2007, 16 of the world's best b-boys battle one on one in a disused power station in the heart of Soweto, South Africa, to determine who will be the next world champion. TURN IT... See full summary »
Every POV tells a story. BLOOD RUSH is unlike any other crime series on TV. Boomtown meets CSI, it reinvents the genre. Truth is slippery. One man's testimony is another's man's lie. ... See full summary »
This is a really impressive piece of filmmaking until the end, when it just sort of splinters into a lot of random bits (including what look like stray cuttings from PRINCESS KA'UILANI?) It's too bad, because otherwise this might have been an eerie masterpiece standing alongside, instead of shadowing, SIXTH SENSE.
Jessica Barden is AMAZING as Marie; a weird 15-year-old living in a depressed suburban tract that backs onto "the hill," a large tract of undeveloped land that includes an abandoned bunker where she conducts burials for kills she steals from her poacher neighbor Filthy (Tony Curran.) Filthy entertains both Marie and his young son Sean with myths and folktales, but when Sean dies while Marie is babysitting, Filthy loses control while Marie becomes convinced that she is in communication with the dead. Increasingly estranged from her only friend Michelle (Georgia Henshaw) and erratic mother (Lyndsey Marshal,) Marie becomes convinced that Sean wants her to draw his father into the bunker.
Directed by Alastair Siddons, In The Dark Half is wonderfully weird, with terrific performances by everyone, atmospheric music, and effective cinematography. The script is a little all over the place from the beginning but this works at first, keeping the audience guessing as to the film's intentions; I thought this really worked for a while as it allowed the supernatural elements to creep in. Unfortunately it all began to fall apart once they are plainly in place, simultaneously telegraphing "the twist" without really setting up the rest of the finale to make sense. That doesn't necessarily make it a terrible film; it just left me feeling kind of disappointed.
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