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Moonrise Kingdom (2012)

PG-13 | | Adventure, Comedy, Drama | 29 June 2012 (USA)
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A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

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Nominated for 1 Oscar. Another 37 wins & 115 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sam
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The Narrator
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Andreas Sheikh ...
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Rob H. Campbell ...
Deluca (as Rob Campbell)
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

29 June 2012 (USA)  »

Also Known As:

Moonrise Kingdom - Un reino bajo la luna  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$522,996 (USA) (25 May 2012)

Gross:

$45,507,053 (USA) (26 October 2012)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Suzy is reading "Disappearance of the Sixth Grade" at the Mile 3.25 Tidal Inlet campground and continues onto "Part Two" after Sam says to read on, it is just about the exact midway point of the film: the spoken words occur at 46:59, with 46:56 left in the movie. This moment also marks the transition of the film's plot, of course, so Suzy's "reading" also informs the audience of the shift in the movie's tone and direction. See more »

Goofs

Captian Sharp's trailer is shown from the outside at night and the window curtains are closed, but from inside the curtains are open. See more »

Quotes

Cousin Ben: [walking briskly] Is this him?
Sam: Field Mate Sam Shakusky, Troop 55, resigned.
Cousin Ben: [dramatically] He's hot. Almost too hot. What's in the can?
Redford: $76, but it's mostly in nickels.
Cousin Ben: Give it to me.
[to Sam]
Cousin Ben: Your badge in seamanship?
Sam: Yes, sir.
Cousin Ben: Good. There's a cold water crabber moored off Broken Rock. The skipper owes me an IOU. We'll see if he can take you on as a claw cracker. It won't be an easy life, but it's better than shock therapy.
Sam: Thank you, sir. By the way, where's the chapel tent?
[...]
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Crazy Credits

When the credits for the book cover artists appear on screen, they are also accompanied by the book covers they drew for the film. See more »

Connections

References Badlands (1973) See more »

Soundtracks

Songs from Friday Afternoons, Op. 7 (Old Abram Brown)
Composed by Benjamin Britten
(1935)
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Frequently Asked Questions

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User Reviews

 
An ambitious film which for the most part delivers spectacularly
18 May 2012 | by (Bulgaria) – See all my reviews

Saw this just now in a small indie cinema in Heidelberg, Germany and I have to say, it was a romp. In my humble opinion this film manages to be both Wes Anderson's funniest picture so far and his most melancholic. The utter uncompromising stylishness of his other work is also present here, perhaps even heightened, but in contrast to The Life Aquatic (and to a certain degree The Darjeeling Limited), the emphasis here is firmly on plot. The brave and often odd visuals never overwhelm the story and the audience never feels like they are not quite in on the joke, like in The Life Aquatic. The tone does tend to become a bit erratic, especially in the last third of the film when Anderson seems to want to pack so much into every frame that the film becomes a bit cartoonish at times (hence the not-perfect score from me). All in all, though, the plot is very balanced and the pacing is great. The two young leads are superb and the brave move by Anderson to place unknown actors front and centre pays off beautifully. The rest of the cast is on paper even more star-studded than The Royal Tenenbaums and yet Anderson never steers into unnecessary character development just to accommodate his stars. A touch here and a touch there are more than enough to paint a picture of a group of people who are eerily similar in their dissatisfaction with their lives and yet react quite differently to the two young lovers' dash (literally) for happiness. In conclusion, a must-see for Anderson fans and highly recommended for everyone else.


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