The story involves the Isaacs, a group of theater actors inhabiting a country home in Westchester County, New York. Present are patriarch George "Grisha" Isaacs (Jack Heller), his wife ...
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An electronic ankle bracelet and being under house arrest aren't about to stop up-and-coming actress Maggie Chase (Tanna Frederick) from the two things she craves the most: real fame and ... See full summary »
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, ... See full summary »
Filmed entirely on location in East Hampton, Long Island, "Last Summer in the Hamptons" concerns a large theatrical family spending the last weekend of their summer together at the ... See full summary »
Jon Robin Baitz
A Hollywood film director assembles a group of friends and strangers for a social gathering on Valentines Day in a deserted movie theater where he interviews each one on their opinions on love and loneliness.
A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of ... See full summary »
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives ... See full summary »
The story involves the Isaacs, a group of theater actors inhabiting a country home in Westchester County, New York. Present are patriarch George "Grisha" Isaacs (Jack Heller), his wife Vivien Cooper Isaacs (Diane Salinger), Vivien's brother Larry Cooper (David Proval), and family house guest Sally Brooks (Harriet Schock). As the tale opens, Grisha and Vivien's neurotic daughter, Pandora (Tanna Frederick) arrives from Manhattan on the heels of a painful and messy breakup. Her ex-boyfriend was an emotionally constipated jerk who couldn't deal with her vulnerabilities and problems. Though Pandora adores her family, their chosen profession, and the emotionally-liberated lifestyle that it engenders, she also grapples with a tense, troubled relationship with her older sister Betsy (Julie Davis); an icy, controlled businesswoman and former stage actress who has distanced herself from this eccentric family of artists. Betsy turns up for a visit not long after Panda arrives, this time with her... Written by
I'm not sure why this movie has received such universal abuse from reviewers.
Admittedly, it's not as inspired as some past Jaglom offerings (certainly not as inspired as "Hollywood Dreams", which I absolutely loved), but on a moment-by-moment basis it is certainly interesting and colorful enough to be worthwhile--contrary to what reviewers would have their readers believe.
I'm even more puzzled by how reviewers seem to have taken to bleating in unison that Jaglom has all along turned out nothing but tiresome nonsense.
Have they seriously forgotten such marvels as "Tracks", "New Year's Day", "Venice/Venice", "Last Summer in the Hamptons", and (the aforementioned) "Hollywood Dreams"?
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