| James Franco | ... | Hart Crane | |
| Michael Shannon | ... | Emile | |
| Dave Franco | ... | Young Hart | |
| Richard Abate | ... | Father Crane | |
| Betsy Franco | ... | Mother Crane | |
| Paul Mariani | ... | Alfred Stieglitz | |
| Shandor Garrison | ... | Gorham Munson | |
| Stacey Miller | ... | Mrs. Cowley | |
| Dylan Goodwin | ... | Young Truck Driver | |
| John Morrow | ... | Young Sailor | |
| Ivo Juhani | ... | French Man in Library | |
| Vince Jolivette | ... | American Man in Paris | |
| Fallon Goodsen | ... | American Woman in Paris | |
| Caroline Aragon | ... | French Cafe Owner | |
| Sebastian Celis | ... | Deckhand | |
| Will Rawls | ... | Factory Worker | |
| Kazy Tauginas | ... | Boxer | |
| Aztec Musicians Grupo de Danza Azteca Chichimeca Ome Acati | ... | Musical Group | |
| Alejandro León | ... | Dancer | |
| Alejandra Sosa del Rio | ... | Dancer | |
| Cármen Mera | ... | Dancer / Singer | |
| Gustavo Merino | ... | Dancer | |
| Natalia Careaga | ... | Dancer | |
| Rodolfo Libreros | ... | Dancer | |
| Raúl Contreras López | ... | Dancer | |
| Anamar Romero | ... | Dancer / Smoke Handler | |
| José Islas | ... | Musician | |
| Carlos Moreno | ... | Musician | |
| rest of cast listed alphabetically: | |||
| Gary Abrams | ... | Angry Boxing Fan (uncredited) | |
| Ira Berkowitz | ... | Poetry Enthusiast (uncredited) | |
| Laura Burnett | ... | Poetry Reading Attendant (uncredited) | |
| Christopher J. Domig | ... | Dancer in Tuxedo (uncredited) | |
| Paul Galbraith | ... | Poetry Enthusiast (uncredited) | |
| David Gerson | ... | Drunken Cafe Attendant (uncredited) | |
| Sean Patrick Murray | ... | Movie Theater Attendant (uncredited) | |
| Jeff Petriello | ... | Sailor (uncredited) | |
| David Rothstadt | ... | Poetry Reading Attendant (uncredited) | |
Directed by | |||
| James Franco | |||
Writing credits(in alphabetical order) | ||
| James Franco | written by | |
| Paul Mariani | book "The Broken Tower" | |
Produced by | |||
| Caroline Aragon | .... | producer | |
| Nicolás Celis | .... | line producer: additional photography | |
| Monica Hoenig | .... | line producer | |
| Vince Jolivette | .... | producer | |
| Miles Levy | .... | producer | |
| John Morrow | .... | associate producer | |
| Jeff Most | .... | executive producer | |
| Jeff Rice | .... | executive producer | |
| James Franco | .... | producer (uncredited) | |
Original Music by | |||
| Neil Benezra | |||
Cinematography by | |||
| Christina Voros | (director of photography) | ||
Film Editing by | |||
| James Franco | |||
Production Design by | |||
| Kristen Adams | |||
Art Direction by | |||
| Eric Morrell | (uncredited) | ||
Costume Design by | |||
| Malgosia Turzanska | |||
Makeup Department | |||
| José F. Carillo Serrano | .... | hair stylist: additional photography | |
| José F. Carillo Serrano | .... | makeup artist: additional photography | |
| Sarah Hindsgaul | .... | hair stylist | |
| Sarah Hindsgaul | .... | makeup artist | |
| Krystal Phillips | .... | additional stylist | |
Production Management | |||
| Julie Buck | .... | unit production manager | |
| Peter Cairns | .... | post-production supervisor | |
| April Shannon | .... | production manager: additional photography (as April Theresa Shannon) | |
Art Department | |||
| Olivia Alejandro | .... | set dresser: additional photography (as Olivia Vega) | |
| Rodrigo Frias | .... | set dresser: additional photography | |
| Jorge Alejandro Vega | .... | set dresser: additional photography (as Jorge Vega) | |
| Micaela Carolan | .... | set dresser (uncredited) | |
| Meghan Lyons | .... | set dresser (uncredited) | |
Sound Department | |||
| Neil Benezra | .... | sound designer | |
| Neil Benezra | .... | sound re-recording mixer | |
| Neil Benezra | .... | supervising sound editor | |
| Samuel Kelly Benezra | .... | foley artist (as Sam Benezra) | |
| Shea Kelly Benezra | .... | foley artist (as Shea Benezra) | |
| Federico Gonzalkez | .... | sound recordist: additional photography | |
| Dylan Goodwin | .... | boom operator | |
| Alex Noyes | .... | dialogue editor | |
| Laura Sinnott | .... | sound recordist | |
| J.R. Skola | .... | sound recordist | |
| Anthony Viera | .... | sound recordist | |
| Laura Sinnott | .... | adr engineer (uncredited) | |
Stunts | |||
| Seth Andrew Bridges | .... | stunts (as Seth Bridges) | |
| Neimah Djourabchi | .... | stunts | |
| Drew Leary | .... | stunt coordinator | |
| Brian Morvant | .... | stunts | |
| Corey Pierno | .... | stunts | |
Camera and Electrical Department | |||
