| Photos (See all 37 | slideshow) | Videos (see all 4) |
| Michael Harring | ... | Tom - in photos (as Mike Harring) | |
| Mark Duplass | ... | Jack | |
| Mike Birbiglia | ... | Al | |
| Emily Blunt | ... | Iris | |
| Jason Dodson | ... | Tom's Friend | |
| Pete Erickson | ... | Tom's Friend | |
| Kathryn Lebo | ... | Tom's Friend | |
| Evan Mosher | ... | Tom's Friend | |
| Jennifer Maas | ... | Tom's Friend | |
| Jeanette Maus | ... | Tom's Friend | |
| Dori Hana Scherer | ... | Tom's Friend (as Dori Hana-Scherer) | |
| Steve Snoey | ... | Tom's Friend | |
| Dusty Warren | ... | Tom's Friend | |
| Seth Warren | ... | Tom's Friend | |
| Mel Eslyn | ... | Photography Studio Crew | |
| Kate Jarvis | ... | Photography Studio Crew | |
| Jeremy Mackie | ... | Photography Studio Crew | |
| Nathan M. Miller | ... | Photography Studio Crew | |
| Norman Tumolva | ... | Photography Studio Crew (as Norm Tumolva) | |
| Rosemarie DeWitt | ... | Hannah | |
| Kate Bayley | ... | Waitress | |
| Jason Braggs | ... | Diner Patron | |
| John Lavin | ... | Diner Patron | |
| Lee Luna | ... | Diner Patron | |
| Petra Kjorsvik | ... | Diner Patron | |
| Kimberly Chin | ... | Mother | |
| Kohen Chin | ... | Young Boy #1 | |
| Beckett Chin | ... | Young Boy #2 |
Directed by | |||
| Lynn Shelton | |||
Writing credits | ||
| Lynn Shelton | (written by) | |
Produced by | |||
| Kate Bayley | .... | associate producer | |
| Mark Duplass | .... | executive producer | |
| Mel Eslyn | .... | co-producer | |
| Dashiell Gantner | .... | executive producer | |
| Vallejo Gantner | .... | executive producer | |
| Megan Griffiths | .... | co-producer | |
| Jennifer Maas | .... | associate producer | |
| Dave Nakayama | .... | co-executive producer | |
| Lance Rosen | .... | co-executive producer | |
| Jennifer Roth | .... | executive producer | |
| Steven Schardt | .... | producer | |
| Lynn Shelton | .... | executive producer | |
Original Music by | |||
| Vinny Smith | |||
Cinematography by | |||
| Benjamin Kasulke | |||
Film Editing by | |||
| Nat Sanders | |||
Production Design by | |||
| John Lavin | |||
Makeup Department | |||
| Petra Kjorsvik | .... | key hair stylist | |
| Petra Kjorsvik | .... | key makeup stylist | |
Production Management | |||
| Mel Eslyn | .... | post-production supervisor | |
| Jennifer Roth | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Susan LaSalle | .... | second assistant director | |
| Jennifer Roth | .... | first assistant director | |
Art Department | |||
| Francesca Berrini | .... | additional artwork | |
| Chelsea Conboy | .... | graphic artist: beer | |
| Tania Kupczak | .... | art department graphics | |
| John Lavin | .... | original artwork | |
| Duane Pasco | .... | additional artwork | |
| Carlos Ruiz | .... | graphic artist: beer | |
| Dori Hana Scherer | .... | art production assistant | |
| Steve Snoey | .... | photoshop work | |
Sound Department | |||
| Kevin Bressler | .... | additional dialogue editor | |
| Dave Howe | .... | sound re-recording mixer | |
| Vinny Smith | .... | sound mixer | |
| Vinny Smith | .... | sound | |
| Vinny Smith | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Alex Daboub | .... | additional camera assistant | |
| Jason Knoll | .... | additional camera operator: Seattle | |
| Jason Knoll | .... | first assistant camera | |
| Jeremy Mackie | .... | gaffer | |
| Ryan McMackin | .... | additional camera operator | |
| Nathan M. Miller | .... | first assistant camera: Seattle | |
| Nathan M. Miller | .... | key grip | |
| Tadd Sackville-West | .... | first assistant: "b" camera (as Tadd Sackville West) | |
| Jacqueline Stahl | .... | camera assistant: l.a. | |
| Norman Tumolva | .... | additional grip work (as Norm Tumolva) | |
| Norman Tumolva | .... | key grip: Seattle (as Norm Tumolva) | |
Editorial Department | |||
| Marc Brown | .... | digital film services | |
| Jannat Gargi | .... | digital film producer | |
| Joe Jacobs | .... | data management | |
| Tim Maffia | .... | senior colorist: Modern Digital | |
| Kristin Molina | .... | digital film producer | |
| Bill Scott | .... | senior color timer | |
| Kathie McCallister | .... | post-production producer (uncredited) | |
Music Department | |||
| Mel Eslyn | .... | music supervisor | |
| Sandy Wilson | .... | music supervisor | |
Other crew | |||
| Mike Birbiglia | .... | creative consultant | |
| Emily Blunt | .... | creative consultant | |
| Rosemarie DeWitt | .... | creative consultant | |
| Mark Duplass | .... | creative consultant | |
| Paul Hammond | .... | commentary | |
| Joe Jacobs | .... | scrolling credits | |
| Adam Kersh | .... | publicist: Brigade Marketing | |
| Lee Luna | .... | set production assistant: Seattle | |
| Kristen Parsons | .... | accounting services: Enterprise Business Consultats | |
| Dave Peterson | .... | insurance provider: Midlakes Insurance | |
