6.2/10
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Red Lights (2012)

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Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic who has resurfaced years after his toughest critic mysteriously passed away.

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Paul Shackleton
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Monica Hansen
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Ben
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Leonard Palladino
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Howard McColm
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Benedict Cohen
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Jim Carroll
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Michael Sidgwick
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Sarah Sidgwick
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Susan Sidgwick
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Storyline

The skeptical psychologist Dr. Margaret Matheson and her assistant, physicist Tom Buckley, are specialists in disclosing fraudulent paranormal phenomena. When the famous psychic Simon Silver reappears to his public after many years of absence, Tom becomes singularly obsessed in determining whether Silver is a fraud or not. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

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How much do you want to believe? See more »


Motion Picture Rating (MPAA)

Rated R for language and some violence | See all certifications »

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Details

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Release Date:

2 March 2012 (Spain)  »

Also Known As:

Red Lights  »

Box Office

Budget:

€14,000,000 (estimated)

Opening Weekend:

$1,496,498 (Spain) (2 March 2012)

Gross:

$52,624 (USA) (12 August 2012)
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2.35 : 1
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Did You Know?

Trivia

The scene in which Margaret Matheson exposes a psychic healer by listening in on a partner feeding him instructions wirelessly was based on the case in which skeptics James Randi and Steve Shaw (better known under his stage name Banachek), with technical assistance from crime scene analyst and electronics expert Alexander Jason, exposed Peter Popoff in 1986. In that case, as in the scene, Popoff's wife Elizabeth was feeding him information that she and her aides had taken from prayer request cards filled out by audience members over wireless radio. Some of the dialogue is taken almost verbatim from the actual case. In May 1986, Randi presented the evidence on The Tonight Show Starring Johnny Carson, exposing Popoff's fraudulent practices. In 1987 Popoff declared bankruptcy, only to make a comeback in the late 1990s and early 2000s. See more »

Goofs

At the beginning of the movie you hear a car driving with the gears changing on a manual transmission. However, when the car appears, it is a car that was never manufactured with a manual transmission. The car zooms down the road in the same scene with, again, the wrong automobile sounds. See more »

Quotes

[first lines]
Tom Buckley: Margaret. Margaret. Margaret.
Margaret Matheson: [waking] Yes?
Tom Buckley: You should get some sleep.
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Crazy Credits

At the end of the ending credits, the film's title flickers in a similar manner to the way light bulbs behave in the presence of psychic activity throughout the film. See more »

Connections

Featured in Projector: Red Lights (2012) See more »

Soundtracks

In the Summertime
Written and composed by Ray Dorset
Performed by Juan Cook, Thomas Spain & Jonathan D. Mellor
© 1970 (renewed) by Ray Dorset. Associated Music International Ltd., Broadley Music (International)
2010 Master by Sony ATV Music Publishing (Spain) LLC, S. en C.
Under license from Sony/ATV Music Publishing (Spain) LLC S. en C.
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User Reviews

 
Paranormal Piffle
21 June 2012 | by (Birmingham, England) – See all my reviews

Not much has been made of it, but 'Red Lights' has a twist which, I don't care how attentive or clever you are, you will simply not predict. Paranormal-themed films are getting to be quite stale, but the ending, which actually has two twists, is marvellous and might - might

  • galvanise the genre.


Sigourney Weaver and Cillian (pronounced 'Kill-ian') Murphy play Doctors Matheson and Buckley. They're a psychologist and physicist who investigate psychic claims. Invariably they come away from each case laughing. Every one is explained scientifically; rationally. They're exposed as magic tricks.

Recent roles haven't reflected why Weaver, who is nearly 65, has been so prolific of late, but here she excels. Her character is meant to be an expert and, because of the plausibility she exudes, that's exactly how I viewed her. Writer-director Rodrigo Cortes' ('Buried') excellent script assists her characterisation. Intellectual, detailed, life-like: you could be mistaken, at moments, for watching a TV show debate. Murphy gets similar credit. He invests in his role a seriousness which might have been silly if he did so in isolation.

The doctors find their match in Simon Silver (Robert De Niro), a famous psychic who comes out of retirement for one last pay check. He's the only one Weaver won't investigate because 'he's the only one who makes her doubt'. Murphy insists, however, but when he does, he – we – uncover more than we were expecting.

Like you (I hope), I'm convinced that psychic ability is balderdash. So I was more than impressed at how Cortes creates a mood and a tempo that keeps you guessing until the dramatic end. His film is original, suspenseful and, most importantly for a film with this premise, credible.

But then there's De Niro, my favourite actor. Always has been. Always will be. But my God has he been making it hard for me these past 20 years. He once said that he was an actor, not a personality. I think it's time for him to update his personal quote book. Why do I say this? Because (and I deeply regret admitting this) he's the single biggest reason why 'Red Lights', regardless of Weaver's and Murphy's endeavours and the superb final twist, will join his expanding cannon of fodder.

www.moseleyb13.com


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