A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by
While Suzy's books in the movie are fake, "Noye's Fludde", is in fact a real 1957 opera by Benjamin Britten. The text is based on an edition by Alfred W. Pollard of an early 15th-century mystery play from the Chester Mystery Cycle. The opera is written to be performed by a cast primarily of amateurs, and Britten requested it be performed in a church or a large hall but not in a theatre. Hence why it is being done by children in a church. See more »
When Suzy goes into the tent by herself, she is wearing a heavy layer of blue eye shadow. A few moments later when Sam enters the tent, Suzy has been crying and her eyes are nearly devoid of shadow before Sam hands her his neckerchief and she wipes her eyes. In the very next scene when Suzy is reading aloud from her one of her books, her eyes are once again fully coated with eye shadow. See more »
[during a storm]
I hope the roof flies off and I get sucked up into space.
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Moonrise Kingdom will leave you dreamy and smiling, with a hint of melancholy
Let's try to understand the miracle I have just witnessed. Director Wes Anderson is 12 years old, has just experienced his first love while at Summer camp, and immediately rushed to a camera to tell us, his pen pals, the story. A slightly embellished story which follows the perfect scenarios we would draw at night in our beds at this age. It has all the tiny details, the sense of adventure and the freshness of youth. How someone 43 years old in real life could do this movie is beyond me. The drawback of this miracle for the viewer is that such a jump back into the kind of idealized feelings you had in your early teens leaves you with quite some melancholy when you leave the cinema.
It could be that some people do not connect to the movie and just see it as "adorable" or "cute" and nothing more. But I suppose most people will feel connected, notably because the movie has this straight-to-the-point attitude in both the technique and the story-telling; the story is read to you, not force-fed with dramatic music and whatnot. Just like one of the characters who reads bedtime stories to the others.
You might complain about the lack of character development for some of the big names in this film (Norton, Willis, Murray - McDormand less so as she gets more detailed screen time than the others) but I suppose this is wanted: kids will see hints of the issues adults are facing, but can't understand them fully. And remember this is a movie shot by 12-year old Wes Anderson.
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