| James Franco | ... | Hart Crane | |
| Michael Shannon | ... | Emile | |
| Dave Franco | ... | Young Hart | |
| Richard Abate | ... | Father Crane | |
| Betsy Franco | ... | Mother Crane | |
| Paul Mariani | ... | Alfred Stieglitz | |
| Shandor Garrison | ... | Gorham Munson | |
| Stacey Miller | ... | Mrs. Cowley | |
| Dylan Goodwin | ... | Young Truck Driver | |
| John Morrow | ... | Young Sailor | |
| Ivo Juhani | ... | French Man in Library | |
| Vince Jolivette | ... | American Man in Paris | |
| Fallon Goodsen | ... | American Woman in Paris | |
| Caroline Aragon | ... | French Cafe Owner | |
| Sebastian Celis | ... | Deckhand | |
| Will Rawls | ... | Factory Worker | |
| Kazy Tauginas | ... | Boxer | |
| Aztec Musicians Grupo de Danza Azteca Chichimeca Ome Acati | ... | Musical Group | |
| Alejandro León | ... | Dancer | |
| Alejandra Sosa del Rio | ... | Dancer | |
| Cármen Mera | ... | Dancer / Singer | |
| Gustavo Merino | ... | Dancer | |
| Natalia Careaga | ... | Dancer | |
| Rodolfo Libreros | ... | Dancer | |
| Raúl Contreras López | ... | Dancer | |
| Anamar Romero | ... | Dancer / Smoke Handler | |
| José Islas | ... | Musician | |
| Carlos Moreno | ... | Musician | |
| rest of cast listed alphabetically: | |||
| Gary Abrams | ... | Angry Boxing Fan (uncredited) | |
| Ira Berkowitz | ... | Poetry Enthusiast (uncredited) | |
| Laura Burnett | ... | Poetry Reading Attendant (uncredited) | |
| Christopher J. Domig | ... | Dancer in Tuxedo (uncredited) | |
| Paul Galbraith | ... | Poetry Enthusiast (uncredited) | |
| David Gerson | ... | Drunken Cafe Attendant (uncredited) | |
| Sean Patrick Murray | ... | Movie Theater Attendant (uncredited) | |
| Jeff Petriello | ... | Sailor (uncredited) | |
| David Rothstadt | ... | Poetry Reading Attendant (uncredited) | |
Directed by | |||
| James Franco | |||
Writing credits(in alphabetical order) | ||
| James Franco | written by | |
| Paul Mariani | book "The Broken Tower" | |
Produced by | |||
| Caroline Aragon | .... | producer | |
| Nicolás Celis | .... | line producer: additional photography | |
| Monica Hoenig | .... | line producer | |
| Vince Jolivette | .... | producer | |
| Miles Levy | .... | producer | |
| John Morrow | .... | associate producer | |
| Jeff Most | .... | executive producer | |
| Jeff Rice | .... | executive producer | |
| James Franco | .... | producer (uncredited) | |
Original Music by | |||
| Neil Benezra | |||
Cinematography by | |||
| Christina Voros | (director of photography) | ||
Film Editing by | |||
| James Franco | |||
Production Design by | |||
| Kristen Adams | |||
Art Direction by | |||
| Eric Morrell | (uncredited) | ||
Costume Design by | |||
| Malgosia Turzanska | |||
Makeup Department | |||
| José F. Carillo Serrano | .... | hair stylist: additional photography | |
| José F. Carillo Serrano | .... | makeup artist: additional photography | |
| Sarah Hindsgaul | .... | hair stylist | |
| Sarah Hindsgaul | .... | makeup artist | |
| Krystal Phillips | .... | additional stylist | |
Production Management | |||
| Julie Buck | .... | unit production manager | |
| Peter Cairns | .... | post-production supervisor | |
| April Shannon | .... | production manager: additional photography (as April Theresa Shannon) | |
Art Department | |||
| Olivia Alejandro | .... | set dresser: additional photography (as Olivia Vega) | |
| Rodrigo Frias | .... | set dresser: additional photography | |
| Jorge Alejandro Vega | .... | set dresser: additional photography (as Jorge Vega) | |
| Micaela Carolan | .... | set dresser (uncredited) | |
| Meghan Lyons | .... | set dresser (uncredited) | |
Sound Department | |||
| Neil Benezra | .... | sound designer | |
| Neil Benezra | .... | sound re-recording mixer | |
| Neil Benezra | .... | supervising sound editor | |
| Samuel Kelly Benezra | .... | foley artist (as Sam Benezra) | |
| Shea Kelly Benezra | .... | foley artist (as Shea Benezra) | |
| Federico Gonzalkez | .... | sound recordist: additional photography | |
| Dylan Goodwin | .... | boom operator | |
| Alex Noyes | .... | dialogue editor | |
| Laura Sinnott | .... | sound recordist | |
| J.R. Skola | .... | sound recordist | |
| Anthony Viera | .... | sound recordist | |
| Laura Sinnott | .... | adr engineer (uncredited) | |
Stunts | |||
