| James Franco | ... | Hart Crane | |
| Michael Shannon | ... | Emile | |
| Dave Franco | ... | Young Hart | |
| Richard Abate | ... | Father Crane | |
| Betsy Franco | ... | Mother Crane | |
| Paul Mariani | ... | Alfred Stieglitz | |
| Shandor Garrison | ... | Gorham Munson | |
| Stacey Miller | ... | Mrs. Cowley | |
| Dylan Goodwin | ... | Young Truck Driver | |
| John Morrow | ... | Young Sailor | |
| Ivo Juhani | ... | French Man in Library | |
| Vince Jolivette | ... | American Man in Paris | |
| Fallon Goodsen | ... | American Woman in Paris | |
| Caroline Aragon | ... | French Cafe Owner | |
| Sebastian Celis | ... | Deckhand | |
| Will Rawls | ... | Factory Worker | |
| Kazy Tauginas | ... | Boxer | |
| Aztec Musicians Grupo de Danza Azteca Chichimeca Ome Acati | ... | Musical Group | |
| Alejandro León | ... | Dancer | |
| Alejandra Sosa del Rio | ... | Dancer | |
| Cármen Mera | ... | Dancer / Singer | |
| Gustavo Merino | ... | Dancer | |
| Natalia Careaga | ... | Dancer | |
| Rodolfo Libreros | ... | Dancer | |
| Raúl Contreras López | ... | Dancer | |
| Anamar Romero | ... | Dancer / Smoke Handler | |
| José Islas | ... | Musician | |
| Carlos Moreno | ... | Musician | |
| rest of cast listed alphabetically: | |||
| Gary Abrams | ... | Angry Boxing Fan (uncredited) | |
| Ira Berkowitz | ... | Poetry Enthusiast (uncredited) | |
| Laura Burnett | ... | Poetry Reading Attendant (uncredited) | |
| Christopher J. Domig | ... | Dancer in Tuxedo (uncredited) | |
| Paul Galbraith | ... | Poetry Enthusiast (uncredited) | |
| David Gerson | ... | Drunken Cafe Attendant (uncredited) | |
| Sean Patrick Murray | ... | Movie Theater Attendant (uncredited) | |
| Jeff Petriello | ... | Sailor (uncredited) | |
| David Rothstadt | ... | Poetry Reading Attendant (uncredited) | |
Directed by | |||
| James Franco | |||
Writing credits(in alphabetical order) | ||
| James Franco | written by | |
| Paul Mariani | book "The Broken Tower" | |
Produced by | |||
| Caroline Aragon | .... | producer | |
| Nicolás Celis | .... | line producer: additional photography | |
| Monica Hoenig | .... | line producer | |
| Vince Jolivette | .... | producer | |
| Miles Levy | .... | producer | |
| John Morrow | .... | associate producer | |
| Jeff Most | .... | executive producer | |
| Jeff Rice | .... | executive producer | |
| James Franco | .... | producer (uncredited) | |
Original Music by | |||
| Neil Benezra | |||
Cinematography by | |||
| Christina Voros | (director of photography) | ||
Film Editing by | |||
| James Franco | |||
Production Design by | |||
| Kristen Adams | |||
Art Direction by | |||
| Eric Morrell | (uncredited) | ||
Costume Design by | |||
| Malgosia Turzanska | |||
Makeup Department | |||
| José F. Carillo Serrano | .... | hair stylist: additional photography | |
| José F. Carillo Serrano | .... | makeup artist: additional photography | |
| Sarah Hindsgaul | .... | hair stylist | |
| Sarah Hindsgaul | .... | makeup artist | |
| Krystal Phillips | .... | additional stylist | |
Production Management | |||
| Julie Buck | .... | unit production manager | |
| Peter Cairns | .... | post-production supervisor | |
| April Shannon | .... | production manager: additional photography (as April Theresa Shannon) | |
Art Department | |||
| Olivia Alejandro | .... | set dresser: additional photography (as Olivia Vega) | |
| Rodrigo Frias | .... | set dresser: additional photography | |
| Jorge Alejandro Vega | .... | set dresser: additional photography (as Jorge Vega) | |
| Micaela Carolan | .... | set dresser (uncredited) | |
| Meghan Lyons | .... | set dresser (uncredited) | |
Sound Department | |||
| Neil Benezra | .... | sound designer | |
| Neil Benezra | .... | sound re-recording mixer | |
| Neil Benezra | .... | supervising sound editor | |
| Samuel Kelly Benezra | .... | foley artist (as Sam Benezra) | |
| Shea Kelly Benezra | .... | foley artist (as Shea Benezra) | |
| Federico Gonzalkez | .... | sound recordist: additional photography | |
| Dylan Goodwin | .... | boom operator | |
| Alex Noyes | .... | dialogue editor | |
| Laura Sinnott | .... | sound recordist | |
| J.R. Skola | .... | sound recordist | |
| Anthony Viera | .... | sound recordist | |
| Laura Sinnott | .... | adr engineer (uncredited) | |
Stunts | |||
| Seth Andrew Bridges | .... | stunts (as Seth Bridges) | |
| Neimah Djourabchi | .... | stunts | |
| Drew Leary | .... | stunt coordinator | |
| Brian Morvant | .... | stunts | |
| Corey Pierno | .... | stunts | |
Camera and Electrical Department | |||
| Chris Aran | .... | first assistant camera (as Christopher Aran) | |
| Stratton Bailey | .... | key grip | |
| Jose Guadalupe Barroso | .... | electrician: additional photography (as José Guadalupe Barroso) | |
| Peter Cairns | .... | camera operator: "b" camera | |
| Peter Cairns | .... | digital imaging technician | |
| Tim Curtin | .... | swing (as Timothy Curtin) | |
| Alejandro Ferrusquía | .... | electrician: additional photography | |
| Trevor Fields | .... | best boy electric | |
| Jason Goodman | .... | additional camera operator | |
