Critic Reviews

58

Metascore

Based on 37 critic reviews provided by Metacritic.com
91
This Is 40 isn't always hilarious, but it's ticklishly honest and droll about all the things being a parent can do to a relationship. And why it's still worth it.
75
That's what makes This Is 40 so potently, painfully funny, even when it's gross. What other film would dare suggest rectal monitoring as a form of closeness?
75
In short, This Is 40, in tried and true Apatowian style, mixes weighty issues about intimacy and cohabitation with astute and smart-alecky pop culture references, crude bathroom jokes, stoner riffs, boob ogling, and existential angst.
70
The New York Times
There are a lot of loose ends and a few forced conclusions. But, then again, the acceptance of imperfection is Mr. Apatow's theme, so a degree of sloppiness is to be expected. That's life.
70
There will be many who won't be able to get past the language in This Is 40. There will be others who will worry that the king of callous has gone soft on them. I'm just happy to see one of this generation's most influential comic minds back on track - the laugh track.
63
Give it plenty of points for brutal honesty. But This is 40 could have used more laughs.
63
The best scenes - the only time This Is 40 taps into genuinely messy comic anxiety - feature Brooks, who shpritzes shabby false confidence as Pete's pop, saddled with a younger wife and triplets he can't tell apart. Otherwise, the movie never quite comes to a point.
50
Overlong, unnecessarily sex-obsessed and downright nasty at times, This Is 40 feels haphazard and unfinished, despite a few moments of laugh-out-loud humor.
40
There's a funny movie scratching at the edges of This is 40. Unfortunately, writer-director Judd Apatow sees himself as the John Cassavetes of Comedy, so every time that funny movie starts to emerge, Apatow tramples it with scenes of domestic irritation.
25
The real problem with This Is 40 is its lack of truth, that Apatow wanted to express something about married life, and it eluded him. After all, no less than Kierkegaard once said that the actual dynamics of marriage are beyond the scope of art, and he was the best movie critic of the 19th century.

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