I AM offers an insight into the true nature of our God, and fights the damaging stereotypes of His character through a gritty, non-linear drama with a plot weaving around average people violating the Ten Commandments - one by one.
Liv Skaarsguard had given up trying to make memories with a father who couldn't remember her, but when she learns that he's dying, she finds her way back to him and discovers that love is impossible to forget.
The story of environmentalist John Francis, who walked from one end of the United States to the other and took a 17-year vow of silence in protest over a massive 1971 oil spill in the San Francisco bay.
When professor Lippzigger dies, his favorite student Mark inherits the key to his secret laboratory. There he and his friend Jay find the hundreds of years old body of Frankenstein - and ... See full summary »
Christopher Daniel Barnes,
Tom Shadyac described making the documentary as "freeing", giving himself complete creative control along with his small crew. See more »
An ocean, a rainforest, the human body, are all co-operatives. The redwood tree doesn't take all the soil and nutrients, just what it needs to grow. A lion doesn't kill every gazelle, just one. We have a term for something in the body when it takes more than its share, we call it: cancer.
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I Am because I care to be. I Am the change that I desire. I Am where it all starts. I Am responsible.
A successful and wealthy Hollywood director/producer, Tom Shadyac, following a nasty bicycle accident and ensuing significant PTSD, recovered to put together this wonderful documentary concerning the philosophical components of what creates a satisfied and happy life/community. What was found that when it comes right down to it, all we really need is love. "I Am" is a documentary & solution of our global problem, attempting to instill consciousness and awakening into its viewers, one person at a time. It is 76 minutes of happy talk, Koyaanisqatsi-style (Francis Ford Coppola/Godfrey Reggio's 1982 documentary) with slow-motion stock footage, reflective historical archival excerpts and a mixture of relevant film clips ("Wall Street," "It's a Wonderful Life"), quotes from Ralph Waldo Emerson, Martin Luther King, Mother Teresa and Gandhi, splices of spiritual songs w/ incredible poignant lyrics- all teamed to emotional tie-ins that elevate the human spirit with empathy, empowerment & a brilliant understanding of connection and a desire to want to "make a difference". Its style and method has much connection to Michael Moore documentaries, but doesn't leave the viewer in such an angry and impotent mood post showing. Likewise, the film uses the producer's own life story to show that "more" doesn't equate to "happy". It illustrates how a common thread of disorder/dissatisfaction is inter-weaved into our whole western culture's neurosis, intuitively then, & at the individual's psyche this subsequent emotional instability (dis-ease) is obviously the response to a total disconnection from the interconnectedness of all life, & its interdependency of nature, community, and rightful, unselfish purpose. Our responsive and internal behaviors seem to shout "defense mechanism" as protection to the affront priorities of our culture's "smoke and mirrors". The film's title is not a proud declaration but an acceptance of responsibility. Shadyac holds himself up as a prime example of the conspicuous consumption that many native cultures consider a sign of mental illness.
Putting together a lot of the best contemporary minds of science, politics, spirituality, philosophy, statesmen and poetry, as well as prominent authors of esoteric concepts blending "the physics of consciousness" and "the biology of love", Shadyac set out to answer two questions: What's wrong with our world? What can we do about it? The unequivocal agreement he ascertains is that we're (as a species) hard-wired for cooperation rather than competition, we should listen and behave more from our hearts (and less from our heads), that science and abstract mathematics do change over time, have manipulative appeal with long time consequences are often NOT the answer and with this- the fundamental nature of man is essentially benevolent and not cruel.
Though the answers to these two questions appear voluminous, complicated and opaque, the flow of this movie shows a glowing and simple answer. Yes, people are good, and this movie is a positive and expansive experience. The movie is open to the miraculous nature of existence and the potential for change rather than extinction and other untoward direction of decay and devastation.
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