Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Director Bruno de Almeida and a group of New York actors and writers made this feature film from May 2001 to December 2005 under a collaborative project called the DV Workshop. Shot with a ... See full summary »
Bruno de Almeida
Drena De Niro
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Managed by world famous rock manager, Edgar Harding, a small time band is on the brink of success.On the eve of receiving the elusive recording contract all bands dream about, a devastating... See full summary »
When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
Arkin escapes with his life from the vicious grips of "The Collector" during an entrapment party where he adds beautiful Elena to his "Collection." Instead of recovering from the trauma, Arkin is suddenly abducted from the hospital by mercenaries hired by Elena's wealthy father. Arkin is blackmailed to team up with the mercenaries and track down The Collector's booby trapped warehouse and save Elena. Written by
"Elena" roughly translated means "bright one" in Greek and Spanish origin. See more »
When Arkin breaks through the window to escape the Collector at the club he lands on a parked car. The windows of the car blow out before he makes contact with the roof. See more »
Elena. I know this must seem like the darkest day of your life. I know you miss your mother. And even though she's not here right now, she'll always love you. You understand that, don't you, darling?
But I'm going to be around more. I will always be here.
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End Credits show how the lead characters died/survived, while displaying their names respectively See more »
So here is something new for me -- Watching a horror movie sequel, not knowing it's a sequel, and it being good enough that I want to see the original. Weird, huh? Don't get me wrong, it has it's faults. An incredible body count that would draw the attention of the CIA, FBI, and any local police much less the Criminal Minds-type teams. It's completely impossible to have that many dead bodies in building and it not just REEK of death to the point you can't go in. But... it's a horror movie. Just go with it.
If you can just go with it, and you like really scary, psychological thrilling, torture-porn horror flicks like SAW, it's pretty good. It's certainly scary, quite unpredictable, and the acting is actually... not terrible. The plot is original. It's very gory. But it didn't come across as being all about the gore. It had you thinking, "What would I do if I was in that situation." Most of the time, my answer was - Sit down and cry.
I compare it to the Saw franchise, because it was written by some of the guys who wrote some of those, and because of the sadistic puzzles the people had to go through. But it really isn't the same as Saw because the plot was different. I would say if you like the Saw movies, you'd really enjoy this. If you didn't, don't waste you time. It's wouldn't be your type of film.
I gave it an 8 meaning it to be compared only to other horror movies, not to all movies in general. It certainly isn't for non-horror people. And it isn't a family film. Some of it was very hard to watch. I was proud of the fact that the ticket seller refused to sell a ticket to the 20-year-old in front of me trying to buy tickets for the 10 and 12 year olds she brought to this. It's not for kiddies at all.
I'm going to get part 1 (The Collector) on Netflix, then hope part 3 (if there is one) is as good.
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