A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
Richard Jenkins's character is never seen standing. He is either sitting in his car or sitting on a bar stool. See more »
At the beginning of the movie, Russell and Frankie are discussing the possibility of doing or not doing the coup. Russell is eating an ice cream. Suddenly, in a next shot, the ice cream has disappeared. See more »
They cry, they plead, they beg, they piss themselves, they cry for their mothers. It gets embarrassing. I like to kill 'em softly. From a distance
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Brad Pitt and Andrew Dominik's fantastic Killing Them Softly has the rigor and grace of the great American crime pictures of the 1970s. A loose adaptation of George V Higgins' great 1974 crime novel Cogan's Trade. A fulfilling elegant and stylish black comedy. The script, acting, direction were all superbly done, and should be commended. Although the film can be very pessimistic, it does have a message, one that should resonate in the near future. The whole cast was extremely effective and highly believable. However Brad Pitt is simply terrific, and deserves much acclaim that could come to him. Just like The Assassination of Jesse James, Pitt plays subtle, but yet powerful sociopath and it ripples the film throughout. James Gandolfini Gandolfini is excellent as a boozy, broken old assassin. Ray Liotta offers a grotesque reprise of the type of manic gangster he played in his younger years in Goodfellas. Richard Jenkins is solemn as ever as the killer's contact, relaying back messages from the Mob and trying to beat Cogan down on prices. All the men here are relentlessly sexist and foul-mouthed.
Dominik shoots the action in a grimy shallow focus and his screenplay is tough as steel and shot through with pessimistic, even black humor. There is no mistaking the fact that Dominik loves his characters, letting their dialogue shine uninterrupted. Although the The political message is a little heavy-handed and a bit repetitive, Andrew Domink crafts a memorable and highly thought-provoking crime film, with Brad Pitt shows the world again, that he's a fantastic actor that always surpasses the hype around him.
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