Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Pete (Paul Rudd) and Debbie (Leslie Mann) are turning 40. But instead of celebrating, they're mired in a mid-life crisis with unruly kids, debt and unhappiness mounding. Pete's record label is failing and Debbie is unable to come to terms with her aging body. As Pete's 40th birthday party arrives, Pete and Debbie are going to have to rely on family, friends, employees, fitness trainers, aging rockers and ultimately each other to come to terms with life at age 40. Written by
Pete informs Debbie that two of Graham Parker's albums appeared in Rolling Stone Magazine's Top 500 Albums of All Time. This is incorrect: only one Squeezing Out Sparks (1979) appeared at no. 335. See more »
[Referring to Graham Parker video they are viewing]
What are you doing?
I'm contextualizing him as one of the great figures in rock history.
You can't show him in his prime in '77 and then jump straight to him as he is now. It's terrifying. You have to reverse it. You have got to show him as he is now, very briefly, and then show him in 1977. You have got to Benjamin Button it.
I don't know what you're talking about. All rock stars are older now. Steven Tyler, David Bowie, Mick Jagger...
[...] See more »
After the main credits roll, there's an extended alternate take of Catherine ad-libbing insults during the conversation with the Julie, Pete, and Debbie. See more »
We Run This
Written by Missy Elliott and Jerry Lorden (as Jeremiah Patrick Lordan)
Performed by Missy Elliott
Courtesy of Atlantic Recording Corp. and Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
Contains a sample of "Apache"
Performed by Sugarhill Gang
Courtesy of JR Foursome Music/Sanctuary Records Group Ltd.
Under license from Universal Music Enterprises See more »
Wow, this film seems to be generating a lot of hostility: I am not quite sure what's behind it. I guess people went into this expecting a sitcom-like, snappy feel good film, like 40 Year Old Virgin? Or goofy, happy-go-lucky characters such as Seth Rogen's posse in Knocked Up? Did these people not see Funny People? I am all in favor of letting Mr. Apatow develop as a director. To be clear here: this film follows Pete and Debbie's story arc from a few years after the events in Knocked Up. The are both turning 40, and neither is handling it particularly gracefully, but they weren't handling their lives and relationships particularly well in the earlier film. I found this movie to have a Larry David Show quality to it: however irrationally and offensively our protagonists behave, there are always others who will go them one better (or worse). Yes, Debbie and Pete are defective human beings; but so, I would argue, are all the people inhabiting this world, excepting the very gentlemanly Graham Parker (and Billie Joe Armstrong). Such is the stuff of comedy. Are these caricatures? Surely, and yet they are caricatures of realities which I see every day. Is the teenage daughter given to histrionics? You bet, but that is what teenagers are like, and the fact remains that teenagers turn their parents into equally irrational and histrionic characters in that relationship; I actually found it refreshing to find a teenager in a movie, played by a teenager, who isn't a wisecracking savant commenting on the follies of her elders.
To sum up, this felt to me like a mature work from a good director. There are moments of farce, slapstick, and outrageous humor, surrounded by moments where things just happen. For people who can't handle that kind of pacing, you are welcome to stay out of movie theaters, and sit in front of your TV sets: the networks are sure to have plenty of non-challenging sitcoms that are specially designed to pander to you.
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