| Inokentijs Vitkevics | ... | Georgie | |
| Anna Krippa | ... | Russian Woman | |
| Iulia Iarova | ... | Russian Girl | |
| Yusra Warsama | ... | Anna Costa | |
| Gloria Oyewumi | ... | Rosemary | |
| Damian Lewis | ... | DI Anthony Carter | |
| Jessie Clayton | ... | Ellie Carter | |
| Marian Barbu | ... | DVD Seller | |
| Peter Le | ... | Vietnamese Man | |
| Thien Nguyen | ... | Vietnamese Boy | |
| Jennifer Brooks | ... | Police Woman | |
| Wunmi Mosaku | ... | Sonia Carey | |
| Jo Hartley | ... | April Harris | |
| Jean Walker | ... | Teacher | |
| Tolu Ogedengbe | ... | Keisha | |
| Victoria Oyewumi | ... | Girl in Cap | |
| Vicky McClure | ... | DC Manda Healy | |
| Richard Oldham | ... | Man | |
| Carl O'Rourke | ... | Gangmaster | |
| Yurly Kozak | ... | Guitar Player | |
| Michael Smiley | ... | Sean | |
| Igors Vitkevics | ... | Dani | |
| Huy Pham | ... | Kim Pak | |
| Cosima Shaw | ... | Alison Carter | |
| Babou Ceesay | ... | David | |
| Nonso Anozie | ... | Thomas Ekoku | |
| Leemore Marrett Jr. | ... | Michael Oledego | |
| Ony Uhiara | ... | Grace | |
| Lenny Wood | ... | Man in Crash | |
| Petra Olajide | ... | Serena Ekoku | |
| Kwaku Nuamah | ... | Son | |
| Ayo Olabampe | ... | Daughter | |
| Inara Jarinovska | ... | Georgie's Mum | |
| Afua Nuamah | ... | African Girl | |
| rest of cast listed alphabetically: | |||
| Don Gayle | ... | Chief inspector | |
Directed by | |||
| Justin Chadwick | |||
Writing credits(in alphabetical order) | ||
| Stephen Butchard | ||
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Rob Hardy | |||
Film Editing by | |||
| Paul Knight | |||
Casting by | |||
| Shaheen Baig | |||
| Beverley Keogh | |||
Production Design by | |||
| Jon Henson | |||
Art Direction by | |||
| Christopher Walker | |||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Janet Horsfield | .... | makeup designer | |
| Amanda Isaacs-Hurst | .... | makeup supervisor (as Amanda Isaacs) | |
Second Unit Director or Assistant Director | |||
| Claire Jo Benjamin | .... | additional third assistant director | |
| Vito Bruno | .... | third assistant director | |
| Laura Coggan-Hulmes | .... | second assistant director (as Laura Coggan) | |
| Dan Winch | .... | first assistant director | |
Art Department | |||
| Anita Gupta | .... | buyer | |
| Sophie McConville | .... | standby art director | |
| Daryn McLaughlan | .... | assistant art director | |
| Mary Wainwright | .... | graphics | |
| Sion Clarke | .... | dressing props (uncredited) | |
Sound Department | |||
| Gavin Dunn | .... | sound maintenance | |
| Jim Goddard | .... | sound effects editor | |
| Sue Harding | .... | foley artist | |
| Stuart Hilliker | .... | dubbing mixer | |
| John Hughes | .... | sound recordist | |
| Lee Walpole | .... | supervising sound effects editor | |
| Ian Wilkinson | .... | supervising dialogue and adr editor | |
| Rowena Wilkinson | .... | foley artist | |
Visual Effects by | |||
| Katie McCulloch | .... | digital restoration | |
| Asa Shoul | .... | digital colorist | |
Stunts | |||
| Gary Arthurs | .... | stunt coordinator | |
| Andy Bennett | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Blann | .... | camera trainee | |
| John Cartwright | .... | best boy | |
| Victoria Hanna | .... | clapper loader | |
| Ken Lowe | .... | gaffer | |
| Kirstin McMahon | .... | operator: second unit | |
| Jennie Paddon | .... | first assistant camera | |
| Craig Shiels | .... | grip assistant: daily | |
| Roger Tooley | .... | steadicam operator | |
| Anthony Ward | .... | key grip | |
| Phil Green | .... | lighting technician (uncredited) | |
Costume and Wardrobe Department | |||
| Heidi McQueen-Prentice | .... | costume assistant | |
| Hannah Walter | .... | costume supervisor | |
Editorial Department | |||
| Adam Harvey | .... | assistant editor | |
| Sion Penny | .... | on-line editor | |
| Rob Redford | .... | assistant editor | |
Music Department | |||
| Lewis Morison | .... | additional music editor | |
| Neil Stemp | .... | music editor | |
| Roger Suen | .... | music assistant | |
Other crew | |||
| Ella Brookes | .... | production secretary | |
| Deborah Coombes | .... | production coordinator | |
| Jackie Okwera | .... | researcher | |
| Angie Pontefract | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| If you want a good film on trafficking... | Thorpe89 |
| so what did everyone think? | NorthernGooner |
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| Catch a Fire | Dogville | Rory O'Shea Was Here | Sai Gon nhat thuc | Journey's End |
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| Full cast and crew | Company credits | News articles |
| IMDb Crime section | IMDb UK section |
I've only seen a handful of films(most notably Sin nombre), TV miniseries about human trafficking and therefore was very interested in seeing this TV film to see how this production would tackle this very difficult subject.
Unfortunately the film lacks in depth, and length and rendering the film into a flawed but entertaining journey about human trafficking. The idea that perhaps came from screenwriter Stephen Butchard to use 3 different children from various continents, forced into slave labor is an intelligent one.
Now the viewer gets served with different perspectives, and also due race, gender, background, a much wider look on the problem of human trafficking.
Mixed with personal life and career of DI Anthony Carter(Damian Lewis)who is main character in this TV film, the viewers get know the frustration, anger and troubles that police is facing while trying to deal with the problem.
But 90 minutes is too short, which makes this film feel rushed, flawed and also, some scenes feel unrealistic, contrived and forced because of the very short timelimit that the makers of this film is under.
Technically this film delivers, having very high production values, good use of split screen and editing. With an cinematography adapted for big screen productions rather then the usual TV photography.
But all of that is just style over substance, and makes th film somewhat shallow. A real shame because there are some pretty solid performances by Damian Lewis, Nonso Anozie, and the three children.
Why the makers didn't make this into miniseries divided into 2 or 4 parts is a mystery to me.
Despite its flaws I suggest that anyone interested in seeing this film should also watch Sin nombre (2009), Casa de los babys (2003), miniseries for TV like Sex Traffic (2004).
They better productions and have better scripts then this one.