A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
When the brothers Caprio drive upon the road and park at the right side of the road in which Markie Trattmans house is set, a white luxury car is seen on the left side of the road. After a dialogue between the Carpio brothers a next shot of the street is shown when Markie Trattman drives down the road to park at the left side, this white luxury car disappears. See more »
Then after we go over to Orlando. We're gonna burn the car. So Kenny sticks a rag in the gas tank and he lights it off.
[flashback to when they're going to burn the car]
Do be such a-Russell, you're a fucking pussy. I've done it a million fucking times.
[lights the rag with a lighter]
It's fine. It goes up like a fuckin bonfire. You'll love it.
[he walks away towards the back of the car and faces it from a few yards away. The rag's flame is spreading]
[...] See more »
Brad Pitt and Andrew Dominik's fantastic Killing Them Softly has the rigor and grace of the great American crime pictures of the 1970s. A loose adaptation of George V Higgins' great 1974 crime novel Cogan's Trade. A fulfilling elegant and stylish black comedy. The script, acting, direction were all superbly done, and should be commended. Although the film can be very pessimistic, it does have a message, one that should resonate in the near future. The whole cast was extremely effective and highly believable. However Brad Pitt is simply terrific, and deserves much acclaim that could come to him. Just like The Assassination of Jesse James, Pitt plays subtle, but yet powerful sociopath and it ripples the film throughout. James Gandolfini Gandolfini is excellent as a boozy, broken old assassin. Ray Liotta offers a grotesque reprise of the type of manic gangster he played in his younger years in Goodfellas. Richard Jenkins is solemn as ever as the killer's contact, relaying back messages from the Mob and trying to beat Cogan down on prices. All the men here are relentlessly sexist and foul-mouthed.
Dominik shoots the action in a grimy shallow focus and his screenplay is tough as steel and shot through with pessimistic, even black humor. There is no mistaking the fact that Dominik loves his characters, letting their dialogue shine uninterrupted. Although the The political message is a little heavy-handed and a bit repetitive, Andrew Domink crafts a memorable and highly thought-provoking crime film, with Brad Pitt shows the world again, that he's a fantastic actor that always surpasses the hype around him.
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