Six years after KIdULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
In one of East London's most volatile neighborhoods, pride, rivalry and revenge are the only codes on the street. Touted as a British Boyz in the Hood, Bullet Boy is a gripping and ... See full summary »
Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a ... See full summary »
London, modern day: Joe, a mild mannered young man is bored by his life. When his beloved brother is murdered Joe finds solace in Piggy, one of his brother's old friends. Piggy helps Joe to... See full summary »
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and ... See full summary »
Out on parole after 8 years inside Bill Hayward returns home to find his now 11 and 15 year old sons abandoned by their mother and fending for themselves. Unwilling to play Dad, an uncaring... See full summary »
A thriving but underground drugs business is being run by Dushane ('Ashley Walters') and his friend Sully (Kane Robinson) to become the richest men on the block. To live rich Dushane and ... See full summary »
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
Ben Drew: In the last shot of the film before the credits, Drew is shown to be the one driving the car Aaron is in. See more »
When the Earl of Essex is on fire, the fire brigade arrive but there is already a fireman standing outside as the fire engine pulls to a stop. The sirens are heard in the distance, and the previous shot doesn't show any fire engines or any emergency lights that would suggest any emergency vehicles were already on scene. See more »
Considering that a year ago I had never listened to a Ben Drew (Plan B) track, dismissing him out of hand as yet another rap/hiphop wannabe, and today regarding him as a genuine multi-talented prodigy is an honest tribute to his unbelievably versatile creativity.
Due in part to the perfect format of a rap narration, in part to the fact that this is a man with his finger FIRMLY on the pulse of a disaffected sector of society and in part to the unforgiving art and poetry of the writing, direction and art direction, I feel that this is a modern masterpiece.
Consider again that this is a directorial debut and was achieved on a budget of merely £100,000, it's almost genius.
John Cooper Clarke, rather surprisingly for me, adds the perfect complementary poetic touch; I had forgotten quite how uncompromising and bleak his words can be.
Reminiscent of Clockwork Orange in its brutal beauty,the story is realistic to the immorality and just plain incomprehension of the consequences within an "underclass" subculture, yet the characters are so finely drawn and portrayed that you feel not only sympathy, but you feel a part of their hopelessness and helplessness.
There was one scene I couldn't watch (no spoilers); watching with my 19 y o daughter, she remarked that it was the first time in a long time that a film had affected her emotionally. She is braver than me for doing so...as it is impossible to un-see anything, so I could not bring myself to watch.
Absolutely beautiful, sad, horrifying and harrowing. Ben Drew, I take my hat off to you and can't wait for the next thing to come out of your remarkable mind.
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