| Videos (see all 2) |
Directed by | |||
| Bruce McDonald | |||
Writing credits(in alphabetical order) | ||
| Tony Burgess | ||
| Erin Faith Young | ||
Produced by | |||
| Richard Meaney | .... | associate producer | |
| Jennifer St. John | .... | producer | |
| Erin Faith Young | .... | producer | |
Original Music by | |||
| Rita Chiarelli | |||
| Christopher Guglick | |||
| John Hazen | |||
| Léah Lazonick | |||
Cinematography by | |||
| Steve Cosens | |||
Film Editing by | |||
| Eamonn O'Connor | |||
Sound Department | |||
| Robert C. Bigelow | .... | location sound recordist (as Robert Bigelow) | |
| John Hazen | .... | sound supervisor | |
| Trevor King | .... | sound operator | |
Camera and Electrical Department | |||
| John Price | .... | camera operator | |
| Sabre Walker | .... | camera operator | |
| Sabre Walker | .... | second unit: cinematographer | |
| Sabre Walker | .... | still photographer | |
Editorial Department | |||
| Mike Anderson | .... | assistant editor | |
| David Hedley | .... | colorist | |
| Stphanie Liberi | .... | on-line editor | |
| Jonathan Liebert | .... | digital cinema mastering | |
Other crew | |||
| Jennifer Di Cresce | .... | production coordinator | |
| Jose Figueroa-Baez | .... | production assistant | |
| Natasha Khatwani | .... | assistant production coordinator | |
| Curry Leamen | .... | post production intern | |
| Monica Penner | .... | researcher | |
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| Gimme Shelter | Rocking the Boat: A Musical Conversation and Journey | The Concert for Bangladesh | Dont Look Back | Simon and Garfunkel: The Concert in Central Park |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
Music from the Big House begins humbly enough, with a myriad of inmates telling their musical roots. Rita Chiarelli seeks to go back to the roots of the blues, Angola Prison Louisiana. This is where the magic happens. Taking the time to assemble 4 different bands, Rita masterfully guides the inmates learning their past, while teaching her own. Together they make nothing short of a masterpiece. Music from the Big House grants a beautiful look into the hearts and souls of these men. Introducing you to the new souls, the men of hope, looking out of their harrowing homes and into the heavens for salvation. Rita becomes their angel in garb, dealing out guitars, keyboards, and drums; making the blues resonate from the stonewalls of Angola Prison. I loved the simple black and white film, each shadowed grain only intensified emotions of the graveled voices. Chiarelli guides us humbly, granting us with an open-hearted look into the real men and their music.