A photographer, Leon's obsessive pursuit of dark subject matter leads him into the path of a serial killer, Mahogany, the subway murderer who stalks late night commuters, ultimately butchering them in the most gruesome ways imaginable.
Bob, a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only problem.
When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
No One Lives is the type of movie that starts as many others and suddenly becomes something unexpected.
It is difficult to tell what happens without spoiling; but as in others Ryûhei Kitamura movies, there is no Good vs Evil but Evil vs Evil. If you never see any of his movies; get VERSUS before looking at this one.
Performances varies; Luke Evans is perfect; totally charismatic and captivating. Derek Magyar is terrifying as a psycho meeting his match. Laura Ramsey is pretty good as the other female characters; but Adelaide Clemens disappoints in a complex character far above her acting skills.
There is strong violence and gore but it never gets too disgusting (or at least too realistic) and are lots of dark funny moments.
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