| Nathan Harris | ... | Himself (as Sgt Nathan Harris) | |
| Ashley Harris | ... | Herself | |
| The Marines of Echo Company | ... | Themselves | |
| Christian Cabaniss | ... | Himself (as Lt Col Christian Cabaniss) | |
| Eric Meador | ... | Himself (as Cot Eric Meador) | |
| Ted Hubbard | ... | Himself (as Lt Edward Hubbard) | |
| Terry Roberts | ... | Himself (as Chaplain Terry Roberts) | |
| Doug Webb | ... | Himself (as SSgt Doug Webb) | |
| Robert Gaines | ... | Himself (as Lt Cmdr Robert Gaines) | |
| Matthew Swibe | ... | Himself (as Lt Cmdr Matthew Swibe) | |
| Chris MacDonald | ... | Himself (as Sgt Chris MacDonald) |
Directed by | |||
| Danfung Dennis | |||
Produced by | |||
| Diana Barrett | .... | co-executive producer: Fledging Fund | |
| Thomas Brunner | .... | executive producer | |
| Dan Cogan | .... | executive producer | |
| Steven Cohen | .... | co-executive producer | |
| David Cumming | .... | co-executive producer | |
| Ian Darling | .... | co-executive producer | |
| Danfung Dennis | .... | producer | |
| Abigail Disney | .... | co-executive producer: Fort Films | |
| Caroleen Feeney | .... | co-executive producer | |
| Maxyne Franklin | .... | co-executive producer: BritDoc Foundation | |
| Pierre Hauser | .... | co-executive producer: Fork Films | |
| Martin Herring | .... | producer | |
| Patricia Lambrecht | .... | co-executive producer | |
| Mike Lerner | .... | producer | |
| Havana Marking | .... | executive producer | |
| Karol Martesko | .... | executive producer (as Karol Martesko-Fenster) | |
| Gernot Schaffler | .... | executive producer | |
| Juliette Timsit | .... | co-executive producer | |
Original Music by | |||
| J. Ralph | |||
Cinematography by | |||
| Danfung Dennis | |||
Film Editing by | |||
| Fiona Otway | |||
Production Management | |||
| Janet Knipe | .... | production manager | |
Art Department | |||
| Colin Metcalf Lemon | .... | art direction: Lemon (as Colin Metcalf) | |
| Colin Metcalf Lemon | .... | branding: Lemon (as Colin Metcalf) | |
Sound Department | |||
| Danfung Dennis | .... | additional sound designer | |
| Danfung Dennis | .... | sound recordist | |
| Arthur Pingrey | .... | additional sound designer | |
| Arthur Pingrey | .... | dialogue editor | |
| Arthur Pingrey | .... | sound editor | |
| Arthur Pingrey | .... | sound re-recording mixer | |
| J. Ralph | .... | dialogue editor | |
| J. Ralph | .... | sound designer | |
| J. Ralph | .... | sound editor | |
| J. Ralph | .... | sound re-recording mixer | |
| J. Ralph | .... | supervising sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| James Andrews | .... | additional footage (as LCpl James Abdrews) | |
| Todd Crawford | .... | still photographer | |
Editorial Department | |||
| Stewart Griffin | .... | colorist | |
| Ben Laffin | .... | digital intermediate editor | |
| Jenny Raskin | .... | editorial consultant | |
| Jonathan Liebert | .... | digital cinema mastering (uncredited) | |
| Caitlin Tartaro | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Brian Binsack | .... | second scoring engineer | |
| Bub Jess | .... | score producer: The Rumor Mill (as Bubb Jess) | |
| Gary Morris | .... | second scoring engineer | |
| Guy Rabinowitz | .... | second scoring engineer | |
| J. Ralph | .... | music designer | |
Other crew | |||
| Rodney Brooks | .... | accountant | |
| Michael Donaldson | .... | clearance counsel | |
| Georgie Duncan | .... | production coordinator | |
| Mohamad Ismail | .... | translator | |
| Ahmad Fahin Nooristani | .... | translator | |
| Dana O'Keefe | .... | sales agent | |
| Karinah Turner | .... | production coordinator | |
Thanks | |||
| Dennis J. Burrow | .... | in remembrance of (as LCpl Dennis J. Burrow) | |
| Jordan Chrobot | .... | in remembrance of (as LCpl Jordan Chrobot) | |
| Leopold F. Damas | .... | in remembrance of (as LCpl Leopold F. Damas) | |
| Bruce E. Ferrell | .... | in remembrance of (as LCpl Bruce E. Ferrell) | |
| David R. Hall | .... | in remembrance of (as LCpl David R. Hall) | |
| Jeremy S. Lasher | .... | in remembrance of (as Cpl Jeremy S. Lasher) | |
| Xhacob Latorre | .... | in remembrance of (as Cpl Xhacob Latorre) | |
| Amir Muihammad | .... | in remembrance of (as Ana Amir Muhammad) | |
| Javier Olvera | .... | in remembrance of (as LCpl Javier Olvera) | |
| Gregory A. Posey | .... | in remembrance of (as LCpl Gregory A. Posey) | |
| Patrick W. Schimmel | .... | in remembrance of (as LCpl Patrick W. Schimmel) | |
| Charles S. Sharp | .... | in remembrance of (as LCpl Charles S. Sharp) | |
| James Allen Smith | .... | thanks | |
| Reilly Steele | .... | thanks | |
| Jonathan F. Stroud | .... | in remembrance of (as LCpl Jonathan F. Stroud) | |
| Donald W. Vincent | .... | in remembrance of (as Pfc Donald W. Vincent) | |
| Nicholas G. Xiarhos | .... | in remembrance of (as Cpl Nicholas G. Xiarhos) | |
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| Kabul Transit | The Man Who Would Be King | Paragraph 175 | The Dirty Dozen | Jung (War) in the Land of the Mujaheddin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
What was the Academy thinking? Nominate this and snub The Cave Of Forgotten Dreams, Living In The Material World and Project Nim?? I am not even sure this qualifies as a documentary at all. It feels as fake as your average MTV reality show. Some vignettes about the interaction of the US forces and the afghan villagers are revealing enough, but the rest is pure manipulation. There are even moments that may provoke unintended laughs; that is what generally happens when you try to get a "dramatic performance" from non actors. I believe the whole project is a very misguided attempt at portraying the harrowing effects of war in the bodies and psyche of soldiers. It would have been much better as a biopic given the director obvious penchant for giving the facts a little extra boost though cinematic techniques more commonly associated to fiction. I hope the Oscar in this category goes to Paradise Lost: Purgatory or even to Pina.