IMDb > Population: 2 (2012)

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Population: 2 -- Set against the backdrop of a post-Apocalypse Earth, Population 2 is about a relationship that ends in tragedy forcing a woman to struggle in the aftermath.


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Down 36% in popularity this week. See why on IMDbPro.
Gil Luna (screenplay)
Jonathan Stark (original idea)
View company contact information for Population: 2 on IMDbPro.
When Everything's Gone, Your Memories Are All You Have.
Set against the backdrop of a post-Apocalypse Earth, Population 2 is about a relationship that ends in tragedy forcing a woman to struggle in the aftermath. Full summary » | Add synopsis »
Plot Keywords:
2 wins See more »
User Reviews:
This film is a brilliant lesson! See more (7 total) »


  (in credits order)
Suzanne Tufan ... Lilith
Jon Ashley Hall ... Simon Prime
Shelly Lipkin ... Vincent Velo
Sibyl ... Kennedy

Jacqueline Gault ... Doctor Bannon
Meredith Adelaide ... Face of Pandora (as Meredith Williams)
rest of cast listed alphabetically:

Bonnie Auguston ... Ashley Prime
Brenan Dwyer ... Jenna Prime

June Eisler ... Gabrielle Anderson
Olivia Klinetobe ... Young Lilith

Mariessa Portelance ... Sara Hartley
Barrie Wild ... W.K. Bradbury

Directed by
Gil Luna 
Writing credits
(in alphabetical order)
Gil Luna  screenplay
Jonathan Stark  original idea

Produced by
Jon Ashley Hall .... associate producer
Abby Iversen .... associate producer
Gil Luna .... executive producer
Gil Luna .... producer
Timothy Schneider .... associate producer
Jonathan Stark .... co-executive producer
Original Music by
Edouard Brenneisen 
Cinematography by
Kenneth Luba (director of photography)
Film Editing by
Gil Luna 
Casting by
Gil Luna 
Art Direction by
Janet Beeson 
Makeup Department
Kim Donohue .... key makeup artist
Art Department
Janet Beeson .... props
Sound Department
Jason Lennart Anderson .... sound recordist
Kyle Aaron Briggs .... sound effects editor (as Kyle Briggs)
Russ Gorsline .... sound re-recording mixer
Tara Krick .... supervising sound editor
Brian Mazzola .... sound recordist
Brent Rogers .... sound recordist
Visual Effects by
Martin Melnick .... vfx compositor
Camera and Electrical Department
Galvin Collins .... second assistant camera
Dan Hoxey .... gaffer
Eric Macey .... key grip stand in
Levy Moroshan .... set photographer
Other crew
Jasmine Horn .... production assistant
Jonathan Stark .... story editor
Micaela Works .... production coordinator

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
83 min
Color (HD)
Filming Locations:


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3 out of 8 people found the following review useful.
This film is a brilliant lesson!, 4 December 2013
Author: Horse_Caulk from United Kingdom

I wish I could give it more stars, but it's so entry-level-bad that it would be dishonest. I do, however, see a place for this film, as a motivational icon for young untalented film makers.

YOU TOO, CAN MAKE A FILM! what it loudly boasts.

Not by yourself, of course. You'll need help. But, no matter how little talent you might actually have, worry not. It can still be done.

And, can this be said about anything else? Not really. Woodworkers who suck, will starve to death. Car mechanics, plumbers, pilots. There really aren't too many career choices which you can be successful at without truly knowing your craft well.

But with "the arts", oh yes! And most especially, making films.

Firstly, surround yourself with others who also wish to make films. Writers, producers (hey, not having talent is what most producers are all about anyway), and a barely-competent crew. With all the drive and motivation this group will generate, the rest is relatively easy.

Now comes the part which does indeed require something other than motivation to make a film...skill. The skill of financing your bad project. And it is indeed a skill. As I've written before, it doesn't exactly take herculean skill to find investors for a screenplay that is spectacular, or that has some star power behind it. You can almost afford to be choosy if you are lucky enough to be in that position. But to finance a horrid and studenty little film? Now THAT, takes skill.

If you can get money from people you aren't related to, for a project which is beyond dreadful, you might end up a successful producer in the future. You clearly know how to separate people from their money.

Just do it! Write it, find the money, cast it, shoot it. You can do it! And by "It", I mean a bad film.

If you, however, wish to make a decent, or even good film, that is another road altogether, which cannot simply be accomplished with enthusiasm, motivation, and basic skills. where the vast difference between skills and talent becomes unmistakably apparent to even the most casual film viewer.

At least this wasn't a zombie or found-footage film, the two biggest talent-crutches which exist. It gets an extra star for not stooping that low.

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