| Mathieu Demy | ... | Martin | |
| Geraldine Chaplin | ... | Linda | |
| Chiara Mastroianni | ... | Claire | |
| Carlos Bardem | ... | Luis | |
| Jean-Pierre Mocky | ... | Le père | |
| Salma Hayek | ... | 'Lola' | |
| André Wilms | ... | L'Allemand | |
| Pablo Garcia | ... | Pedro | |
| Sabine Mamou | ... | La mère (archive footage) | |
| Timothy Davis | ... | Le douanier | |
| Cokey Falkow | ... | Le facteur | |
| Kevin Beaty | ... | Doug O'Toole, l'avocat immobilier | |
| Nick Roberts | ... | L'homme à la machine | |
| Gary Feldman | ... | L'homme à la machine, jeune (archive footage) | |
| Linda Flores Wade | ... | La femme mexicaine | |
| Angelina Abeyta | ... | La dame de la caravane | |
| Samantha Nicole Martinez | ... | La jeune traductrice | |
| Lisa Blok-Linson | ... | Lisa | |
| Mark Mahoney | ... | Mark, le thanatopracteur | |
| Jeanne de France | ... | La femme de ménage | |
| Romanö | ... | Le barman de l'impasse | |
| Linda Lee Hopkins | ... | La femme du consulat | |
| Eduardo Sainz | ... | Serveur Americano | |
| Alonso Venegas Flores | ... | Serveur Americano | |
| Emiliano Suarez | ... | Serveur Americano | |
| Andrew Shemin | ... | Stripclub Client | |
| James Gerard | ... | Stripclub Client | |
| Vanina Arias | ... | Danseuse Americano | |
| Dorothée Arnold | ... | Danseuse Americano | |
| Cynthia Garcia Gullen | ... | Danseuse Americano | |
| Marie Gonnot | ... | Danseuse Americano | |
| Shéhérazade Meier | ... | Danseuse Americano (as Schéh&éacute;razade Me&ïuml;er) | |
| Sayuri Olivera Canto | ... | Danseuse Americano | |
| Catherine Treskow | ... | Danseuse Americano | |
| Raquel Uriostegui | ... | Danseuse Americano | |
| Viviana Del Carmen Verdugo | ... | Danseuse Americano | |
| rest of cast listed alphabetically: | |||
| Mobin Khan | ... | Shahrukh | |
Directed by | |||
| Mathieu Demy | |||
Writing credits(in alphabetical order) | ||
| Mathieu Demy | written by | |
Produced by | |||
| Lisa Blok-Linson | .... | executive producer | |
| Rémi Burah | .... | co-producer | |
| Johanna Colboc | .... | line producer | |
| Corina Danckwerts | .... | supervising producer: Los Angeles | |
| Mathieu Demy | .... | producer | |
| Luisa Gomez de Silva | .... | line producer: Tijuana | |
| Angeline Massoni | .... | executive producer | |
| Michel Reilhac | .... | co-producer | |
| Agnès Varda | .... | co-producer | |
| Rosalie Varda | .... | co-producer | |
Original Music by | |||
| Grégoire Hetzel | (composition & arrangement) | ||
Cinematography by | |||
| Georges Lechaptois | |||
Film Editing by | |||
| Jean-Baptiste Morin | |||
Casting by | |||
| Alexandre Nazarian | |||
Production Design by | |||
| Arnaud Roth | |||
Art Direction by | |||
| Paola Cortés | |||
Costume Design by | |||
| Rosalie Varda | |||
Production Management | |||
| Michael Chandlee | .... | unit manager trainee | |
| Scott Fort | .... | unit production manager | |
| Pierre-Arthur Goulet | .... | post-production manager | |
| Pauline Seigland | .... | executive in charge of production | |
| Robert Shapiro | .... | unit production manager | |
| Laurent Weitmann | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Antoine Chevrollier | .... | first assistant director | |
| Ivan Diaz-Robledo | .... | second assistant director | |
| Marjorie Marramaque | .... | second assistant director | |
Art Department | |||
| Pauline Berger | .... | sculptor | |
| Cathia Cuevas | .... | assistant art director | |
| Yannick Heuveline | .... | carpenter | |
| Denis Lourenco | .... | set dresser | |
| Magali Viney | .... | assistant decorator | |
Sound Department | |||
| Jean-Luc Audy | .... | sound | |
| Thomas Berliner | .... | boom operator | |
| Nicolas Bouvet | .... | sound editor | |
| Jean De Sagey | .... | foley recordist | |
| Anne Delacour | .... | dialogue editor | |
| Séverin Favriau | .... | sound editor | |
| Alexis Jung | .... | assistant sound editor | |
| Cyrille Lauwerier | .... | sound editor | |
| Cyrille Lauwerier | .... | sound re-recording mixer | |
| François Maurel | .... | sound | |
Visual Effects by | |||
| Gaëlle Bossis | .... | digital compositor | |
| Audrey Kleinclaus | .... | visual effects coordinator: Eclairgroup | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | steadicam operator | |
| Julien Bureau | .... | first assistant camera | |
| Jean-Pierre Garbin | .... | additional electrician | |
| Julie Gaujour | .... | second assistant camera | |
| Stéphane Germain | .... | key grip | |
| Jason M. Norman | .... | chief lighting technician | |
| Olivier Regent | .... | gaffer | |
| Antoine Valentin | .... | electrician | |
Casting Department | |||
| Aurelie Delvenne | .... | extras casting | |
| Pam Gilles | .... | casting | |
| Barbarella Pardo | .... | extras casting | |
Editorial Department | |||
| Karim El Katari | .... | color timer: Eclair | |
| David Magalhaes | .... | telecine dailies colorist | |
| Bruno Patin | .... | colorist | |
Music Department | |||
| Hubert Cornet | .... | music supervisor | |
| Nicolas Duport | .... | music mixer | |
| Jeff Genie | .... | music supervisor | |
| Jeff Genie | .... | producer: additional songs | |
Other crew | |||
| K. Adithya Ashok | .... | production assistant | |
| Jennifer Bertram | .... | assistant production coordinator | |
| Sarahí Castro | .... | production assistant | |
| Tory Dahlhoff | .... | production assistant | |
| Aurelie Delvenne | .... | location manager | |
| Roman Diaz | .... | production coordinator: mexico | |
| Sarah Dignan | .... | production coordinator | |
| Aurélie Godet | .... | post-production coordinator | |
| Octavio Maya | .... | location manager | |
| Annick Reipert | .... | script supervisor | |
| Jeff Sadden | .... | office production assistant | |
| Tucker Simmons | .... | production assistant | |
| Laurent Weitmann | .... | location manager | |
Thanks | |||
| Mickael Alix | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Demy's story is not without charm, and in between the stutter in a simplistic seen it man traveling abroad to recover the body of his parent, and in the process searching and maybe finding himself story, revolving around a bunch of pretty much generic characters, his lead written for himself en-tête, there are some small finds, like Chaplin's play, or Hayek's yet another stripper character. Unfortunately, however, the most outstanding negative feature is not even the direction, which exemplifies how any setting can be displayed from the most unflattering and bleak angle, from Paris to L.A., with the most uninspired framing you could believe possible, or the shaky borderline earthquake documentary camera work, nor the dialog, which is not a stand out, but in the film quality itself. It reminded me of the execrable film grain of the civic education videos they used to project at the cinema before the movie in my home country 25 years ago during the communist era. I guess Demy found a stash somewhere. Slightly worn.
Also, on an even more humorous note, it will provide food for thought for those planning on some day spending a long weekend in Tijuana.