A photographer, Leon's obsessive pursuit of dark subject matter leads him into the path of a serial killer, Mahogany, the subway murderer who stalks late night commuters, ultimately butchering them in the most gruesome ways imaginable.
Bob, a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only problem.
Not entirely perfect, but still a good, entertaining horror flick ◆≈≈7.5/10≈≈◆
I've had my eye on No One Lives for a while and in that time I had forged good expectations for the film. What more could an avid horror fan want when such a solid cast gets paired up with one of the most interesting horror directors in the biz in Ryûhei Kitamura, known widely for his direction of the 2000 film "Versus" & more recently for his 2008 "The Midnight Meat Train". So it seemed the film's success would likely all come down to the quality of the script put forth by first time writer David Cohen.
This is definitely one of those films that is extremely hard to review without spoiling things, so I will stick to relaying the most basic plot line as possible. After botching their last job, a crew of merciless, degenerate criminals encounter a man(Luke Evans) & his girlfriend while eating at a restaurant. This spirals into a further violent meeting between the two which get's more interesting as we come to learn just where the real danger lies. The clash turns bloody as the balance of power shifts & the gore begins to rain down.
Of course it helps to keep in mind that this is in fact a horror film and that you're not going to witness any award winning performances, but there are some really solid efforts given by Evans as the "Driver" & Adelaide Clemens who plays Emma, a kidnap victim who has been hardened by long lengths of mental & physical torture. There are a couple of scenes that are sure to please the sickest of fans while at the same time may seem a bit on the gory side to the average viewer, but overall I felt this was a very enjoyable, entertaining vision delivered by Kitamura. He lays down a few subtle nuances early in the film that become clear to the audience later if you pay close attention, the best being revealed near the end of the film.
As for the downside of the film, there were some real snags in the script that I felt could have been changed and yes there are a few holes in the plot, most of which were used primarily as a vehicle to exploit certain plot developments. Or in one case to present one heck of a bloody surprise, you'll know what I mean after you see it;] Despite those problems, the film still managed to rise above the average effort, but I believe that it was those weak script points that hurt the film in theaters & the reason it may draw further criticism in the future.
So in the end,if you're trying to decide if this will be a good pick for your horror/gore itch then I can definitely recommend this as a top choice, but if you're looking for a smart thriller with a well developed story then this may not be your best choice, but I wouldn't let it stop you from grabbing it from your local DVD kiosk.
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