| Chris Aran | .... | first assistant camera (as Christopher Aran) | |
| Stratton Bailey | .... | key grip | |
| Jose Guadalupe Barroso | .... | electrician: additional photography (as José Guadalupe Barroso) | |
| Peter Cairns | .... | camera operator: "b" camera | |
| Peter Cairns | .... | digital imaging technician | |
| Tim Curtin | .... | swing (as Timothy Curtin) | |
| Alejandro Ferrusquía | .... | electrician: additional photography | |
| Trevor Fields | .... | best boy electric | |
| Jason Goodman | .... | additional camera operator | |
| Jason Goodman | .... | still photographer | |
| Rob Leitzell | .... | gaffer | |
| Jonathan Leys | .... | additional camera operator | |
| Jonathan Leys | .... | camera assistant: additional photography | |
| Beto Muñoz | .... | gaffer: additional photography | |
| Peter O'Leary | .... | additional camera operator | |
| Peter O'Leary | .... | best boy grip | |
| Aileen Taylor | .... | first assistant camera | |
Casting Department | |||
| Analeine Cal y Mayor | .... | background casting | |
| John Morrow | .... | background casting | |
| Jeff Petriello | .... | background casting | |
Costume and Wardrobe Department | |||
| Karen Boyer | .... | wardrobe supervisor | |
| Jessica Morales | .... | wardrobe assistant: additional photography | |
| Abby Walton | .... | wardrobe assistant | |
Editorial Department | |||
| Peter Cairns | .... | colorist | |
| Kathryn J. Schubert | .... | assistant editor (as Kathryn Shubert) | |
Music Department | |||
| Gerard Talbot | .... | music consultant | |
| Gerard Talbot | .... | music licensing | |
Transportation Department | |||
| David Barragán | .... | driver: additional photography | |
| Edgar Canseco | .... | driver: Mr. Franco, additional photography | |
| Irv Gooch | .... | picture cars | |
| Paul Rosen | .... | picture cars | |
Thanks | |||
| Doug Franco | .... | dedicatee | |
| Paul Mariani | .... | special thanks | |
| Ken Mate | .... | special thanks | |
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| Before Night Falls | Milk | Howl | The Consul of Sodom | Going Down in LA-LA Land |
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Even though this movie certainly is not entirely my cup of tea, I'm still able to see and recognize it as a good and original movie, that doesn't always makes things easy for itself.
You could definitely say that this movie is being a bit too artistic for my taste. It's shot entirely in black & white and doesn't necessarily follow a main plot line. It just follows its main character, without making it apparent what direction the movie will be heading at. It also makes it often hard to see what the point of certain sequences in this movie are. It makes the movie at times feel like a bit of a pointless and overlong one.
The movie definitely starts to become a bit of an endurance test after a while. I was perfectly able to take and follow the movie for its first 90 minutes or so but after that point it starts to become much harder to stay interested, also since the movie too often isn't providing you with anything interesting or provoking enough.
It's definitely not an usual biopic, that goes deep into things. You still feel that you really get to know its main subject though, through its slow and subtle storytelling. He doesn't even say all that much but he lets his poetry and actions speak for him. In that regard I really have to compliment the movie and this also was the foremost reason why I still really liked it. You might not fully get to know the real Hart Crane through this movie but it might still get you interested in him and his work.
James Franco is excellent as the movie its main character, even though he looks absolutely nothing like the real Hart Crane. It was not an easy role to play but Franco is luckily not afraid to make things hard on himself at times, which results in an interesting character and performance, that is solid enough to carry the entire movie. Since it really foremost is Franco who has most of the movie its screen time and the movie isn't focusing ever on any other characters.
But that's not all Franco did. He also directed, wrote, produced and edited it. In other words, this was a real passion project for James Franco and this luckily does show in the movie. It's a skillfully made movie, with eye for detail, that handles its main subject subtly and with real respect.
I liked it good enough and respect it but I of course do realize that this movie is not for just everyone.
7/10
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