A story that focuses on the problematic relationship between Paul Marseul, owner of a prestigious vineyard in Saint Emilion and his son, Martin, who works with him on the family estate. ... See full summary »
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Brian A. Hoffman
"Fanny" is the second part of the "Marseille trilogy", made by Marcel Pagnol with the generic name of "Marius, Fanny and César". Fanny falls in love and is abandoned by Marius. Now she ... See full summary »
A story that focuses on the problematic relationship between Paul Marseul, owner of a prestigious vineyard in Saint Emilion and his son, Martin, who works with him on the family estate. Paul is a demanding and passionate wine-maker but is a domineering father. He is not happy that his son may one day succeed him. He dreams of a son who is more talented, more charismatic . . . and more in line with his own aspirations. Things deteriorate as Paul's trusted manager Francois is dying of cancer. When Francois' son Philip, also in the wine business, returns from California to look after his father, Paul sees Philip as his ideal son and turns away from his own flesh and blood. Written by
French screenwriter, producer and director Gilles Legrand's third feature film which he co-produced and co-wrote with French screenwriter and director Delphine de Vigan, premiered in France, was shot on locations in France and is a French production which was produced by producer Frédéric Brillion. It tells the story about a middle-aged Roman Catholic monarchist named Paul de Marseul who lives on a grand estate in Les Etourneaux in Nice, France where he runs a vineyard. When Paul's long-time collaborator named Francois Amelot learns that he is dying from cancer, Paul's son named Martin who works for him and lives on his estate with his wife named Alice makes himself available to take over Francois' position, but Paul doesn't regard his son that highly and is more concerned with Martin giving him a grandson.
Distinctly and precisely directed by French filmmaker Gilles Legrand, this finely paced fictional tale which is narrated from multiple viewpoints though mostly from the two main characters' viewpoints, draws an increasingly dramatic portrayal of a seasoned wine maker who was sent away from home as a nine-year-old in the early 1950s to attend a Jesuit boarding school and who was noticed for the first time and trained by his father as a 17-year-old, and his relationship with his only child whom he thinks has a personality which is more compatible to that of his mother than to his. While notable for its distinct, atmospheric and naturalistic milieu depictions, masterful cinematography by French cinematographer and director Yves Angelo, reverent production design by production designer Aline Bonetto, costume design by costume designer Tess Hammami, film editing by film editor Andréa Sedlackova and use of sound, colors and light, this dialog-driven and narrative-driven story about a father's resentment towards his own flesh and blood whom he likes to dictate and taunt, depicts two conflicting and heartrending studies of character and contains a timely and prominent score by composer Armand Amar.
This elegiacally atmospheric, sarcastically humorous and densely generational character piece which is set during a summer in France in the 21st century and where a French man named Philippe whom has been living in Chile for the last three years arrives at the Marseul family estate without any other reasons for his visit than to meet his father, and is embraced by his fathers' friend and associate, is impelled and reinforced by its cogent narrative structure, substantial character development, rhythmic continuity, unsentimental dialog, indifferently claiming and disowning comment by Paul : "I'm your father, aren't I", the majestic acting performance by French actor Niels Arestrup and the involving acting performances by French actors Lorànt Deutsch, Nicolas Bridet, Patrick Chesnais and French actress Anne Marivin. An eloquently psychological, commandingly cinematographic and revering narrative feature.
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