| Jason Goodman | .... | still photographer | |
| Rob Leitzell | .... | gaffer | |
| Jonathan Leys | .... | additional camera operator | |
| Jonathan Leys | .... | camera assistant: additional photography | |
| Beto Muñoz | .... | gaffer: additional photography | |
| Peter O'Leary | .... | additional camera operator | |
| Peter O'Leary | .... | best boy grip | |
| Aileen Taylor | .... | first assistant camera | |
Casting Department | |||
| Analeine Cal y Mayor | .... | background casting | |
| John Morrow | .... | background casting | |
| Jeff Petriello | .... | background casting | |
Costume and Wardrobe Department | |||
| Karen Boyer | .... | wardrobe supervisor | |
| Jessica Morales | .... | wardrobe assistant: additional photography | |
| Abby Walton | .... | wardrobe assistant | |
Editorial Department | |||
| Peter Cairns | .... | colorist | |
| Kathryn J. Schubert | .... | assistant editor (as Kathryn Shubert) | |
Music Department | |||
| Gerard Talbot | .... | music consultant | |
| Gerard Talbot | .... | music licensing | |
Transportation Department | |||
| David Barragán | .... | driver: additional photography | |
| Edgar Canseco | .... | driver: Mr. Franco, additional photography | |
| Irv Gooch | .... | picture cars | |
| Paul Rosen | .... | picture cars | |
Thanks | |||
| Doug Franco | .... | dedicatee | |
| Paul Mariani | .... | special thanks | |
| Ken Mate | .... | special thanks | |
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| Before Night Falls | Milk | Howl | The Consul of Sodom | Going Down in LA-LA Land |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
THE BROKEN TOWER will likely never be on the list of best films made, so why award it five stars? Because this very fine art piece is the result of the devotion of James Franco to his craft. He worked directly with Boston College professor Paul Mariani, the author of a half dozen volumes of poetry, as well as several biographies of 20th-century American poets, including William Carlos Williams, John Berryman, and Robert Lowell: Franco based THE BROKEN TOWER on Mariani's similarly titled 2000 biography of Crane.
The subject of the film is the life and creative genius of Hart Crane, (July 21, 1899 - April 27, 1932) an American poet who found both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that is difficult, highly stylized, and very ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem in the vein of The Waste Land that expressed something more sincere and optimistic than the ironic despair that Crane found in Eliot's poetry. In the years following his suicide at the age of 32, Crane has come to be seen as one of the most influential poets of his generation.
James Franco wrote the screenplay based on book by Paul Mariani, directed and edited the film and acted the main role of Hart Crane. Crane was a nearly disconsolate man who refused to follow his wealthy father's business, longing instead to be a poet. Born in Ohio he traveled to New York (the place he always considered home), to Cuba, and to Paris searching for his poetic voice. He was a gay man in an era when his lifestyle was always under threat, he had a lover (Vince Jolivette) early on in an affair that was filled with passion, and in his travels he seemed to find his true love in Emile (Michael Shannon) that endured the manic highs and depressive, death-haunted lows that befell this self -destructive visionary poet. He attempted suicide at least once and finally ended his life in a successful suicide at the young age of 32.
Franco breathes life into Hart Crane, offering more understanding of this enigmatic genius than we have ever been afforded. In making the film Franco uses his younger brother Dave Franco to depict the young Hart and selects his small cast wisely. The film is completely in black and white and is in the format of 'Voyages' - each voyage takes us through a distinct part of Hart's life: his gay loves, his poetry readings, his forays to Cuba and to Paris and his lonely hours of sitting before an old typewriter where he created the major epics of poetry that remain some of the finest ever written by an American poet.
The film is choppy, not unlike the manner in which Hart's mind worked in bits and pieces, always immersed in thoughts of the sea, the labor of common man, of the Brooklyn Bridge which would play the major role in his most famous epic poem THE BRIDGE, and of the fellow artists whose work he so admired. There is a strange musical score (the work of Neil Benezra) which is long on choral chanting, and a quality of gritty cinematography achieved by Christiana Vorn. The technique of the making of this film matches the vision of James Franco in continuing to visit the lives of isolated geniuses. The dialogue, what little there is, is Crane's poetry as spoken by Franco.
For many this film will seem self-indulgent on Franco's part. And perhaps it partially is. But the flavor of this gay American poet of the 1920s and the reflections of America at that time ring true. THE BROKEN TOWER is not a biopic of Hart Crane. It is an elegy.
Grady Harp