| Lance Rosen | .... | legal services: Rosen Lewis | |
| Courtney Schade | .... | commentary coordinator | |
| Camille Wren | .... | accounting services: Enterprise Business Consultants | |
Thanks | |||
| Darren Aronofsky | .... | thank you | |
| Chris Ballew | .... | thank you | |
| Joe Birbiglia | .... | thank you | |
| Nancy Black | .... | thank you | |
| Liza Boone | .... | thank you | |
| Garrett Cantrell | .... | thank you | |
| Geralyn White Dreyfous | .... | thank you | |
| Oleg Dubson | .... | thank you | |
| Nancy Guppy | .... | thank you | |
| Michael Harring | .... | editorial thank you (as Mike Harring) | |
| Jeff Kleinsmith | .... | thank you | |
| Richard Klubeck | .... | thank you | |
| Lacey Leavitt | .... | editorial thank you | |
| David R. Lipson | .... | editorial thank you (as David Lipson) | |
| Rick Patton | .... | thank you | |
| Taryn Reneau | .... | special thanks | |
| Rena Ronson | .... | thank you | |
| Steve Snoey | .... | editorial thank you | |
| Alex Soler | .... | thank you | |
| Gareth Upton | .... | thank you | |
| Rachel Weisz | .... | thank you | |
| Hailey Wieringo | .... | thank you | |
| Craig Zisk | .... | thank you | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Oftentimes, indie films can be summarized in a single Twitter hashtag: #firstworldproblems. Lynn Shelton's "Your Sister's Sister" definitely applies, but fortunately, Shelton anchors her story with a script that feels dynamic and largely improvised as well as three excellent actors.
The film takes place in Washington state, a year after the death of Jack's (Mark Duplass) brother and Iris' (Emily Blunt) ex-boyfriend. Jack and Iris have become best friends since. After talking to Jack, Iris can tell he needs a refresher, so she convinces him to spend some time at her family's getaway home on an island off the coast. When he arrives, he unexpectedly encounters Iris' older sister, Hannah (Rosemarie DeWitt), and the two engage in a drunken hookup that reveals to be a big problem when Iris turns up unannounced the next morning.
It's really hard to see the conflict in this film at all, let alone first-world conflict, until we learn that Iris has been hiding intense emotional feelings for Jack. Then it gets complicated, albeit the whole ordeal is really trifling start to finish. Somehow, however, Shelton compels us with these selfish sad-sack characters. Maybe it's similar to the way reality shows manage to make us care about the scum of the Earth, but more than likely it's how easily we can relate to these conflicts, because most of us likely to watch "Your Sister's Sister" only deal with first- world problems.
If the Pacific Northwest setting weren't so critical to the film's aesthetic, you might wonder if Shelton's film was a play first. The scenes are lengthier and the cast obviously quite small. Although there are some melodramatic spikes throughout the story, much of the film relies on moments of natural human connection between the characters.
Duplass is in his wheelhouse as a somewhat confused soul with a great sense of humor and a dash of paranoia. As the star of Shelton's 2009 film "Humpday," he knows exactly what this style of drama needs to thrive. As someone capable of holding her own in everything from mainstream comedy to period pieces to blockbusters, Blunt continues to showcase her versatility as Iris. As poorly as the script builds her character in so far as reasons she should love Jack, Blunt sells it completely.
DeWitt's Hannah is a messier character than both Jack and Iris, possibly combined. She's a lesbian just out of a long-term relationship who hooks up with a man, and though her reasons become clearer as the film progresses, it doesn't make her any more endearing.
Shelton clearly enjoys tinkering with characters who have unlikable tendencies and deserve little of our sympathy. There's nothing at stake in the film either except whether members of the trio can reconcile their differences and actually share their feelings with each other. Nevertheless, they're lifelike creatures, and if you're the film's target audience, your issues with yourself and with others become mirrored in their struggles. As trivial as their dilemma is, it resonates, and the way Shelton captures the Pacific Northwest scenery will evoke the same feeling you get when you visit your own personal nature-shrouded getaway.
"Your Sister's Sister" amounts to a story of the bond between siblings that reinforces the a value of those relationships. Despite the inconsequential nature of all the conflict in the film, Shelton and her cast tap into familiar feelings and emotions with ease. The might be first- world problems, but that doesn't take away from their legitimacy.
~Steven C
Thanks for reading! Visit moviemusereviews.com for more