| Seth Andrew Bridges | .... | stunts (as Seth Bridges) | |
| Neimah Djourabchi | .... | stunts | |
| Drew Leary | .... | stunt coordinator | |
| Brian Morvant | .... | stunts | |
| Corey Pierno | .... | stunts | |
Camera and Electrical Department | |||
| Chris Aran | .... | first assistant camera (as Christopher Aran) | |
| Stratton Bailey | .... | key grip | |
| Jose Guadalupe Barroso | .... | electrician: additional photography (as José Guadalupe Barroso) | |
| Peter Cairns | .... | camera operator: "b" camera | |
| Peter Cairns | .... | digital imaging technician | |
| Tim Curtin | .... | swing (as Timothy Curtin) | |
| Alejandro Ferrusquía | .... | electrician: additional photography | |
| Trevor Fields | .... | best boy electric | |
| Jason Goodman | .... | additional camera operator | |
| Jason Goodman | .... | still photographer | |
| Rob Leitzell | .... | gaffer | |
| Jonathan Leys | .... | additional camera operator | |
| Jonathan Leys | .... | camera assistant: additional photography | |
| Beto Muñoz | .... | gaffer: additional photography | |
| Peter O'Leary | .... | additional camera operator | |
| Peter O'Leary | .... | best boy grip | |
| Aileen Taylor | .... | first assistant camera | |
Casting Department | |||
| Analeine Cal y Mayor | .... | background casting | |
| John Morrow | .... | background casting | |
| Jeff Petriello | .... | background casting | |
Costume and Wardrobe Department | |||
| Karen Boyer | .... | wardrobe supervisor | |
| Jessica Morales | .... | wardrobe assistant: additional photography | |
| Abby Walton | .... | wardrobe assistant | |
Editorial Department | |||
| Peter Cairns | .... | colorist | |
| Kathryn J. Schubert | .... | assistant editor (as Kathryn Shubert) | |
Music Department | |||
| Gerard Talbot | .... | music consultant | |
| Gerard Talbot | .... | music licensing | |
Transportation Department | |||
| David Barragán | .... | driver: additional photography | |
| Edgar Canseco | .... | driver: Mr. Franco, additional photography | |
| Irv Gooch | .... | picture cars | |
| Paul Rosen | .... | picture cars | |
Thanks | |||
| Doug Franco | .... | dedicatee | |
| Paul Mariani | .... | special thanks | |
| Ken Mate | .... | special thanks | |
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| Before Night Falls | Milk | Howl | The Consul of Sodom | Going Down in LA-LA Land |
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| Full cast and crew | Company credits | External reviews |
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I must confess that I bought The Broken Tower for the wrong reason, because I read that James Franco did something in it that gay men do all the time but non-porn actors NEVER do on film, even openly gay actors in flagrantly gay movies. That bit was kind of a bust, but I ended up liking the movie anyway, for less sleazy reasons.
I know next to nothing about Hart Crane, and I don't know a lot more after having watched this movie. It's not a biography by any means. My best guess would be that it's James Franco's impression of what Crane was like, and that's what makes it interesting.
It's oddly directed, with very many long, hand-held, extreme closeups, filmed from about chest-level, of Franco (as Crane) walking the streets of various cities, usually looking up from just under his chin, but sometimes looking at the back of his head. That motif repeats often.
At least 70% of the spoken lines in the movie are Franco (always as Crane) reading Crane's poetry: one long scene reciting to an audience in a formal setting, and much poetry read as a sort of narration as various events unfold on screen. This movie definitely is not for people who hate poetry - Crane's poetry in particular.
It's definitely not for people who need action, romance, likable characters, or a clear story line in movies. It's for people who can sit through a 108-minute experimental movie without any particular expectation as to what it's going to be like.
It's for people who appreciate enthusiasm and passion in artists (I'm talking mainly about Franco, but it applies to Crane too, I suppose) even if the result is not particularly coherent. It's obvious that this was a labor of love for Franco, and that more than anything else is what makes it interesting.